To celebrate the 50th installment of Chip Mom’s Kitchen, I’m taking things back to my roots. See, I am a Midwesty type person. I didn’t transplant myself to Arkansas until some handsome charmer stole me away from all I’d known so that we could raise fuzzy children, get engaged on stage at MAGFest, build a chiptune label, get married, and then (eventually) run away into the woods never to be seen or heard from again. BUT I DIGRESS.
Today I am making one of my family’s classic dishes…
Hello, I’m Defense Mechanism! Welcome back to Intense Tech, where we take an in-depth look at some of the features of LSDj to both help you level up your understanding and your skills as an artist!
In last month’s lesson, we looked at the wave synth. We’ll be detouring away from wave synthesis for a couple lessons, but we’ll return after we lay the groundwork for an exciting wave synth lesson! This month, we’ll take a look at the Z command for LSDj and explore how it can spice up your life!
Hoodie here to intro the triple tag team of reviewers for our latest compilation! In order of appearance, Rhyphte, clover, and Adam Seats share their thoughts on the 26 lovely tunes that make up ‘ChipWINter Wilderness‘.
Dive on into the lovely wintertime read/listen below!
Hey, ChipWINners! Long-time fans of ChipWIN may remember, on our very first compilation, a track called ‘Button Mash’ by a Detroit-based chipmusician named Snesei. With its high-energy percussion and cute melody, the track has cemented itself as a nostalgic trip down memory lane to the earliest days of my chipmusic blogging career. Every time I hear it, I can’t help but feel emotions rush over me as I recall my college years and the friends that I so cherished during that period. When I saw just four short days ago (as of the publication of this post) that Snesei released a short, 3-track EP with a guest remix included titled ‘Digression’, I was intrigued. Each track on this EP feels as though it’s been written from the heart, and with the central theme of growth, one can tell that a truly personal, loving touch is present throughout. But, I digress… let’s see what we have here.
There comes a time in everyone’s adventure in music where one asks, “Is there such thing as ‘too much of a good thing’?” It’s easy to summarize your viewpoint on life in this question. This question, however, gets immediately muddled by the existence of Magenta by Seajeff (fka C-Jeff); founder of the gateway to a ton of excellent progressive jams known as Ubiktune. There’s literally so much content and so much quality that the answer is either “no, there’s no such thing as ‘too much of a good thing,’” or I’m now a self-declared hedonistic opportunist. Maybe the answer’s both at this point, but let’s save that quandary for another time. This album is a badass journey through time and demands a listen, and after the jump I’ll give some examples (and a music video) for you to understand why.
Album art by Taylor Crisdale (alt. cover by Diana Jakobsson).
This month, Spaceman Fantastiques is back with yet another gorgeously articulated record, scoring his life from the previous month, entitled ‘October (2018)’. Combining a mixture of well mixed sound textures with smartly composed arrangements, this record took me on an adventure that was left waiting to be continued from his last release.
One thing I deeply admire about Spaceman Fantastiques, and a couple reasons I review his work so much, is because I not only love it, but there is also a never ending stream of real creativity that spews out of every variety of instruments used for each album. A multi-instrumentalist, Spaceman Fantastiques uses each acoustic texture or synthesizer to new brinks of limitations, combining that art with both storytelling and beautiful, listenable music. This record, and his previous, have been so easy for me to write about because they’ve been so relatable.