- Posted September 4th, 2017 by PainPerdu
- Posted September 1st, 2017 by Tuberz McGee
Hello beautiful people and thank you for reading Paul’s Tech Talk on The ChipWIN Blog!
Today we’re going to tackle one, if not THE most groundbreaking update that happened to LSDJ in the midst of all its crazy transformations. With 5.1.0, Johan Kotlinski decided to rewrite the entire pitch behaviour in LSDJ from scratch. For the sake of this article I’m going to try and keep an unbiased point of view. Even though I am pretty partial to the newer versions, I still use the older ones as well. But it’s safe to say that this update was probably the most controversial of all, and it ruffled a few feathers in the community.
In music in general, but more particularly from a software perspective in LSDJ, Pitch is a solid foundation on which a lot of elements are built. And even though LSDJ is a shining example of software ergonomics and accessible design, its complexity still gives it a bit of a learning curve. The 5.1.0 update shook things up so much that artists would either have to relearn a lot of tried-and-true techniques that would now work just as well but very differently, or refrain from upgrading altogether, deliberately missing out on later updates and bug fixes.
Long story short, for a lot of people, upgrading to 5.1.0 and above would break songs from older versions and render quite a few staple sound design techniques obsolete. Let’s take a quick look at what has changed and get a better grasp of the situation.
- Posted August 30th, 2017 by The Unicorn Princess
Hey dudes and dudettes,
Tuberz here with another installment in the series of articles centered around the understanding and application of music theory. I took last month off to look over the brand new Fearofdark album (and *SPOILERS* it’s a banger */SPOILERS*) but it’s given me a fair amount of time to get together an idea of what I’m going to cover today. Last article I covered extended chords like sevenths and the multiple ways you can build these chords using intervals and simple counting schemes. It is highly recommended that you read through my previous articles before venturing into this one, as it’s gonna get heckers (Adjective: frantic af). This article is going to be all about taking our chords that we’ve set and making them flow smoothly, or not depending on circumstance, as well as notes in our melody and counter-melody flowing smoothly.
Ah yes. More of that prehistoric paper for me to write my hexadecimal microsoft excel tunes on
- Posted August 28th, 2017 by PixelRecall
Happy August, folks!
Shortly after this post becomes published, August will come to a close, and I will be taking September off to wrap up some work of my own. Before I go on my short break, I wanted to shape everyones’ attention towards a synthwave release by an artist that I found via the ChipWINdex (a great resource brought to you by ChipWIN folks full of relevant releases that you’ll most likely adore). I present to you: Laser Life, and their album, ‘Swim’.
Before I even hit ‘play’ on track one, I could tell an overload of care went into this indie release. Laser Life has a memorable logo that is both unique and simple, and the album art (created by Everything Studio) is intensely thought provoking: It gives off a sense of silent surroundings but loud thoughts, and transporting oneself to someplace else.
Created by Everything Studio
- Posted August 25th, 2017 by Aydan Scott
‘Adventures in Bitscape’ by Batou fills the vacuum of space with a passionate, thought-provoking soundscape that you absolutely need to stabilize into your own orbit.
Chill, delightful, and contemplative, ‘Adventures in Bitscape’ is a focused concept album featuring 6 cohesive tracks delivering a musical jaunt through the far reaches of space and beyond. Batou focuses on a sparse, precise collection of sounds to augment an ever-present effective use of silence and the space between notes in an evolving experience that absolutely delivers on its promise to send you off on a contemplative journey through the empty reaches of space and beyond with grace and chip-style.
- Posted August 23rd, 2017 by PainPerdu
Trash80, aka Timothy Lamb, is a name that all of us recognize vaguely or with familiarity. Whether you’ve been a long-time fan since his first few tracks, or just now discovering him through the latest Chiptunes = WIN compilation, his melodic, groovy music has entertained generations of chipmusic fans. Shortly after the release of Volume 6, Trash80 put out a brand-new synthwave inspired EP in ‘Theia’, which has quickly ascended the ranks of Bandcamp’s top 25 best-selling albums this week. So, what’s so stellar about this futuristic, three-track release? Tune in to find out!
Hello all and welcome to the last leg of the Vol. 6 track reviews. One great thing with Chiptunes = WIN’s yearly mainline Volumes: the overall quality is so high and consistent, you’ll never feel like the compilation loses momentum at any point, even for the very last tracks. On the contrary. On this truly STELLAR Volume 6, some of my absolute favourites are actually part of the last ten! And I was lucky enough to review them. Let’s dive in! “La main à la pâte”!
Bonus ‘Volume 6’ album art by Chunderfins, twitter.com/chunderfins