Glenntai Got Em Português by The J. Arthur Keenes Band

- Posted April 20th, 2018 by

Samba is a music genre that isn’t often heard in the realm of chipmusic. From chords with some complexity to rhythmic layers, I can understand this isn’t the easiest thing to tackle with very limited hardware. While still possible to really capture the spirit of the genre, it needs a wider range of sounds than ones typically provided in either hardware or software. Therefore, of all the artists out there, it makes perfect sense that The J. Arthur Keenes band would come along and provide us with a cover album of their favorite samba songs that’s warm and full of the same quality we’ve all known to expect and love. If you don’t know why that was an exciting statement, it’s time for you to click read more.

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Hoodie Highlights… Sam Mulligan!

- Posted April 11th, 2018 by

Hey y’all! ( ´ ▽ ` )ノ It’s once again time for this month’s edition of my blog interview column, Hoodie Highlights!

April’s down-to-Earth chat features a talented singer/songwriter, chipmusician, knowledgeable curator, and all around swell guy. He’s also a lover of both sharks and donuts, so of course I’ve gotta talk to him. 

Everyone, welcome Sam Mulligan to The ChipWIN Blog!

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Aydan Appreciates: ‘Snö’ by Ujico*/Snail’s House

- Posted April 9th, 2018 by

We all love our chipmusic here on the blog. Many of us are familiar with the various kinds of hardware, software, and their unique sounds, be they the NES, the Genesis, the Game Boy, or some other kind of emulator with the express purpose of creating the tones we all know and love. But did you know that the future bass subgenre of electronic dance music is actually in a similar vein to chipmusic by extension? Future bass music is often loosely tied to VGM and chipmusic, and is defined predominantly by its use of synthesizers that are commonplace in all three of these scenes. Today, we’ll be looking at the latest Snail’s House release, ‘Snö’; something that’s particularly notable about this release is the difference in tone between this EP and the majority of Snail’s House’s previous works. Most of this artist’s pieces are high-energy, utilizing a multitude of voices and aggressive percussion to create wild, jazzy tunes, ‘Snö’, on the other hand, is more subdued and calm in nature, sounding something like a soundtrack from a futuristic RPG, but with emotional overtones. Without further ado, let’s see what ‘Snö’ has in store for us.

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The ChipWIN-tern Spotlight: ‘Shark Party’ by Sam Mulligan

- Posted April 6th, 2018 by

“OH MY GOD, IT’S A SHARK PARTY!” If you’re Sam Mulligan, this is a sentence you’ve been singing a lot over the years. If you’re not Sam Mulligan but like his work, you’ll be shouting this today because ‘Shark Party’ is the name of his new album containing a number of tracks he’s sung live over the years but never recorded along with a few new gems. I’m so happy to get to yammer on about this album on this, its release day (and on the second day Sam is playing live shows to show it off, AND ON HIS BIRTHDAY HAPPY BIRTHDAY SAM!).

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Clover Chain Reacts To: Kubbi – ‘Taiga’

- Posted April 4th, 2018 by

My introduction is going to be a bit of a gushy personal disclaimer. Sometime in mid-February of 2015, I was chilling out at home browsing Bandcamp, skimming ‘videogame’ tags and fan accountsmy primary way of finding new music back then. I stumbled across Kubbi’s album ‘Ember’, a breathtaking experience that I fall in love with every time I hear it. It’s stuck with me all this time, and while I’m sure it’s influenced me as an artist, Ember has done much more to help shape me as a listener. Looking back, some things have stayed the same (I still spend an occasional evening all to myself on bandcamp), but there’s just so much that has changed since 2015. I discovered Chiptunes = WIN, learned new things. I made new friends, left high school, grew up… and now I find myself here. I know I wouldn’t want to be judged for who I was three years ago, and I certainly wouldn’t want my music to be judged by what I made back then either.

So, as honored as I am to be talking about one of my favorite artists, on one of my favorite blogs – I’m going to try and set that aside, and refrain from any comparisons in regards to Kubbi’s past work too. I’m honestly more excited for right now, and the memories that haven’t happened yet. I used to have one definitive favorite album. With ‘Taiga’, I now have two.


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Progression: Music Theory 111 – Where Melody Ends and Harmony Begins

- Posted April 2nd, 2018 by

Hey dudes and dudettes,

I’m gearing up to drop my new album this month, so look out for a post on that in the future (probably next month) but for the meantime we can look at some hyper-cool music theory stuff.

Last month we covered the idea of Developing Musical Material. You’ll know by this point I’m going to rant about how I strongly advise you to go back and read through my previous articles which will will help contextualise what we know by this point. This month is where these separate puzzle pieces seem to start connecting, and creating a whole cohesive entity that is ‘Music Theory.’ We’ll be covering the idea of establishing harmony, mood, and feeling through the use of melody.

Let’s jam.

okay now these are just getting ridiculous, far too abstract, and honestly quite hard to follow

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