Is there something like a Chiptune Maestro? This month’s artist, Kenobit, a.k.a Fabio Bortolotti, could definitely be defined as one. Self proclaimed Game Boy addict, he has been working on his masterful and dynamic tracks for over 9 years, and has certainly become an integral figure of the chipmusic community in Milan, Italy.
Fabio was born in Italy, in the year 1982. After playing drums in a few punk bands in his teens, he discovered chiptune at a show in a small club. He instantly fell in love, bought an LSDJ cart, and never stopped producing chiptune.
This month’s artist is as skillful with words as he is with music. An artist that loves to experiment with different types of artistic expression, and a designer at heart, he often dazzles everyone with his ability to communicate his enthusiasm, verbally and visually. It’s pretty clear from his social media profiles that he takes Chiptune seriously, and it’s very refreshing to see such an unbridled enthusiasm.
His first album was titled ‘Bomb Crusader’ and his friends influence is definately felt on his latest album, named ‘Blaster Raster’, after a lifelong connection that he shared with a rastafari that endured a life threatening motorcycle crash.
It’s that chiptastic time of the year again! The long-awaited ‘Chiptunes = WIN: Volume 8’ has finally arrived! Newcomers and veterans from across the globe unite to bring us some of the best chipmusic of the year! Join us as we review the compilation in its entirety!
This month’s Chiptune artist never ceases to amaze me with his rave style bangers and his witty, surreal and flashy Instagram stories. It’s always a quirky and wild ride listening to the tunes of Una Niña Malvada!
Una Niña Malvada, whose real name is Marcelo Aliste (nicknamed Rano) has lived in Santiago de Chile (Chile) all his life. He considers himself to be a very boring but restlessly creative individual, so he has always tried to learn and produce a lot of things: with design, painting, drawing, programming and music. According to him, he is the classical case of “master of none”, although I beg to differ.
Rano creates as if he always tries to tap into the child in all of us, and having several musical projects, Una Niña Malvada is the one that has the most longevity of the bunch. The visual mascot of the project is a lovely female pooch that Rano draws all the time and can be seen throughout his social media. Being such a well received project internationally and online, one could also reflect upon his drawings, that have an 80’s anime vibe, but in which the content is universally relatable, and has a contagious glee, much like his music.
This month’s artist is Cyanide Dansen, an avid chiptuner who crafts deliciously catchy melodies. Based on Paris, France, her latest release, “Do no harm”, will have you swinging through the dance floor in no time.
But was Paris where it all started for her? Marie P., whose alter ego is Cyanide Dansen, was born on Epernay, France. She grew up in Rheims, where is where she met the people who encouraged her to create chiptune music for the first time back in 2011.
Ciro Mendoza is, in his everyday life, a 37 year old Information Technology professor, Software Developer and a Student of Multimedia and Sound and image careers. From the bowels of the west of Buenos Aires, Merlo, he can never stay still: he has also worked as a columnist for the video games section at a local culture mag known as ‘Los Inrockuptibles’ (a branch that previously existed in Argentina, that stemmed from the french magazine ‘Les Inrockuptibles‘) and participated in a project (that never came to fruition) trying to develop a game based in the popular argentinian comic book “El Eternauta” (The Eternaut).
With his chiptune project, going by the name of Cinematronic, all of this geeky exterior explodes into a punkish rage of noise, as I realized when witnessing his live shows. He is everything but meek. He sometimes makes me wonder what would have happened if The Stooges had incorporated chiptune music created to go alongside to the beats of Iggy’s frenetic and contorsionated stage moves from the 70’s.