Author Archive

The Unicorn Princess Royally Reviews ‘October (2018)’ by Spaceman Fantastiques

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[Editor’s note: this album was moved elsewhere on Bandcamp well after the article published, so none of the embeds work. ƪ(‾ε‾“)ʃ ]

Happy November, folks!

This month, Spaceman Fantastiques is back with yet another gorgeously articulated record, scoring his life from the previous month, entitled ‘October (2018)’.  Combining a mixture of well mixed sound textures with smartly composed arrangements, this record took me on an adventure that was left waiting to be continued from his last release.

One thing I deeply admire about Spaceman Fantastiques, and a couple reasons I review his work so much, is because I not only love it, but there is also a never ending stream of real creativity that spews out of every variety of instruments used for each album.  A multi-instrumentalist, Spaceman Fantastiques uses each acoustic texture or synthesizer to new brinks of limitations, combining that art with both storytelling and beautiful, listenable music.  This record, and his previous, have been so easy for me to write about because they’ve been so relatable.

Spaceman Fantastiques, courtesy of Bandcamp.
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The Unicorn Princess Royally Reviews ‘2011’ by WMD

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Happy October, folks!

Just as the month comes to an end, I bring to you a cool little surprise.  Released on September 29, WMD is combining their ability to create atmospheric sound textures and presenting a record paired with straight up chiptune.  It’s been quite a while since something like this has been released, and judging by the comments on their Bandcamp, I’m not the only one excited about it.

Album cover for WMD’s ‘2011’. Credit: Bandcamp

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The Unicorn Princess Royally Reviews ‘The Ground’ by Psilodump

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Happy September & Autumn!

Just released three weeks ago, Psilodump presents to us their newest record, ‘The Ground’. On the whole, this is a wonderful collaboration of artists working together to create a myriad of beautiful tracks. Each composition is distinct in its character, yet they mesh together so well that they flow super fluidly as the album spins through.

Cover artwork by Not Flipper and Anton Bohlin.

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The Unicorn Princess Royally Reviews ‘Trashmoods’ by DELTANOYZ

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Happy August, folks!

I had the pleasure of having my musical horizons wonderfully broadened mid-August thanks to our ChipWINdex. The heat in my NYC apartment has been getting to me lately; there doesn’t seem to be enough rain to cool down the planet, and I simply desperately needed something to get my mind out of that perpetual pressure cooker. DELTANOYZ is an artist from Saint Hyacinthe, Québec, and their most recent album, ‘Trashmoods, is good enough to get you out of one. Stick around to hear a few tracks off the release; I think you’ll like it as much as I do.

Album art for ‘Trashmoods’.

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The Unicorn Princess Royally Reviews ‘Reviver’ by Kris Keyser

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Happy July, peeps!

It’s amazing to me how much more rapidly summer pushes forward the second I start to think of how quickly it’s passing.  It’ll be August tomorrow, and for some of us, it’ll mean we are moving from the scents of slow summer mornings and freshly cut grass to clean paper and sharpened pencils.  For all us New York City folks, it just means the same routine: Escaping the smell of hot garbage to find refuge in tiny apartments where even DMGs seem too big.  No matter where you are, though, we have all been graced with the return of 8bitpeoples, hosting Kris Keyser’s new release, ‘Reviver’.

 

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The Unicorn Princess Royally Reviews ‘workplace ergonomics’ by nmlstyl

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Happy June, folks!

This month on the blog, I display to you all a modest delayed reaction on a spring release that I enjoyed recently. ‘workplace ergonomics’ was released on April 23rd, 2018 by Philly based musician, visual artist, and coder, nmlstyl.  While I was shocked that it hadn’t already been reviewed here, there were absolutely no surprises on my end as to how gorgeous this record turned out to be.

Artwork for ‘workplace ergonomics’, courtesy of Bandcamp.

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