Author Archive

The Unicorn Princess Royally Reviews ‘Swim’ by Laser Life

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Happy August, folks!

Shortly after this post becomes published, August will come to a close, and I will be taking September off to wrap up some work of my own. Before I go on my short break, I wanted to shape everyones’ attention towards a synthwave release by an artist that I found via the ChipWINdex (a great resource brought to you by ChipWIN folks full of relevant releases that you’ll most likely adore).  I present to you: Laser Life, and their album, ‘Swim’.

Before I even hit ‘play’ on track one, I could tell an overload of care went into this indie release. Laser Life has a memorable logo that is both unique and simple, and the album art (created by Everything Studio) is intensely thought provoking: It gives off a sense of silent surroundings but loud thoughts, and transporting oneself to someplace else.

Created by Everything Studio

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The Unicorn Princess Royally Reviews ‘I Just Want to Go Home, Why is that so Difficult?’ by Spaceman Fantastiques

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Happy July, everyone!

Social media has its ups and downs and this month’s blog post will focus on one of its positives: this past month has brought to my attention yet another Spaceman Fantastiques release! ‘I Just Want to Go Home, Why is that so Difficult?’ is an exploration of sound and music used to describe the issues of traveling via plane when you just want to be with your family.  Filled with lo-fi grit, sampling, and on location ambience, Spaceman Fantastiques has a knack for creating poignant narrations through music and sound.

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The Unicorn Princess Royally Reviews ‘Enjoy The Weather’ and Interviews OxygenStar

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Happy June, everybody! Ringing in the summer season, OxygenStar’s latest release is chock full of ear candy bass lines, well-written drum grooves, and catchy melodies.  Appropriately named as ‘Enjoy The Weather’, this happy-go-lucky and gritty lo-fi record was created with using the Sound Blaster 16 sound card, Adlib Tracker II, and tons of dedication.

Part of Planet Zaxxon’s intergalactic residence and record label, OxygenStar has been performing live since 2005, favoring the MS DOS computers, FM synthesis, and a drum kit. This month, I’ll touch on my favorite tracks off the album.  I even got the lucky chance to ask the artist himself about his past performances, his experience having his music on both the Jimmy Fallon Show and Gamestop commercials, and how he  creates the music that makes up OxygenStar.

Album art by enso, AKA Alex Bond.

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The Unicorn Princess Royally Reviews ‘Decent Company’ by Catthew O., AKA Bubblegum Octopus.

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Happy May, folks!

This month, I chose to shed some light on an album hosting home to 26 tracks called ‘Decent Company’, created by a New Jersey based artist, releasing under the moniker of ‘Catthew O.’. Also known as ‘Bubblegum Octopus‘, Catthew O. prepared a wonderfully eclectic final product containing music created specifically for Weekly Beats.

Weakly Beats, which was recently held in 2016, is an online site that previously allowed composers to upload original music once a week, every week, for the entirety of the year. While I did not personally participate in WB, I found it to be a great forum for creativity and I do hope it opens up again in the next year to come; it’s a fantastic place for musicians to congregate, and outcomes like ‘Decent Company’ are always fantastic to come by.

Artwork for ‘Decent Company’.

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The Unicorn Princess Royally Reviews ‘Music Workbench’ by Ben Prunty

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Happy April, folks!

This month, I came across a release by Ben Prunty called ‘Music Workbench’ – a series of improvisations performed by Prunty weekly – is featured live on Twitch every Saturday at 2PM Pacific Time. Taking advantage of a live streaming platform not only gives the opportunity for real-time performances, but it also creates a platform for viewers to inquire about technology and creativity in real time.

Artwork by Amora Bettany, of Studio Miniboss (studiominiboss.com).

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The Unicorn Princess Royally Reviews ‘199X’ and Interviews Spaceman Fantastiques

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Happy March, folks!

Anyone who releases music knows how tough it is to actually put an album out for the world to see (at least, that’s how I roll). There’s getting an idea, writing it, trying to create instruments that sound like how you hear them in your head. Then there’s the getting frustrated, producing, mixing, mastering, self doubt, and excitement. However, on January, 23rd, NYC based artist, Spaceman Fantastiques was able to defy any negative law that would normally convince an artist to stall on sharing their music to the world, and released two. Writing music for games, film, and for our ears, both albums own a sense of depth and storytelling with one focusing on guitar composition (From The Inside), and the other veering towards synthesizers, electronics, and chip (199X). This month, we’ll take a look at 199X and interview Spaceman Fantastiques learning more about his writing process, what brought him to NYC, and what his goals are as an artist.

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