So it’s been a month since our latest Volume compilation released. Y’all all know what that means by now, right? ಠ‿↼
THIS IS IT. We’ve come up to the last ten tracks of Volume 7, and I can’t begin to express the rollercoaster of emotion that was experiencing this album without being able to share the hype with everyone in our Discord channel during the release party.
Fortunately, I have a platform where I can have opinions regardless of how right or wrong I can be (thanks, Internet! <3), so without further ado, it’s time to jump into the first track on my list to cover!
Hey there, familia. How’ve you been? Myself, I’ve been digging these here tracks on this compilation.
I, too, am going to go ahead and skip what could be a wordy introduction, and delve into tracks 31 through 40 of this simply amazing volume.
Oh shoot! What is up! It is that male youth!
No, but seriously let’s get rocking with this.
As you’ve no doubt noticed in and around our community as of recent, we’ve been promoting the hawt diggity dangin’ dawg out of our latest compilation, ‘Chiptunes = WIN: Volume 7‘. And rightfully so! It’s absolutely stellar! ♬♫♪◖(●。●)◗♪♫♬
That said, the chipmusic from this year’s Volume isn’t the only part worthy of extended celebration and promotion. The Vol.7 art contest entries are equally phenomenal, and you can feast your eyes upon their collective splendor via the following convenient slideshow. To discover more amazing works from the artists, investigate the links section underneath. Enjoy! (ﾉﾟ0ﾟ)ﾉᵒᵐᵍ ＿〆(。。)
Hey dudes and dudettes~!
Tuberz here. Rather than rant about theory and rhythms and other malarkey, Brandon thought it would be nice to get me to review some of the stellar new tracks from ‘Chiptunes = WIN: Volume 7’.
I took up the challenge with eager willingness to enjoy some tunage and I must say that I have really been taken by surprise with the sheer quality of some of this music. That’s saying something because I already thought the music would be insanely good. Without further adieu, let’s hear my ranting about other peoples’ application of music theory.
ARE YOU READY FOR MY SCATHING CRITIQUE OF GAMEBOY JAMS AND OTHER SUCH PARAPHERNALIA???