Archive for the ‘Artists’ Category

Glenntai Got: ‘Magenta’ by Seajeff

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There comes a time in everyone’s adventure in music where one asks, “Is there such thing as ‘too much of a good thing’?” It’s easy to summarize your viewpoint on life in this question. This question, however, gets immediately muddled by the existence of Magenta by Seajeff (fka C-Jeff); founder of the gateway to a ton of excellent progressive jams known as Ubiktune. There’s literally so much content and so much quality that the answer is either “no, there’s no such thing as ‘too much of a good thing,’” or I’m now a self-declared hedonistic opportunist. Maybe the answer’s both at this point, but let’s save that quandary for another time. This album is a badass journey through time and demands a listen, and after the jump I’ll give some examples (and a music video) for you to understand why.

Album art by Taylor Crisdale (alt. cover by Diana Jakobsson).

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The Unicorn Princess Royally Reviews ‘October (2018)’ by Spaceman Fantastiques

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[Editor’s note: this album was moved elsewhere on Bandcamp well after the article published, so none of the embeds work. ƪ(‾ε‾“)ʃ ]

Happy November, folks!

This month, Spaceman Fantastiques is back with yet another gorgeously articulated record, scoring his life from the previous month, entitled ‘October (2018)’.  Combining a mixture of well mixed sound textures with smartly composed arrangements, this record took me on an adventure that was left waiting to be continued from his last release.

One thing I deeply admire about Spaceman Fantastiques, and a couple reasons I review his work so much, is because I not only love it, but there is also a never ending stream of real creativity that spews out of every variety of instruments used for each album.  A multi-instrumentalist, Spaceman Fantastiques uses each acoustic texture or synthesizer to new brinks of limitations, combining that art with both storytelling and beautiful, listenable music.  This record, and his previous, have been so easy for me to write about because they’ve been so relatable.

Spaceman Fantastiques, courtesy of Bandcamp.
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Clover Chain Reacts to: Impulses – ‘L | \/ E’

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Impulses’ Bandcamp description is simply “Emotional Underground Chiptune.” Started by Trevor Stafford at least a few years ago, their music is consistently calming, pretty, melodic, natural, and always makes me feel things. I haven’t stopped listening since I discovered them last month through the ChipWIN discord. Impulses’ sound is filled with the sincerity of 8-bit synths, and the occasional boppy modernity of edm, and I’ve enjoyed going through their full discography quite a bit. That being said, the latest release ‘L | \/ E EP’ easily stands out, with a polished cohesion, tightness, and clarity.

Album Artwork by Manuchi.
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Hoodie Highlights… Lars Shurilla of SLC Chip!

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Happy November, folks! For this month’s interview, I talked to a multi-instrument & multi-alias chipmusican & event curator friend of mine. This cat’s done quite a bit over the last handful of years (even more than I realized!), and shows no signs of stopping any time soon!

Welcome Lars Shurilla aka The Laohu/Immortan of SLC Chip!

Lars Shurilla aka The Laohu; photo by Neil Jarvie.

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Chip Bit Sid Takes On: Boaconstructor – ‘Winds Of Null’

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This year has been an excellent year for chipmusic using nanoloop. We’ve had a huge amount of releases ranging from the astounding ‘Geothermal’ by Classic Mistake, to the chilled as hell ‘Vanilla Dome’ by Glooms. This time we have Boaconstructor’s ‘Winds Of Null’. For context into ‘Boaconstructor’, he is a Seattle based musician who also runs ‘The Base bit’, one of the go-to net labels of chiptune. ‘The Base Bit’ have released a variety of accomplished albums such as ‘Refresh’ from Trey Frey, to ‘Steel City Zone’ by ‘HarleyLikesMusic’. It has been three years since ‘Boaconstructor’ has produced an album, with ‘Loop Dreams’ being released in 2015.

Whilst ‘Loop Dreams’ and ‘Winds Of Null’ were produced using Nanoloop, they are vastly different albums. ‘Loop Dreams’ focuses on using modulation to create weird and wonderful noises on a high BPM. ‘Winds Of Null’ on the other hand, focuses more on the bass, as well as detuning the melody and slowing down the music. For me I prefer Boaconstructor’s latest album, as I found it more accessible to listen to. The recording and mastering are also, in my opinion, much higher quality. Everything seems to pop better, with the levels balanced much better than ‘Loop Dreams’.

Album artwork by Dr!p.

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Aydan Appreciates: ‘Dizzy Knight Original Soundtrack’ by Norrin Radd

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Hey, all you chipfans out there! It’s been a hot minute because a lot of HUGE things have been happening in my life [Editor’s note: congrats to Aydan on getting married! ♥], but I’m back with an OST review hot off the press! Dizzy Knight is a mobile game released in October 2018, and is highly reminiscent of SNES adventure games, both in graphical aesthetic and in its music. When Norrin Radd released the soundtrack a little longer than two weeks ago on Bandcamp, I knew I’d heard his name somewhere, and upon further sleuthing discovered that he’d written a track for one of the greatest chipmusic compilations ever released, ‘Noisechan and Nugget: Adventures in Chiptunes’. As evidenced by his SoundCloud and Bandcamp portfolio, he specializes in writing highly polished OST music; however, in his own liner notes, he reveals that the tracks on the ‘Dizzy Knight OST’ are more raw in nature. Let’s see what’s in store for us on this OST!

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