Hey y’all! =) For this month’s interview, I’m reprising a 2014 blog chat that I had with a very talented Norwegian friend of mine whose music you’re very likely familiar with. Unsurprisingly, the man has accomplished more than enough in the four years since then to warrant yet another sit down with me here on the blog.
Everyone welcome back to the blog, Vegard Kummen aka Kubbi!
Not entirely sure what’s going on here, but it sure makes for a pretty sweet picture.
Hey y’all! ( ´ ▽ ` )ﾉ It’s once again time for this month’s edition of my blog interview column, Hoodie Highlights!
April’s down-to-Earth chat features a talented singer/songwriter, chipmusician, knowledgeable curator, and all around swell guy. He’s also a lover of both sharks and donuts, so of course I’ve gotta talk to him.
Everyone, welcome Sam Mulligan to The ChipWIN Blog!
Hey y’all! =) Been a spell since I published an interview here on the blog; the final quarter of the year rarely shows me any quarter. haha That said, I’ve a really good one to kick off 2018! Featuring a cat that’s been involved in and around chiptune longer than probably most of us, and in various ways: composing his own music, performing live, modding gear, and managing various communities. Everyone welcome to the blog, Timothy Lamb aka Trash80!
This month, I wanted to review the recent release by Michigan native, CZOFT. ‘Stratocracy’ was released on October 25, 2017, and features carefully crafted compositions created with lsdj. Featuring 15 tracks fully constructing within one Gameboy DMG-01, the album was released by Utah record label, Catskill Records (the same folks who host Catskill Electronics, a site where Gameboy composers can find their fair share of arduino boys, flash carts, sync components, etc.). This article with contain a review of a new record that I really love, and also share sound design tips straight from the artist for those who want to learn more about lsdj, as well.
Cover artwork by CZOFT, layout and design by Catskull Records.
October goes out in a glorious cascade of Norwegian flare with ‘Diafon’ by Vian.
‘Diafon’ by Vian is absolutely, positively guddommelig.
If you, like me, don’t have the pleasure of the ability to understand Norwegian, that’s okay. ‘Diafon’ offers depth beyond understanding the lyrics, part of the charm lies in letting go and allowing Vian to sweep you into their euphoric sound. I almost don’t want to google translate the entire lyric set. ‘Diafon’ is prolific with an expansive compositional structure that forks and turns with deliberate precision, creating pockets of wonder between instantly gripping hooks as transitions tease your expectations. ‘Diafon’ holds so much power in its delivery, yet manages to employ that power in concentrated, intentional doses for maximum impact. Production values are crisp and professional, making ‘Diafon’ a stellar release destined for album of the year status.
Soft swirls of piano, tight drum work, dreamy acoustic guitar, ringing electric guitar, hypnotizing vocals, and fleeting electronica find common ground on Vian’s alternative indie journey of expressive, progressive sound that gels so well together you’d think the band had been together for decades. Tracks range from ethereal alt-folk-electronica to prog-rock power ballads as Vian traverses ‘Diafon’ with confidence and a defiantly strong sense of self.
An October salutation to all of the probably pretty dang awesome readers of The ChipWIN Blog. Frankly, October is one of my favorite months of the year, at least in Oregon. The temperature tamps down to something a bit more reasonable, the rains start to return, and the local dessert shop starts making their kickass October only pumpkin pie. This year, there’s a little zaniness making the witching month extra special. JANX is back with fresh material on their latest EP, ‘IDGAF’. With each track replete with JANX’s signature ridiculous rhymes and sick chiphop backing, this is an album not be missed. Jump down below the fold to dive into a few tracks, and check out a few words from the artist themselves.