Archive for the ‘Compilations’ Category

Sladerfluous Reviews: ‘Brigador, Up-Armored EP’

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‘Brigador, Up-Armored EP’ delivers heavy-duty rockin’ neo-80’s cyberpunk dreamwave by the mech-load.

‘Brigador, Up-Armored EP’ is at times post-apocalyptic ambience, and others a swell of in-the-thick-of-it cyberpunk espionage. Narrative threads weave tales of a government in need of overthrowing and missions involving mech-based anarchy through spoken narrations, enriching and evolving ‘Brigador, Up-Armored EP’s themes above tonal speculation. Tumultuousness oozes from track to track with thematic ease, and deliver distilled dreamwave you’re going to love.

Choose the mechanized horror of your discontent, strap in, and stride guns blazing into the full review of ‘Brigador, Up-Armored EP’!

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ChipWIN-tern Presents: YM2017

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Howdy-ho friends! Newcomers to the blog might not know about the soft spot I have for FM synthesis, but rest assured that any time I get a chance to talk about someone doing cool chiptunes on the Genesis (or any of the other myriad ways someone might achieve that around these parts), I jump at the chance!  If you add in someone doing something for the good of the community, well, let me tell you, there aren’t many better ways to brighten my day. A few weeks ago, David DeGraw, an enterprising purveyor of fine Game Boy audio accessories, announced that he was putting together a compilation for tunes to play on the Sega Genesis and Nomad.  I took some time to interview him, and without further ado, I’d like to tell you all about the YM2017 compilation project hitting your vintage Sega consoles this August!

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The Unicorn Princess Royally Reviews ‘Decent Company’ by Catthew O., AKA Bubblegum Octopus.

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Happy May, folks!

This month, I chose to shed some light on an album hosting home to 26 tracks called ‘Decent Company’, created by a New Jersey based artist, releasing under the moniker of ‘Catthew O.’. Also known as ‘Bubblegum Octopus‘, Catthew O. prepared a wonderfully eclectic final product containing music created specifically for Weekly Beats.

Weakly Beats, which was recently held in 2016, is an online site that previously allowed composers to upload original music once a week, every week, for the entirety of the year. While I did not personally participate in WB, I found it to be a great forum for creativity and I do hope it opens up again in the next year to come; it’s a fantastic place for musicians to congregate, and outcomes like ‘Decent Company’ are always fantastic to come by.

Artwork for ‘Decent Company’.

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Advice from the Volume 6 Judging Panel

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Sup y’all? =) Brandon here taking a month off from interviewing folk to provide an interim article regarding ‘Chiptunes = WIN: Volume 6‘! For any of y’all living under a rock, this year’s annual Volume competition opened up a couple months back and has a submission deadline of July 2nd this year. To possibly assist, I’ve once again collected thoughts from the year’s judging panel to share with y’all in hopes that maybe they’ll come in handy. And hey, this year I actually did it far enough ahead of time to potentially be useful. Not bad, huh? ;)

For those curious, read on below the hella nifty judges’ profile pic collage!

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