Hey Frank back for another edition of “Inside The Daякcнip Mind!” This month I stumbled upon a great musician that I have to say is much different than most artists I write about. With that said, I had to write up something about this album because it had caught my ear in numerous ways. Not quiet in a dark sense but still a damn good listen!
The musician & album I speak of is “Spacetime Geometry” by “Galaxy Wolf.” I think this cheapbeats.net release is good for anyone that’s into any sort of chiptune. It has some heavy sub hits with random chill vibes spread throughout the whole album. I found it rather hard to “draw” a big picture to be able to describe this without basically giving it away so I’d say best bet is to listen to the whole thing with some headphones. This album is best with headphones because you hear the layers more clearly and are able to appreciate the random panning that’s thrown in. I almost always listen while going on a walk. This time, I chose to walk on the day before spring (which ironically has been the nicest day) & those vibes fit this VERY well! The album has that up-lifting feeling you get when some warmth finally arrives & it’s a somewhat sigh of relief.
Well first up, the song ‘Infinity Sway‘ starts off with a pretty nice chip lead that naturally flows into a bass line and just goes deeper with-in the depths of HARD HITTERS! “Galaxy Wolf” does pull off many things in this release that I like a lot that I don’t really see very much. For example, he uses a lot of ‘skweee’ type tones threw out the album while still maintaining a true chip vibe. The song that stuck out the most to me is ‘Indigo Rub,’ I mean COME ON! Anyone that likes any form of skweee is going to love this release. I find it very hard not to.
From there on out he spans the chip horizon to bring some pretty damn grimy chiptune tracks. ‘Subtitle Bounce’ basically give you that feel that things are starting to wind down but then at the same time it just brings in the punches we all love. The whole album just ties together that really anyone who is into electronic music could find something to love. I recently got the time to sit down & ask ‘Galaxy Wolf’ a few questions! Thank you all for reading this months edition of “Inside The Daякcнip Mind” & now time for zee questions!!
Frank – When did you start making electronic music & has it always been based around chiptune? I noticed some other influences threw out the album like some lovely skweee!! :3
Galaxy Wolf – I started making electronic music when I was 18. I played guitar for years and was getting pretty bored with guitar the based bands I’d listened to so much (various punk/rock/blues artists) – I thought I’d fallen out of love with music!. Then a good friend played me some Aphex Twin, Squarepusher, old Rephlex Records stuff and I was like “ooh!”. I hand’t fallen out of love at all, I just needed new sounds. So yea when I was 17 my college started a music technology course, when I finished college I got a Laptop so I could make beats at home. It was only a short time after that when I first heard DJ Scotch Egg, my first exposure to chiptune, I’ve had LSDj for almost that whole time but honestly it took me so long to get in to it, I never pictured at that time I would make music just with the gameboy, I thought it would just be cool to sample some sounds on to the laptop. On the subject of skwee, people keep saying that! honestly I don’t know if I’ve heard much, does Dorian Concept count as skwee? or Slugabed? I think maybe It’s more of a coincidence. If you’re doing some kind of creative art you’re more or less tapping in to what already exists in culture and sort of finding some new links between things and kind of going “how about this?” Maybe that Skwee sound has been implied by other sounds, like everything else it’s a kind of amalgam of influences that has been made possible by other recent and not so recent developments in sound and technology. When I played with Men of Mega last year at Ultrachip, I was trying to describe my sound before I played, but after they were like “it’s Skwee!” and I said “oh, is it?!” someone else there said the same thing, and also that it sounded like “neuro-hop” I think!
Frank – What where some of you major influences growing/ & or now. Also have you done or like todo any covers? Just mainly wondering because I think you could add a pretty good twist to some older tracks!
Galaxy Wolf –Growing up my biggest musical influences were the music my mum listened to, mainly 60’s stuff, garage rock, soul, Motown, my dad is an absolute beast of a banjo player, I heard him every night, when I was around 10-11 I found a Jimi Hendrix record in my dads collection it was “All Along the Watchtower” and I think the b-side was “The Wind Cries Mary”, man that shit changed who I was, I got a Squire electric guitar a few months later I think. I got obsessed with Jimi and listened to him nonstop for a few years – I think He’s been the biggest musical influence on me really. Next was all that Warp Records stuff I mentioned. We used to have these amazing raves in London, promoters like Wrong Music, Littlebig, OverKill, real hard stuff like breakcore, raggacore, and all kinds of real hard, techie sounding stuff I don’t even know what genre to call it! They pretty much all moved to Berlin I think! But that stuff was amazing to hear. Was in to dustep for a while – hence Dental Dubs as “Team Toothpaste” – Dubstep slowed everything down (something I’ve stayed with for the most part) before that all the electronic music I was hearing was really fast and skittery. Lately I’m in to a bunch of nice Hip Hop stuff like Cyne, Kankick, J-Dilla, I’m in love with Dibia$e, Slugabed, Ghost Mutt, that kind of “off the grid” really unquantised sound, an earlier exposure to that kind of thing was edIT who’s got this really tight, crunchy glitch-hop sound. Haven’t really done any covers but it’s something I’m thinking about at the moment, have been messing around with doing beats to some acapellas too, but it’d be more accurate to call them remixes I think.
Frank – At live shows or just recording what do prefer your “set-up/ rig” to be? Also do you have any side projects or older stuff you have under a different names that people can find?
Galaxy Wolf –Well whatever I’m doing, these days I’m using a couple of gameboys modded by my boy Mikee Teevee over at ohmnohmnohm.com – they are gorgeous beasts. Live I like the 2 gameboys and a DJ mixer, I’d love a 3/4 channel DJ mixer but I don’t want to buy a shit one and can’t spare/justify the money for a good one right now. I just started to use a Roland SP404 to add some acapellas to my live set, which I think is gonna be interesting – I want to keep all the instrumentals pure DMG for now though. For writing it’s just one DMG really, I just sorted out my own LSDj keyboard which is awesome! it’s not on SpaceTime Geometry but it will be all over whatever comes out next! I’m in to the idea of adding things slowly and really exploring them, still on the to do list is custom kits, underclocking and midi sync, but they’re all a long way off because I like to really pillage each new thing I add for all its worth. For recording it’s just straight in to the laptop or sometimes through my mates firewire soundcard. I released an album on Noise Channel as “Team Toothpaste” a while ago, it’s called “Dental Dubs”.
Frank – Thank you for sitting down & answering these questions for us! Also would you like to announce any future gigs or collaborations/ randomness you have in store that you’d like to share?
Galaxy Wolf – No problem, thanks for asking me! I’m playing in Sheffield on April 3rd, and then up to Edinburgh for Inst Del with an awesome lineup on the 5th (details below). For collaborations I have some plans to do some stuff with Boaconstrictor, and I’d love to do something with Hunter Quinn if he’s still in to it. Also I might take this opportunity to do a preliminary mysterious announcement about a hardware project I am working on that I think would be of interest to the chip community. Won’t say anymore about it for now, but I’ll send you some details when it’s ready.