Sladerfluous: ‘Distant Reality’ by Shirobon

- Posted February 10th, 2014 by

You have to hear this album.

Press play below to fall in love with this powerful foray into 80s electronica, ‘Distant Reality’ by Shirobon.

Distant Reality by Shirobon

Released to the masses on Bandcamp February 4th, 2014, Shirobon’s ‘Distant Reality’ is a compact, delicious delve into cyberpunk that infuses you with flowing 80s-inspired synth, weighty bass lines and thoughtful lyrics.

The improvisational nature of the tracks in ‘Distant Reality’ do so much more than simply keep you guessing, they weave inspired transitions together with tell-tale 80s synth to set a mysterious cyberpunk mood that will make you wonder the results of your Voight-Kampff test.

‘Distant Reality’ is a set of 5 killer tracks that waste no time getting down into an 80s groove, embracing it with every single note. This is not a gimmick tacked onto a hacked-together string of ideas, the precision of execution and respect for the era come through loud and clear.

Impressive vocals across the album truly add to the atmosphere including Shirobon himself lending his own robotic vocals to “Regain Control”, “Perfect Machine” and “City Patrol (Stage B)”. “Immune”, however, introduces you to the world Shirobon has created with the unexpected and absolutely alluring vocals of Camden Cox. The weight of the lyrics equal the depth of the bass lines, and the result is beyond immersive.

‘Distant Reality’ tows melodies through inspired funk and synth elements with a directed, yet unpredictable approach to its composition: each change and volley into each new element during a given track on ‘Distant Reality’ feels like the most appropriate direction to shift into, but you simply don’t see it coming. Polished, experimental, and focused, ‘Distant Reality’ is a refreshing exploration of tone and theme in a sea of heartless electronica that deserves your £3 investment.

Shirobon was gracious enough to answer a few questions about his experiences building ‘Distant Reality’, and that interview continues below:
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PixelRecall: Camden Cox’s vocals on “Immune” are gripping. How did the opportunity to work with her come about?

Shirobon: Thanks! I have actually known Camden Cox for quite some time. She also did vocals some time ago on my song “Running My Head“. She is a very talented vocalist! I have also produced a group of songs for her which will be released throughout the year!

PixelRecall: Where did you draw inspiration for your lyrics across the album?

Shirobon: These days I like to look up a lot of imagery before starting work on songs. I wanted to go for a Cyberpunk/Futuristic feel while keeping cool and introducing chiptune elements (More of the c64/Sega style) so naturally the lyrics reflect on that.

PixelRecall: The songs on ‘Distant Reality’, most notably with “Cyber Party”, have an engaging, almost improvisational feel to them. What is your creative process like when composing your music?

Shirobon: Well, when I work on a song I like to consider it jamming with myself (or in the case of “Cyber Party” with Radix!). So I would usually come up with some drums or a melody idea and then just jam over them. If it starts to sound good then I hit the record button and take it from there!

PixelRecall: Are you performing the vocals on “Regain Control”?

Shirobon: Yes, I’m a sucker for robotic vocals and love to use my voice when I can! (Also, it’s my voice on “Perfect Machine” and “City Patrol (Stage B)”.

PixelRecall: Did you have a “eureka” moment during the creation of the album you may not have expected to have?

Shirobon: I was having some trouble with “City Patrol (Stage B)” and couldn’t get it to feel good. It started off as a guitar/electro disco number. Before I gave up I thought I would make some changes and plugged in my modular synth and made some chip sounds, from there everything fell into place!

PixelRecall: Do you have a favourite memory from your experiences performing live?

Shirobon: I have had a lot of really fun times performing live and the crowds are always pretty intense, but i think one that stands out the most is when I had a large wall of death and saw this massive dude drop kick a girl in the face! But thankfully she was fine!

PixelRecall: Do you have any shows coming up?

Shirobon: I have a few! Playing at Nintendoom in Belgium which will be a lot of fun. I have quite a few coming up around Europe but i have yet to announce those…

PixelRecall: Any advice for aspiring chiptune artists?

Shirobon: Do it because you love it, not because you wanna make it (big). Popularity in the scene comes and goes but the artists that people love are the ones who have always loved to make (music) and not felt to give it up.

PixelRecall: What was your main goal when you set out to create Distant Reality, and do you feel like you accomplished it?

Shirobon: I just wanted to make something a little different from the generic releases that are out there at the moment, and not to try and jump on a trend and make some kind of bass music! I reckon I did a good job!

PixelRecall: Any final thoughts or news you’d like to share with the Chiptunes = WIN community?

Shirobon: Back Tracking and Distant Reality I consider to be warm up releases to show people what my sounds is like now. With them released I’m going to start work on an album! Still planning what sort of songs I want on it but it’s gonna be a journey that crosses over the sounds of chiptune and synthesizers!
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Big thanks to Shirobon for taking time out for the interview!

Now go grab your copy of ‘Distant Reality’ on Bandcamp right now before the next time you hang with your friends so that when they’re like, “Have you heard of Shirobon?” you can be like, “Know him? I have Distant Reality on repeat!”

Pixel Recall ~ (R. Morgan Slade) ~ Support the artists you love

Shirobon
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