Posts Tagged ‘♥’

La mesa de trabajo de Mage – Episodio 1: Mezcla dinámica

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Artículo original de Dan from Techno Mage. Traducción al español por Pixel Guy.

Bienvenidos a La mesa de trabajo de Mage, una mini serie en la que hablaré de varios temas relacionados con la producción de audio; desde los secuenciadores (o trackers), hasta las DAW —y todo lo que haya en medio—. Mientras que puede ser que el material no siempre pueda ser aplicado directamente por ti, la meta de cada episodio es presentar técnicas de producción en una manera amplia y universalmente aplicable. En resumen: deberá de haber algo para casi cualquiera que trabaje con audio. Para la entrega inaugural, daremos un vistazo a cómo puedes utilizar la automatización para crear una mezcla refinada que evolucione a través del curso de tu canción.

Episodio 1: Mezcla dinámica

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The Mage’s Workbench – Episode 1: Dynamic Mixing

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Welcome to The Mage’s Workbench, a mini-series which tackles various audio production topics spanning from trackers to DAWs (and everything in between). While the material may not always apply directly to you, the goal of each episode is to present production techniques in a broad, universally applicable fashion. In short, there should be something here for nearly everyone that works with audio. For the inaugural installation, we’re going to take a look at how you can use automation to craft a polished mix that evolves throughout the course of your song.

Episode 1: Dynamic Mixing

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This month in The Overworld: Crab Sound

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Nestor Ovilla, also known as Crab Sound, is a Chiptune music producer and the founder of one of the first music collectives in his home country of México. Interestingly enough, he is also an illustrator, writer, and experimental photographer. Born in Tuxla Gutierres, the capital of the Chiapas state on the year 1991, he was always drawn to experimental art.

Crab Sound posing with a gameboy, his instrument of choice.

Crab Sound posing with a Game Boy, his instrument of choice.

On 2010, he started working with producing and programming his own EDM tracks, an activity that flourished with several projects besides of Crab Sound that he still continues up to this day. Self described as “A boy who inhabits an ice mountain, inventing sounds to make the robots and mutants break into dance”, here’s what he had to say about Chiptune.

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This Month in The Overworld: Uctumi

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Always witty and to the point, this month’s The Overworld guest once said about hardware limitations “Challenge is the fuel that turns the cogs of creativity”.

Uctumi playing live.
Uctumi playing live.

Born in Buenos Aires in the year 1981, Uctumi is an Argentinian musician that began composing tracker music in 1996. Very active in the current local demoscene, he shares his views of Chiptune music and innovation in general in this interview.

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A Square Meal: The SOUNDSHOCK Series

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Beyond all the glamour and pageantry of the blips & blops, a misunderstood way of making chip music has grown and bloomed away from the spotlight of the scene – yes I’m talking about FM Synthesis. Of course, this is not a complaint, as we say in Spanish: “para gustos los colores”. The point is that, most of the time, a lot of cool things happen under the surface, things that are worth talking about and, from time to time, seem to be buried in the huge mass of crunchy sounds. The album series I’m covering today is not that. I can even say that it’s well known by everyone nowadays, precisely because the intention was –and still is– to direct your attention to the music and techniques used by those incredible musicians. Today I want to go back to one of the greatest compilation series centered on the FM side of the Micro Music, Demoscene, and Chiptune. Apt for newcomers and veterans, it will make you move and ignite the fires of love and interest in this particular approach to chip music in your soul – hoping the inferno grows so big that it encourages you to search for new music or even make your own. So let’s take a look over the ‘SOUNDSHOCK’ Series by Ubiktune.

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This Month in The Overworld: Kenobit

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Is there something like a Chiptune Maestro? This month’s artist, Kenobit, a.k.a Fabio Bortolotti, could definitely be defined as one. Self proclaimed Game Boy addict, he has been working on his masterful and dynamic tracks for over 9 years, and has certainly become an integral figure of the chipmusic community in Milan, Italy.

Kenobit performing live with his Gameboy.
Kenobit performing live with his Game Boy.

Fabio was born in Italy, in the year 1982. After playing drums in a few punk bands in his teens, he discovered chiptune at a show in a small club. He instantly fell in love, bought an LSDJ cart, and never stopped producing chiptune.

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