Posts Tagged ‘16bit’

ChipWIN-tern Presents: Networking and Brand Management

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Hello everyone. For this month, I decided instead of an album review or talking about a concert I thought that I might perhaps offer some help to the community at large by addressing one of the things I see as a major common weakness: poor brand management. “Wait what,” I hear you say, “why are you teaching me an Intro to Business course here? I just want some dank bleep bloops, bro!” And that’s fine, because at the end of the day is not a man entitled to the bleep from his bloops? But for those of you who are interested in getting senpai to notice you, and by senpai I mean potential fans and friends, then I have some broad and functional advice for you in terms of making sure that what music you have is available to the most people and you can start being that cool kid who wears pastel colored 80’s and 90’s era windbreaker jackets, clear Wayfarer glasses, a geeky Snapback and patterned leggings that all the convention-goers want to throw their parents’ money at. Or whatever it is YOU deem as commercial success, I guess.

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Aydan Appreciates: ‘started commuting’ by Ello Costello

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Hey there, ChipWINners. It’s been a few months since I’ve written an article due to some extremely time-occupying life events, but I’m happy to be back now! At the end of May, Cheapbeats released an EP showcasing a new artist in the community named Ello Costello. This artist certainly isn’t a stranger to producing music; he’s released a few EPs independently prior to this, such as the freely composed ‘Just For Fun‘ and the environmentally influenced ‘Small Windows‘. With influence and assistance from DonutShoes, an artist who’s been featured on ‘ChipWIN: Volume 5‘ and on ‘Volume 6‘, Ello Costello makes his stunning debut in our niche with ‘started commuting’. Throughout this EP, Ello Costello draws influence from morning cityscapes, the excitement of travel, and his own musical interests. Let’s see what this release has in store for us!

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Clover Chain Reacts To: Chiptunes4Autism – Volume 3

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A little over a month ago, Chiptunes4Autism released their highly anticipated ‘Volume 3: Forces of Neurodivergence’ compilation. Spanning around an hour and a half, the album is part of an ongoing fundraising nonprofit run by Gustuf Young (Asperkraken), focused on promoting autism positivity, and empowering people on the spectrum. Uniting a diverse group of chiptune artists from all around the world, with all kinds of backgrounds, Chiptunes4Autism organizes live showcases and a yearly compilation album. The earnings are donated to a few different causes that support opportunities, advocacy, and resources – all while giving musicians, neurodiverse or otherwise, a helpful and accepting community in the process.

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Chip Bit Sid Takes On : HarleyLikesMusic – Steel City Zone

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For this week’s review, I have the distinct pleasure of reviewing the newest album of one of my biggest influences – HarleyLikesMusic’s new ‘Steel City Zone’ as released on Thebasebit. I’ve known Harley for a few years now, first meeting him just before he got into making music on LSDJ and to say his music leaves an impression would be an understatement. After two wildly successful albums released on the Cheapbeats label, Harley is back again with his old tricks – and some new ones too. As someone who cites Harley as a major influencer of my own techniques, I think I’m quite lucky that I get the chance to talk about this with you – it’s not often one gets to discuss someone who has brought so much to the LSDJ game.

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Chip Bit Sid Takes On: Kosmic Tantra – ‘Tribal Rock’

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Hello, how are you all doing today? This week I’ll be reviewing a very interesting album called, ‘Tribal Rock’ by, ‘Kosmic Tantra’ and it’s an incredible selection of tracks to say the least. To give you context,  ‘Kosmic Tantra’ are a french 3 person electronic rock band, consisting of a variety of different unique instruments; from the staple gameboy running LSDJ, to the more abstract, Didgeridoo and Accordion. Yes, you heard that right; throughout the entire run time of the album you’ll be hearing  amazing ‘Eastern outback instruments’ whilst chiptune & electronic music are used as the backbone of each track. A first for the genre, I think!

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