Posts Tagged ‘AMAZEBALLS’

Chip Treatment with Professor Oakes: ‘superchroma’ by crashfaster

Posted by

crashfaster. You know them as that rockin’ Bay Area quartet with unforgettable stage presence, and you know that pseudonym through association of high quality releases that do anything but disappoint. Every. Single. Time.

If you recall my last crashfaster album review, which you can read HERE, ‘further’ was an album that emerged from ‘the ashes of discarded technology’ in a thoughtfully composed narrative arc. As a whole, ‘further’ is a metaphor for the never-fleeting feelings of isolation, numbness, and emptiness that one may encounter throughout their life, and is largely an autobiographical commentary by Morgan Tucker, crashfaster, 8bitSF and monobomb records’ frontman. Envisioning an explorer, Tucker remarks that the entirety of ‘further’ is a metaphor of the contemplation of his life and eventual journey to find the truth by ‘casting aside his former life and shedding each layer of his humanity.’

Transpiring from the personal anecdote alluded to throughout the course of ‘further’ is ‘superchroma’, an EP whose energetic presence and masterful evolution from the album prior is one that can’t go far from unnoticed. Released fresh on Bandcamp on July 22, 2014, ‘superchroma’ pays homage to what crashfaster had been, but also sets the stage to what the band WILL become. Despite what such a busy man he is, Morgan was very gracious to answer a couple of questions that I had about the evolution of the band, the transition from ‘further’ to ‘superchroma’, influences, and the future of crashfaster—because I love all of you, read on for the interview with the man himself!
————————————————————————————————-

Professor Oakes: Hey Morgan! Thanks again for being able to do this!

Morgan Tucker: No, thank YOU! I really appreciate you interviewing me!

PO: Psh, I do all the easy lifting ;) But seriously, thanks again for taking the time. I know how busy you are with being a father, frontman of crashfaster, 8bitSF and co-founder of monobomb records! You certainly sound like you never take a breather.

Can you tell me a little bit about crashfaster and the significance in the pseudonym?

10255330_10154367558510727_8466428622726055705_o

llustrations courtesy of Phylissa Li, 2014

MT: crashfaster is meant to infer to both technology (ephemerality) and physicality. I’m fascinated by how much we rely upon technology to feed our souls. I believe we must strip away distractions and excess in both the physical and spiritual realms in order to discover our true nature. crashfaster is a call to action – destroy both your digital and physical selves to reveal the truth that lurks beneath the surface.

PO: I’ve been a fan of yours for years, and I was very excited to see you evolve from a single-person band into a quartet. Can you tell me how the transition from a single act to a full-man band means to you? Are you happy with the sound now that you have extra hands (and friends) on the team? How did you meet one another, anyways?

MT: There are two aspects of working with a band that have had a significant impact on crashfaster. In the studio, songwriting possibilities multiply exponentially. Each one of us has distinct and disparate musical tastes and influences. This has made our sound more rich and varied. In a live setting, there’s a lot more energy on stage to play with and off of. It’s hard to be one guy behind a Gameboy and keep the crowd’s attention. There’s a lot more for people to connect with when there’s four of us thrashing away. crashfaster was always intended to be on the dancey side of things, but something interesting happened when we began writing as a band.

On “further” we each naturally fell into a rock mentality, and the music became more aggressive and a little less beat-oriented. On “superchroma” we’ve pulled the sound back towards something that will make you move. I think we’ve found the right balance in our new material.

As for how crashfaster formed into a four-person band, it happened by chance, mostly. A few years ago I wanted to start stepping up the impact of my live performance, and I thought the single best way to do that was to introduce live percussion. I met Devin through a mutual friend of ours (The Glowing Stars’ Lizzie Cuevas), and we had an instant bond. We both saw eye to eye on where the project could go and shared the determination and work ethic that could make it a reality. A little while later, we got a shot to open for Anamanaguchi, and I wanted the band to sound even bigger.

p597353803-6

The man, the myth… the Ryan Case. Photo by Lester Barrows

I asked Ryan (who was a coworker at the time) if he thought he could learn our songs in a week. He said yes, and he did! We met Keiko at the farewell show for our old singer. The rest is history.

PO: Wow! What a history and inspiring happenstance. While I certainly love the sound of old crashfaster, I love the direction you all have been going in now that there’s four of you. However, I especially LOVE the direction you went in this EP, and it has to be one of my favorite crashfaster releases. With that said, can you tell me a little about the transition from ‘further’ to ‘superchroma’ as a whole?

MT: “Superchroma” was meant to be more of an evolution than a departure. We wanted to both pay homage to what crashfaster had been, but at the same time set the stage for everything that we could become. Our musical influences are deep and varied, and I want the band to reflect that moving forward.

Working at Different Fur with Patrick Brown and Sean Paulson opened our eyes to new workflows and songwriting possibilities. As soon as we finished up “further”, I was ready to get back in there and do it all over again, but this time we’d be armed with new ideas that the studio experience had spurred. “Further” was very much a protracted labor of love…from concept to completion, the project was in development for more than two years. While this allowed us time to refine lyrics, hidden meanings and aesthetic synchronicity, it didn’t let us experiment much while recording. The album was more or less what we came into the studio with. It was only afterward that we realized how much this held us back.

On “superchroma”, we decided to come in sans preconceived notions. We had about 20 rough sketches of songs that Patrick immediately whittled down to 10. From there, we started messing around with each of them until we found the voice the track. We knew we had 10 days from start to finish, and the goal was to get as much done as possible, while reserving the right to chuck things out that just weren’t working. This process was incredibly freeing, and allowed for many happy accidents, serendipitous guest appearances and just more…fun. I think that really comes through in the recording.

PO: Now that we’re talking about production and the gift of group collaboration, what hardware and software do you use?

MT: crashfaster uses a Gameboy loaded with LSDJ, a Gameboy mGB (midi), a NES with midiNES, a SIDstation, sammichSID, a Commodore64 with MSSIAH, Plogue Chipsounds 707, 808, 909, VP330, a Juno 106 & Ableton Live.

PO: Such sweet, sweet tunes for my ears. This hard and software you use—do you have any formal training as a musician? The rest of the band?

MT: I don’t have any formal training as a musician. However, I went to art school for Audio Production. I worked on Foley/SFX/Sound design for several indie films before I started crashfaster. Devin is classically trained and the most experienced musician in the group. The rest of us are pretty much self-taught.

PO: If you could categorize crashfaster’s genre and place a finger on what the band sounds like, what would it be?

MT: Electronic/Industrial/Synth/Rock. Or something.

PO: I’d say that’s pretty accurate! No reason to have to straddle one genre! What would you say influences you all? Music? Movies?

MT: I’d say the biggest influences on our sound are probably Kraftwerk, Nine Inch Nails, Prince, ELO, Afghan Whigs and Neil Young (specifically the “Trans” album). We are big fans of horror movies and anime, and I think you can definitely feel that in our music.

p227223001-6

crashfaster performing ‘GO!’ live at the DNA Lounge, 6/22/14. Photo courtesy of Lester Barrows

PO: Oh, definitely! I feel like “GO!” is straight out of an actual anime—IT’S PERFECT and incredibly energizing! Would you say you have a favorite track on ‘superchroma’?

MT: It’s hard for me to pinpoint a single favorite, because I’m really happy with how the entire thing came out. But if I had to pick, it’d probably be “lost”, because I think we were able to pull off the emotional intent of the lyrics in a way that hits me every time.

PO: I’m curious of the conception of the album name. Does it signify anything in particular?

MT: We were playing with these visual concepts that were heavily inspired by early 90’s rave/cyberpunk culture and anime, and we wanted the music to *feel* colorful. When we were coming up with names for the album, we tried to find something that felt as hyper-kinetic as what was in our heads. Thusly…superchroma!

PO: This colorful and kinetic mood… it’s totally off the spectrum than that of its precursor ‘further’. Would you say the birth of your child had any affect on this newest album and your artistic vision as a whole?

MT: Yes! The idea for “further” was something that preceded my child, and I had been suffering from a loss of purpose and feeling in my every day life, and no matter what I did, I couldn’t seem to find happiness. The construct allowed me to explore the concepts of duty, destiny, assimilation, isolation and self-destruction both lyrically and sonically. Once my daughter was born, I was overcome by a new feeling…not one of numbness, but a crushing awareness of time. I feel, now more than ever, that time escapes me at a pace that I find…unsettling. After all, my biggest fear in life is that I will have regrets (would’ve, should’ve, could’ve), and now I am extremely conscious of the fact that I don’t have forever to do all of the things I want to do while I’m here.

PO: Would you say there’s an overall theme of ‘superchroma’?

MT: Looseness. Ultimately, I wanted this album to act as a “mix cd that you’d have on in your car as you drove around at night in San Francisco.” This lighter construct allowed me to explore more varied types of music…things that I’ve been a fan of but never really found a way to make work within the context of crashfaster.

On this EP, we’ve got everything from a funky synth-pop tune to a faux anime theme song to an industrial club banger. Though the styles are seemingly unrelated, with the help of Patrick Brown, we were able to tie them together aurally in a way that works surprisingly well.

10333474_10154363740270727_2692626807354085900_o

‘superchroma’ by crashfaster. Album artwork by Phylissa Li, 2014.

PO: Now that your album is wrapped and now live, what does the future hold for crashfaster? Tour? What does it mean to you since you were the founding vision?

MT: More music, and more shows! Through crashfaster and 8bitSF, we’ve built up the community in the Bay Area to the point that I believe it’s one of the most vibrant and diverse scenes in the US. We recently joined forces with LA artists who formed 8bitLA, and we’re working together as sister organizations to bridge the physical divide in California chipmusic.

As far as crashfaster, we’re going on tour with Everything Goes Cold in late August, which will take us from San Francisco to Chicago. After that, we’re hitting the East Coast to play 8static Festival in Philly in October.

PO: I’m looking forward to your Los Angeles stop. You never disappoint! Just thinking about touring the country and doing what you love sounds so incredible. With that said, before we depart, do you have any advice for aspiring musicians?

MT: Oh, absolutely! Be humble. Be persistent. If you’re in it for the music, you’ve got to be prepared for the long haul. Destroy all excuses. Stop talking about why you can’t do things…make do with what you have.

PO: Excellent! Thank you so much for providing those nuggets of advice—I’m sure our readers can relate. Anyways, that just about wraps it up for our interview. Again, thank you, thank you, THANK YOU, and I’m sure I’ll be seeing you soon!

MT: Absolutely! Take care.
————————————————————————————————-

That’s all for this (special) edition of Chip Treatment with Professor Oakes! Don’t forget to check out crashfaster’s music, and follow 8bitSF on ALL THE THINGS SOCIAL MEDIA for future events. Also, if you have some time, be sure to check out the series of music videos for ‘GO!’, ‘goodbye‘, ‘hi‘, ‘lost‘, ‘photograph’, and ‘tonight‘ created by Gabriel Roland, 8bitSF’s resident visualist and mastermind behind Noukon Films.

Until next time! Professor Oakes signing off!

crashfaster
Website Bandcamp | Facebook | Twitter

8bitSF
Website | Facebook | Twitter 

Monobomb Records
Website | Facebook | Twitter | Shop 

Vol.2 logo (480x480 png)

Chip Treatment with Professor Oakes: ‘Further’ by crashfaster

Posted by

Howdy, Carbon based life forms! Professor Oakes is back to administer another dose of Chip Treatment – so sit down, strap in, and hold on to your butts! No, super serious pro tip… you’re going to need it.

As I’m sure you’ve brushed up on your recent chip releases on account of my awesome colleagues’ (which include DjjD, PixelRecall, and Aydan Scott) write-ups, it’s quite likely that you’ve gotten all starry-eyed and forgot San Francisco’s up-and-coming electronic rock group crashfaster’s newest release ‘Further’, amirite? And if you didn’t, now is the perfect time to develop a little ear bug and listen to it SOME MOAR. ;)

Hitting Bandcamp with a stellar release on November 19, this bumping, 11-track album has been a two year work in progress for crashfaster’s frontman Morgan Tucker, who also heads 8bitSF and monobomb records (along with the help of Richard Alexander ‘minusbaby’ Caraballo). Interested in the coexistence of and how the quality of the production of music affects art, design, and technology, monobomb records is a multi-vocational ‘plastic arts collective’ based in San Francisco with a production annex in Brooklyn, New York, which, when boiled down, makes cool shiz.

Oozing with a bouncy, melodic rhythm, and dripping at the seams with 80s video game culture nostalgia through the use of analog drum machine core, ‘Further’ is a collection of tracks thoughtfully composed in a narrative arc that emerged from ‘the ashes of discarded technology’. As a whole, the never-fleeting feelings of isolation, numbness and emptiness despite tasks being accomplished served as a catalyst to ‘Further’ and helped to inspire Tucker to compose a beautifully written album. Envisioning an explorer, Tucker references the explorer ‘jettisoned into space’ and ‘forced to contemplate his own purpose while dealing with unending solitude, while casting aside his former life and shedding each layer of his humanity in order to find the truth.’ I don’t know about you all, but I know this feeling all too well.

With a wide range of styles and techniques and a wonderful blend of complimentary vocals, ‘Further’ is nothing quite like I’ve ever heard before. With a very suitable entrance for the album as a whole, ‘Launch’ is surely a track to take you on an intergalactic mission through the depths of space and time. While it’s a relatively short track (2:50), ‘Launch’ very perfectly intertwines mission control communication and a sense of countdown as the listener themselves feel like they’re ascending into space with each passing second. ‘Launch’, very appropriately, transitions into ‘Closer’, a track in which I feel to be reminiscent of the feeling when the shuttle finally breaks the thermosphere, reaches 0 G, and breaks off the shuttle boosters. ‘Apex’, which is one of my personal favorite tracks, is also ever so perfect—with incredibly memorable but haunting lyrics. I feel incredibly weightless as if I’m looking down at the sights before my eyes in absolute silence knowing no one can hurt me; however, I suddenly feel like my space travels are up ‘In Flames’ as my ashes are scattered across the universe by the end of ‘Further’.

Without the help of Different Fur Studios during the recording process, Patrick Bischoff-Brown’s production, collaboration with Unwoman, Eric Gottesman,  Mr. Spastic on some of the tracks, John Greenham’s album mastering assistance over at Infrasonic Sound, and of course the rest of crashfaster (Devin Nixon, Ryan Case & Keiko Takamura), ‘Further’ would cease to exist. ‘Further’ can be digitally downloaded on crashfaster’s Bandcamp for $7, or you can opt to purchase the compact disc (yes, they still exist)! Hot and fresh from the press and ships out to your door within two days, the CD contains a 20-page booklet featuring artwork from Kristen Adam and gorgeous package design by Minusbaby all for $12.

If that isn’t enough to settle your ear buds, crashfaster is also performing at the DNA Lounge in SF December 6, at Frequency 3.0 in LA on January 17, and SJSU February 7, so JUMP ON THAT.

That’s all folks! Until next time! Professor Oakes signing off!

crashfaster
Crashfaster.com | BandcampFacebook | Twitter

CW-logo-redux-larger-png

MAGFest 12: The Return of Chipspace (& some!!!)

Posted by

Sup y’all? Prez Hoodie here. =)

As y’all surely have noticed by now, MAGFest has announced all of it’s chiptune goodness for the impending glory that is MAGFest 12. This includes both the main stage chipshows (lineups here & here) & the return of the Chipspace (mentioned in the MAGProm announcement here). For those of you unfortunate enough to have missed out on the crazy, last minute party that was Chipspace at MAG 11 & are thinking, “WTF is teh Cherpspoose?” allow me to elucidate! =D

chipspace maddie artChipspace is a virtually NON-STOP chiptune open mic stage that is available to any and all MAGFest attendees interested in & capable of performing chipmusic at MAG (tl;dr – It’s a Jamspace for chiptunes). [guidelines HERE]

Last year’s Chipspace was a damn blast, and it really did all come together last minute LOLZ! This time around it’s getting a good deal more planning (& by a team of real BAMFs, including yours truly <3) & even more support from MAGFest. Basically what I’m trying to say here is…

 

EXPECT EVEN MOAR AMAZEBALLSNESS/CRAZYASS ANTICS/ZOMBOCON!!! 8)

SPEAKING OF ADDITIONAL CRAZINESS…

Special Event #1: CLIPSTREAM XIII: MAGFEST IS AWESOME EDITION
(10+ artists, THREE individual shows, FULL LIVESTREAMING)

Special Event #2: SATURDAY MIDNIGHT CHIPTUNE BLOWOUT
(9 artists, 4 visualists, playing BACK TO BACK, Saturday at MIDNIGHT, flyer below)

Special Event #3MAGFEST = WIN
(New ChipWIN album, 12 new jams from 12 chipartists, RELEASED AT MAGFEST)

Chipspace flyer - for blog

magfest 12

Chipspace: because there simply wasn’t enough chiptune at MAGFest already. 8)

Much \m||m/,
President Hoodie
Chipspace Manager

P.S. I would apologize to those that are confused by the onslaught of chiptune events, but -shrugs- I ain’t sorry, bby. #DEALWITHIT 8)

Last updated 12/30/13 (final)

Chipspace:
Guidelines (gdoc) | How to Volunteer (gdoc) | Sat Midnight Chiptune Blowout (Fb Event)

MAGFest:
MAGFest.org | Facebook | Twitter | MAG 12 (Fb Event) | Full Event Schedule

Clipstream:
clip-stream.net | Facebook | Twitter | MAG Clipstream Shows (Fb Event)

MAG 12 Chiptune Showcase Chipartists ( Part 1 | Part 2 | Fb Event )

A_Rival: Planetskill.com | Bandcamp | Facebook | Twitter

Auxcide: Bandcamp Facebook Twitter Soundcloud

Awesome Force: Bandcamp Facebook Soundcloud

Cheap Dinosaurs: CheapDinosaurs.comBandcamp | Facebook | Twitter

Chipocrite: Bandcamp Facebook Twitter Soundcloud

Danimal Cannon: Bandcamp Facebook Twitter Soundcloud Tumblr

rainbowdragoneyes: rainbowdragoneyes.com | Bandcamp Facebook | Twitter | Soundcloud

Trey Frey: Bandcamp Facebook Twitter Soundcloud

 C=W logo redux (larger)

The President’s Manifesto: Beer & Chip Vol.3

Posted by

Sup y’all? =) Prez Hoodie here with yet another edition of my beer and chiptune column! Surprisingly enough, it’s survived to a third iteration! Well I’ll be damned….
I mean, uh… That’s awesome! I knew it would all along! :3

Silly introduction out of the way, let’s get on to this month’s beer & chip combo! This time around I’ll be glorying in the delightfulness of the following selections:

Ghost River Golden Ale & Roboctopus.

I decided to go local on this month’s brew selection, snagging a sixer of Memphis, Tennessee’s own Ghost River Golden Ale for my review. 

ghost river hoodie

What we have here, is a mighty fine beer!

From among seven different choices (four being seasonals), Golden Ale is Ghost River Brewing’s staple brew. Consequently, it’s also their only offering available in bottles
(the other six can only be found on draft at local pubs and/or purchased in kegs from the brewery). Pretty solid offering for a craft brewery, especially in this region!

Ghost River Brewing logo

Regarding the Golden Ale, it’s a rather light, very refreshing ale, complemented by a mildly sweet flavor (not overpowering) and just enough hoppiness to feel it in the back of your cheeks. Quite honestly, it’s a dangerously drinkable brew for any time of the year; a 6 pack of this tasty goodness has the nasty habit of disappearing far quicker than it has any right to! While the Glacial Pale Ale is probably still my favorite Ghost River brew, their Golden Ale is definitely worth trying out. Many times.

Michael Allen aka Roboctopus, the ale loving chipartist pairing to this month’s brewskie, is both similarly local to me (somewhat: appx. 4 hours away) and responsible for creating some quality chipmusic that is also dangerously addictive!

faces of roboctopus

The many faces of Roboctopus.
If 4 is many I suppose.

While this fancy tie wearing, occasional guitar playing, Gameboy dance-pop musician has been composing chipmusic for a handful of years now (his first two tracks debuted on 8bc in 2006), his four Bandcamp releases (+ some notable one-offs) of 20+ LSDj jams hold their own against some of the more longstanding hallmark albums of chipmusic, period.

From the ultra catchy LSDjx1 chiptune of his first three EPs – ‘The Landscape Has Been Erased’ (Oct. 2011), ‘Victory Lapse’ (April 2012) & ‘Tidal Bout’ (Dec. 2012) – to the gloriousness of what is both his first full length release & first LSDjx2 album, ‘Disco.txt’ (which successfully released this summer via the Cheapbeats netlabel) this sharply dressed chiptuner consistently creates some of the most infectious dance grooves that modern chipmusic has to offer. Totes a regular winner of the #FEELSGOODMAN award.

While somewhat of a rarity (although rumors of a future album comprised of such do exist), I’m a huge fan of his chip + other instrument(s) work as well. You only need listen to the diverse, yet fantastic mix of instrumentation in his ‘ChipWIN Expansion Pack’ entry “Lights Out For the Invisible Girls” to hear exactly why:

On top of everything else, the robotic octopus (or is he an octopus named Rob? #DeepQuestions) also manages to pull off a damn satisfying live performance. Having personally caught both his BRKFest & Future Night (indie art/music showcase in Nashville, TN) sets this year, I can totes attest to this something fierce. Even the most reluctant, dance-shy nerd struggles to remain still as Roboctopus regales the room in chiptune glory. Favorite tracks such as “Disco.txt” and “All Outta Bubblegum” shine in a new light, blasting from event loudspeakers with an almost tangible energy, as if they were truly designed to make butts move on the dance floor (hint: they were). 

While he comes across as soft-spoken, thoughtful individual in person, Michael speaks so incredibly loudly through his exceptional, feelgood chipmusic. As a lover of excellently crafted, danceable LSDj chiptune, or just damn good music in general, you owe it to yourself to check him out if you haven’t yet. If his tunes don’t stir something in (or outside) of you, chances are you’re probably dead.

roboctopus 1

And that concludes this month’s volume of my beer & chip column! Hope you enjoyed the read, and that you get a chance to enjoy both the beer (come visit & I’ll buy you one!) and the music of Roboctopus (you have zero excuse for missing the music; embeds to ALL THE OCTOALBUMS are just below this). Until next month, cheers to all of ya!!

Much \m||m/,
President Hoodie

Roboctopus
Bandcamp | Facebook | Twitter | Soundcloud

Ghost River Golden Ale | Ghost River Brewing

C=W logo redux (larger)

The President’s Manifesto: Beer & Chip Vol.2

Posted by

Sup y’all? =) Prez Hoodie here with another edition of my monthly chip & beer special! Unlike the debut write-up on Solarbear & Pabst, this one is very unfortunately not being composed from a wonderful condo balcony in idyllic Pensacola Beach, Florida….

beach

*THIS* was the view. Exactly.

 

 

 

 

 

 

 

 

That regrettable consideration aside, time to get on with the write-up! Today I’ll be covering both one of my very favorite chipartists & beers, a combination of which could (appropriately) rock the entire cosmos itself:

Sam Adams Cherry Wheat & Auxcide.

I should honestly just stop here. Anyone who has sampled either (even the skeptical crew of last Sunday’s episode of ‘Getting Weird With Nole & Josh‘) understands 1000%.

But for those of you that haven’t had either existence altering experience, allow me to elucidate! As many of you are well aware by this point (i.e. thanks to my endless harping about it :3 ), I consider Sam Adams Cherry Wheat to be a modern marvel of brewing ingenuity. A FANTASTIEXCELLENT wheat ale laced with subtle hints of both honey and cherry, resulting in what I consider a damn near perfect brew. And #REALTALK: I’m not typically a huge fan of honey or cherry flavoring in my beverages. But something about the way that this well known Boston brewery incorporates both flavorings into said ale leaves me in pure love/lust to consume it’s delightful alcoholic beverage with wild abandon!!

photo 1

♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥

 

 

 

 

 

 

 

 

 

 

Regarding its equally AMAZEBALLS chiptune counterpart, Bryan Dobbins aka Auxcide, my love affair with his ethereal yet driving, progtastic yet danceable, epic space themed chipmusic hybrid began shortly after discovering his track (DAT BREAKDOWN!!! <3) on the ‘Pxl-Bot One Year Later‘ compilation in June 2012. This lead to my immediate discovery and appropriately hyperbolic (of course! ;) videogamedj.com review of his debut LSDjx2 album ‘of Atoms and Stardust’. Fast forward through a series of other fantastic singles, a remix album, an EP, & various live events (BRKFest 2013 anyone??) and you have what I STILL seriously consider to be one of the most well put together amalgamates of chiptune & electronic music that the current scene has to offer.

His most recent (April 2013) two part EP ‘[ Dimensions ]’ is what keeps pulling me back with a ferocity, however. Four tracks x2 (first set chip+, 2nd set all LSDj) epitomize all that is Auxcide in just under 30 minutes of exceptional music: from the absolutely soaring opening track ‘Astral’ and joyous dancing revelry of ‘Oversoul’, to the extraordinary build-up-palooza frenzy of ‘Spirit’ and enormously dense title track ‘Dimensions’, Auxcide crafts a release that transcends your “general chiptune album” in damn near every way possible.

For me personally, it really all comes back to ‘Oversoul’, which, using the full scope of powers invested in my made-up Presidential wuttehfurkevar, I declare to be yet another epic anthem of chiptune and/or life in general.

Or I could just sum up this entire damn write-up with Bryan’s sublime summation of why he both composes and loves chiptune so much:

“BECAUSE IT MAKES PEOPLE ALL OVER THE WORLD INTO A FAMILY”

Well put, son. Well put indeed. ♥♥♥

auxcide

 

 

 

 

 

 

 

Tune in next time for another fantastically ridiculous, ridiculously fantastic chip & beer pairing! In the meantime, enjoy some Sam Adams Cherry Wheat & Auxcide (i.e. one of the best pairings of quality beer & music that this world offers)! And, if at all possible, don’t miss the most excellent IRL opportunity to enjoy this delightful combination during Bryan’s main stage chip showcase debut at MAGFest 12 this coming January!
Until then, CHEERS TO ALL OF YA!!

Much \m||m/,
President Hoodie

Auxcide
Bandcamp | Facebook | Twitter | Soundcloud

Sam Adams Cherry Wheat | Sam Adams Brewery

CW-logo-redux-larger-png1.png