This month on the blog, I display to you all a modest delayed reaction on a spring release that I enjoyed recently. ‘workplace ergonomics’ was released on April 23rd, 2018 by Philly based musician, visual artist, and coder, nmlstyl. While I was shocked that it hadn’t already been reviewed here, there were absolutely no surprises on my end as to how gorgeous this record turned out to be.
Artwork for ‘workplace ergonomics’, courtesy of Bandcamp.
Knasibas has been my friend for awhile now, and I’ve been a fan of his music for even longer. In case you haven’t heard of him, he’s a chiptune/bitpop genius who has been featured on Tracked and Chiptunes = WIN compilations, along with releasing music independently since 2015. Inspired by the sugar rush of jpop, the writing in heavier rock/metal, the appeal of videogame music, and EDM sensibilities, Knasibas has a unique overall sound with distinct and memorable melodies.
So now that you know what to expect, I’m really excited to talk about his latest album ‘CRY’. This release has a lot of depth to it, but the great sense of style speaks for itself. It’s inviting, open and up-front, and I find that… comforting. So rather than try to talk about everything and how it works, I’ll be honing in on that sense of comfort, and figuring out why it stuck with me. Hope you like it!
Hey y’all! =) For this month’s interview, I’m reprising a 2014 blog chat that I had with a very talented Norwegian friend of mine whose music you’re very likely familiar with. Unsurprisingly, the man has accomplished more than enough in the four years since then to warrant yet another sit down with me here on the blog.
Everyone welcome back to the blog, Vegard Kummen aka Kubbi!
Not entirely sure what’s going on here, but it sure makes for a pretty sweet picture.
We all love our chipmusic here on the blog. Many of us are familiar with the various kinds of hardware, software, and their unique sounds, be they the NES, the Genesis, the Game Boy, or some other kind of emulator with the express purpose of creating the tones we all know and love. But did you know that the future bass subgenre of electronic dance music is actually in a similar vein to chipmusic by extension? Future bass music is often loosely tied to VGM and chipmusic, and is defined predominantly by its use of synthesizers that are commonplace in all three of these scenes. Today, we’ll be looking at the latest Snail’s House release, ‘Snö’; something that’s particularly notable about this release is the difference in tone between this EP and the majority of Snail’s House’s previous works. Most of this artist’s pieces are high-energy, utilizing a multitude of voices and aggressive percussion to create wild, jazzy tunes, ‘Snö’, on the other hand, is more subdued and calm in nature, sounding something like a soundtrack from a futuristic RPG, but with emotional overtones. Without further ado, let’s see what ‘Snö’ has in store for us.
My introduction is going to be a bit of a gushy personal disclaimer. Sometime in mid-February of 2015, I was chilling out at home browsing Bandcamp, skimming ‘videogame’ tags and fan accounts, my primary way of finding new music back then. I stumbled across Kubbi’s album ‘Ember’, a breathtaking experience that I fall in love with every time I hear it. It’s stuck with me all this time, and while I’m sure it’s influenced me as an artist, Ember has done much more to help shape me as a listener. Looking back, some things have stayed the same (I still spend an occasional evening all to myself on bandcamp), but there’s just so much that has changed since 2015. I discovered Chiptunes = WIN, learned new things. I made new friends, left high school, grew up… and now I find myself here. I know I wouldn’t want to be judged for who I was three years ago, and I certainly wouldn’t want my music to be judged by what I made back then either.
So, as honored as I am to be talking about one of my favorite artists, on one of my favorite blogs – I’m going to try and set that aside, and refrain from any comparisons in regards to Kubbi’s past work too. I’m honestly more excited for right now, and the memories that haven’t happened yet. I used to have one definitive favorite album. With ‘Taiga’, I now have two.
Spring marches forward and the month is quicklycomingto an end. Between the extra hour, change of sunlight, and good music, I’m feeling pretty good. This month, I wanted to sharean album with the ChipWIN communitythat was brought to my attention by President Hoodie called ‘Hue’, by MYRONE. While the album is not chiptune, anyone into tracker programming can easily appreciateprogrammed synths and acknowledgethe time spent in recording, mixing, and playing instruments, especially guitar.