Posts Tagged ‘astronauts’

Aydan Appreciates: ‘The Signal’ by Wojciech Golczewski

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Floating through nebulae and flying through space are typically associated with a sense of excitement and discovery, perhaps a sense of wonderment concerning what kind of life may lie beyond our own limited scope. ‘The Signal’, an album written by demoscene and horror movie score-writing veteran Wojciech Golczewski of Poland, provides a stark contrast to the optimistic ventures of aspiring astronauts. It paints a picture that evokes enigmatic and frightful visions of the cold and desolate void that is our universe, interspersed with brief, touching moments of optimism. Before we head off on our excursion, do note that this is an atmospheric, ambient album; this is best listened to in one sitting, preferably in the dark, in order to better experience this artist’s vision. Now, come. The signal beckons us.

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Sladerfluous Reviews: ‘Orbit5’ by Matthew Squibb

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‘Orbit5’ by Matthew Squibb is an adventurous ambient odyssey that you need to add to your collection right now. Hit play on ‘Horizon Problem’ below if you still need convincing, THEN pick it up on Bandcamp, AND THEN explore ‘Orbit5’ in my album review below.

Told ya.

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Office Hours – For Astronauts And Satellites

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Welcome back to the regular edition of ‘Office Hours,’ where school is in full swing and fall weather is finally just around the corner. A great deal of quality chip music has released over the past six weeks, and today I have the privilege of reviewing a brand spankin’ new release from For Astronauts and Satellites titled ‘Then, By the Light of Our Own Creation.’

Released on September 12th via chipmusic netlabel extraordinaire Cheapbeats, ‘Then, By the Light of Our Own Creation’ is an ambitious blend of traditional chip sounds combining seamlessly with guitars and live drums to create a lush, inviting sonic landscape. Formed in 2013, For Astronauts and Satellites [F.A.A.S. henceforth] are a post-rock trio from London whose members have been playing together in various incarnations since 2002. One of my favorite things about this album is the way that the Game Boy and Commodore 64 blend seamlessly with the live instrumental elements in all six tracks. Many musicians who blend chip sounds with live instruments attempt to give equal attention to each layer, but often end up with somewhat unbalanced textures, such as ‘guitar solo + Game Boy percussion’ or ‘chip sounds crazygonuts + one guitar chord.’ F.A.A.S. appear to have mastered (no pun intended) a true balance between these disparate elements, and I would love to hear how the group handles these challenges in a live setting! Rest assured that the next time my wife and I are in London, we’ll be looking these lads up and hoping for a show.

FAAS

album art by Nicola Giacomelli

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