Just released three weeks ago, Psilodump presents to us their newest record, ‘The Ground’. On the whole, this is a wonderful collaboration of artists working together to create a myriad of beautiful tracks. Each composition is distinct in its character, yet they mesh together so well that they flow super fluidly as the album spins through.
Last month we covered an example of a process that we could use for writing musical material, working from a set of chords and branching outwards. We can start to look at the alternative now, where we’ll start with the melody and then entrench it in harmony. We’re at a point now where these concepts are quite difficult, so I highly recommend that you go back andreadthrough mypreviousarticleswhich willhelpcontextualisewhat weknow bythis point. I seriouslyrecommend it. This is my last article that I’m writing on this topic before taking a bit of a hiatus from the Chipwin Blog. It’s with a heavy heart that I admit my time is much less abundant as a teacher than it was as a student.
For the final time for the foreseeable future, let’s jam.
pictured: brisbane man becomes sheet music during the long winded process of registering as a music teacher
Tuberz here. Rather than rant about theory and rhythms and other malarkey, Brandon thought it would be nice to get me to review some of the stellar new tracks from ‘Chiptunes = WIN: Volume 7’.
I took up the challenge with eager willingness to enjoy some tunage and I must say that I have really been taken by surprise with the sheer quality of some of this music. That’s saying something because I already thought the music would be insanely good. Without further adieu, let’s hear my ranting about other peoples’ application of music theory.
Careful or V.7 art contest winner, TinyNeenja’s, Glitch Dragon will melt more than just your face!
ARE YOU READY FOR MY SCATHING CRITIQUE OF GAMEBOY JAMS AND OTHER SUCH PARAPHERNALIA???
Volume 7 is a thing ChipWINners, and what a thing it is, am I right?
With this release refusing to buck the trend of each Volume being a new flavor of amazing, I’m honored to be here to bring you the first ten track reviews. So honored that I’ll cut the rest of the standard opening poppycock and get right to work.
Amazing V.7 album artwork by Nate Horsfall aka Foxxdragon of lightningarts.com
It’s amazing to me how much more rapidly summer pushes forward the second I start to think of how quickly it’s passing. It’ll be August tomorrow, and for some of us, it’ll mean we are moving from the scents of slow summer mornings and freshly cut grass to clean paper and sharpened pencils. For all us New York City folks, it just means the same routine: Escaping the smell of hot garbage to find refuge in tiny apartments where even DMGs seem too big. No matter where you are, though, we have all been graced with the return of 8bitpeoples, hosting Kris Keyser’s new release, ‘Reviver’.
Tuxic’s riveting concept album ‘Oblivion’ was released through Russian netlabel BleepLove in June 2018. Featuring some fantastic LSDj chops, low-fi drum’n’bass grooves, and hostile progressive metal, this music stood out to me from the moment I first heard it for its strong drive and dynamic execution. Making use of some really interesting pacing decisions alongside active melodies and uneven rhythms, the tight composition creates an intriguingly mechanical feel with incisive focus. This is balanced out nicely by the more free-spirited sound, full of surprises, where even the vocals display quite the stylistic range – composite instrumentation with a penchant for harsh qualities and sudden appearances. The most natural aspects of this album are presented through an artificial texture. The result is engaging, self-contained, expressive, abrasive, and GREAT.