Posts Tagged ‘awesome’

This month in The Overworld: Vault Kid

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This month’s featured artist was born and raised in East Fresia, Germany. Which is a small coastal region, very close to the border with the Netherlands, and famous for its tea culture. Keno, a.k.a. Vault Kid has a long record of creating EDM jams that goes back all the way to 2012, and through his college years this habit remained strong. Suddenly, in 2016, the event of finding out about Chiptune changed his creative path forever. Let’s hear what this producer of catchy tunes has to say about our beloved music style.

Vault Kid holding his sonic weapon of choice.

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A Square Meal: ‘Insect_Byte’ by 4 For Fake

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Mexico is a land of contrasts and, of course, chipmusic is no exception to that. Maybe mostly known because of its raw sound and its so-called ‘iconoclastic nature’, the Mexican chipscene has overcome quite a few setbacks to become what it is now, and it’s given us a couple names to put it on the map. While chipmusic production – at a national level – has been slow in recent years, 2019 left us with an interesting work by one of the most prominent names around here. You may have listened to something by him before – I’m talking about 4 For Fake. Responsible for a vast amount of DMG mods and with a notable musical background, this technological laudator brings to us his first album made entirely in HoustonTracker 2. So let’s take a look at ‘Insect_Byte’ by 4 For Fake.

Album Art by 4 For Fake

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This month in The Overworld: Crab Sound

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Nestor Ovilla, also known as Crab Sound, is a Chiptune music producer and the founder of one of the first music collectives in his home country of México. Interestingly enough, he is also an illustrator, writer, and experimental photographer. Born in Tuxla Gutierres, the capital of the Chiapas state on the year 1991, he was always drawn to experimental art.

Crab Sound posing with a gameboy, his instrument of choice.

Crab Sound posing with a Game Boy, his instrument of choice.

On 2010, he started working with producing and programming his own EDM tracks, an activity that flourished with several projects besides of Crab Sound that he still continues up to this day. Self described as “A boy who inhabits an ice mountain, inventing sounds to make the robots and mutants break into dance”, here’s what he had to say about Chiptune.

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This Month in The Overworld: Uctumi

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Always witty and to the point, this month’s The Overworld guest once said about hardware limitations “Challenge is the fuel that turns the cogs of creativity”.

Uctumi playing live.
Uctumi playing live.

Born in Buenos Aires in the year 1981, Uctumi is an Argentinian musician that began composing tracker music in 1996. Very active in the current local demoscene, he shares his views of Chiptune music and innovation in general in this interview.

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A Square Meal: The SOUNDSHOCK Series

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Beyond all the glamour and pageantry of the blips & blops, a misunderstood way of making chip music has grown and bloomed away from the spotlight of the scene – yes I’m talking about FM Synthesis. Of course, this is not a complaint, as we say in Spanish: “para gustos los colores”. The point is that, most of the time, a lot of cool things happen under the surface, things that are worth talking about and, from time to time, seem to be buried in the huge mass of crunchy sounds. The album series I’m covering today is not that. I can even say that it’s well known by everyone nowadays, precisely because the intention was –and still is– to direct your attention to the music and techniques used by those incredible musicians. Today I want to go back to one of the greatest compilation series centered on the FM side of the Micro Music, Demoscene, and Chiptune. Apt for newcomers and veterans, it will make you move and ignite the fires of love and interest in this particular approach to chip music in your soul – hoping the inferno grows so big that it encourages you to search for new music or even make your own. So let’s take a look over the ‘SOUNDSHOCK’ Series by Ubiktune.

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