And like all Teacher Summers, it is already filled with plans for get togethers, travel, and visits with family! I love all of those things, and I love to be able to offer something yummy and delicious that doesn’t take away from my quality time with my chosen ones. If you do too, then you should definitely know about this delicious…
Last month we covered the idea of structure, form, and creating holistic musical statements. We’re at a point now where these concepts are quite difficult, so I highly recommend that you go back andreadthrough mypreviousarticleswhich willhelpcontextualisewhat weknow bythis point. We’re building on what we talked about last month with all of the elements of music theory intermingling to create a single refined musical statement. We’ve learned all about how to make very exciting and high-brow musical material, but should it always be full of these difficult concepts? Is it sometimes okay to just use three chords and a simple melody? I guess it’s time to find out.
I’m so glad that this month’s post is about simplicity. This took me a grand total of 2 minutes to edit.
This month, we were graced by a new Cheapbeats release written and produced by UK electronic artist, Gesceap. Released on May 4th, the seven track album is full of glitchy percussion and hypnotic melodies composed with Nanoloop. With a variety of digital elements comes a strong song structure created from from samples and soft synths. Interestingly enough, this was the first Nanoloop iOS album ever released on Cheapbeats, so on top of the sound being sublime, listeners can hear history unfolding right before their ears.
When I listen to a record, just like how when I make one, I tend to listen and check my mixes on both my studio speakers and headphones. I’m currently on the road and, as I write this, I’m limited to my iPhone speakers. Just from hearing it from this extremely limited audiosource, I can say the album’s mixes are done very well. The percussion cuts through perfectly, and the bass holds its own space without creating a centimeter of mud. While an album isn’t just about a great mix, I can honestly say that each track was wonderful to listen to and the album itself was easy to listen to at one time. As a whole, it was unique and beautiful, and I can see why Cheapbeats proudly released it.
Knasibas has been my friend for awhile now, and I’ve been a fan of his music for even longer. In case you haven’t heard of him, he’s a chiptune/bitpop genius who has been featured on Tracked and Chiptunes = WIN compilations, along with releasing music independently since 2015. Inspired by the sugar rush of jpop, the writing in heavier rock/metal, the appeal of videogame music, and EDM sensibilities, Knasibas has a unique overall sound with distinct and memorable melodies.
So now that you know what to expect, I’m really excited to talk about his latest album ‘CRY’. This release has a lot of depth to it, but the great sense of style speaks for itself. It’s inviting, open and up-front, and I find that… comforting. So rather than try to talk about everything and how it works, I’ll be honing in on that sense of comfort, and figuring out why it stuck with me. Hope you like it!
This month on the Blog, I wanted to review a beautiful album written by Australia-based artist and technologist, little-scale. Created by using modular synthesizers, this album works with a niche form of sound design well known to those into various forms of synthesis. I had the opportunity to talk to little-scale this month and it was my mission to get their take on why moving from Gameboys to modular is so appealing, while sharing the specific modules used during the performance of this album.
The world of modular is super in depth, hectic, and beautifully chaotic. Pictured here is a Buchla 200e I grew to get to know and love a few years ago.