Posts Tagged ‘Bandcamp’

Guérin’s Dissections: “Decline” by CCDM

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At the time of the release of ‘Decline’, it had been over 7 years since CCDM’s previous full-length , ‘7″ of Doom’. The scene is ripe for some hard, dark Amiga breakcore, and CCDM aims to deliver in his latest release. Filled with glitchy drum breaks and grungy, low-bitrate samples, ‘Decline’ will melt your brain while you thrash to its beats.

]̵̫̫͈̩̜̳̤͌̓ͅ{̶̨͚̲͙̪͇̫͉͈̬͌̅͌́̈͊̈́̔̚ͅ[̵͓͕͉̗̞̥̞͎͕̟̐͂̑[̸̩͚̮̫͙͖̟̦̇̉̄}̷̼͉͗̅͑͗{̷͉͔̓̒̀͋̆͠|̶͚̮̼̘̞̭̰̒͒́͆͗͒̓͠|̸̧̡̣͉͑̎̀͂̄̋̄̌͠}̷̛̫͕̣̗̋͆͆̍̓̄͐͐̅̚\̶̗͗]̷̖͓̰͎̪́̔̅[̵̧͇̗̦̣̤̟̘͍̱̬̑̇̀̈́͌̅͒̄̎̕|̸̫̝̭̩́͌̐͑̈̾}̶͕̯̫͇͓̺̠̲͓̲̠͊{̴̖̱̞̼̗͔͕̯̭͕̫̽̏͊͆͘͝\̶̧̧̲͈͇̪̭̬̼͓̈̐̏̈́̒̅̓̀̾]̸̧̳̩͉͉̬͛͑̽́̐̑͘͘[̴̡̜͈̗̝̪̪̤̼͒\̷̛̻̞͛̒͌̓͆͗̕͝]̷̥̲͈͈̼̞̄͛̋́̈̄̾͂̚͝[̵̰̥̜͉̟̮̠͈̜̗̾̊̔̉̌̿̈͑̿̚\̷̧͈̮̪̟̿̆͒͊̊]̶̦͚͉̳̭͗̓̍͑͊́͂͆̊ͅ[̸̛̻̝̜̜̦̜̗̼̙͈͔͑̃̆͛̐̏̒̉̽͘|̴̡͔̥̼̪͍̊̉͌̓̉̓́̀̌̎͘ͅ}̸̨͖̰̗̱̖̫̗̱̞̏̆̒̉͆[̸̜́\̸̛͇͉̰̓̀̅͆͑̾[̴̮̰͉̫̮̼̯͕̺̇́̒͘ͅ]̷̮̺̟̬̇͌͐̏̔̈́̇̚͘|̷͈͎͈̦̫̓̐̋̿͑̈́}̵̛̛̖̞̮͖͓̺͕̮͊̍̎͌̂͆̐̑{̶̪̩̙̜̲̲͛̎̔͛[̸̨͕̠͐͗͊̉\̵̡̢̣̼̬͚͔͓͇̩͖̋̀̏̄̄̋̉̎̑]̵̟̯̪̲͖̮́̓̎̇̓̅̚|̷̗̱̬̺̲̞̰̬̏̈́̌̏̎̈́̀̓͠}̶̠͚̣̳̾̄̇̑̂̀͑͝\̵̮̦̇͐̾̄̾̇̑̔͘]̶̼͂̇̐̕[̵̟̙̰̖̞͕͓͗̀̆̐͑͝|̵̳͙͔͈͍͍̯̬͌̑͌͐̚ͅ}̴̨̡̛̯̩͔̙̝͓̥̅̂͌̏̏́̎́{̶̟͚͊̈́̒̔̿͝\̸̧̢̛̰̟͙̞̼͙̻̲͒̎̆̂̑̍̈́͆̚͘͜}̴̡̛̹̜͎̪̻͑̊̆͗̐̌{̸͔̰̼̥̿̄͆̃̈́͊́͑̀͋̾\̷̲͙̰̙͎͎̉́͒̋͜]̷̨̨̨̞̺͙̰̞͌̾̒͘͜͝ͅͅ[̸͖͔̌{̷̨̛̪̘̮͖̫̻̼̜͓̹́̃͆̋̏͐̓̂̾̇{̸̲̫̺͚̟̭͚̭̻͋̅̈͝}̷̛̻̜̫̩̺̥̌͐̂̀͂̔̄̋̈͘{̶̨͔̮̟̺͖̣̺̓̈́̋̂̀̀͝͠]̶̯̠͚̤̤̼̦̪̈̀͋͐͌̍̀ͅ[̸̡͙͕͈͇̭̋͒̓{̸̪̦̹̀̐̓̉͘}̷̢͉͇̫̟̟̦̬̙̠̂̈́̕͝͝{̸̛̮͙̫̞̫̣̰͓͎͐͌̈́̉̾͊}̷̹̭̪̳͉̺͕͓͈͔̟̀̎̈͒̅̀̚{̷̨̡͕͔̝̘̝̮̻̮̐̉̈́ͅ}̸̢͚̲͚̬̖̪́͆̒̂͘͝{̴̢̢̢̥̬̯̖̫̣̳̍̽̋͜[̸͙̯̟͎͓͉̣͔̘̮̌̎̈̄̊̾̕}̴̡̧̻͓͇̖̰̳̯̋̈̏̿͜ͅ}̷̻̘̝̣̲͂̒́̑̈́̉̒̀͛͋̃ͅ}̷̣͇͈̥̟̱͖͕̑̄͐͊̾̕̚͝{̸̦̦̖̋]̶̨̳̠̠̖͖́̓̊̕͝{̵̛̱̣̌͝}̴͉̥̯͚̟̳͉̘̫̈́̍̅̓̿̀̐̓̑́{̷̛̭̟̤̯̩͖̟͇̘̪͗̑̈̏̾̄͒͘}̵͓͔̺̖̘̯̼̤͉̹̆]̸̡͔͙̝̪̣̖̠͖̼̞̎}̶̡̢̦͚͖̬͎̞͆͌̔͑̂̆͆̕͝ͅ\̸̗̙̃̏|̷̧̨͕͚̻̥̘̦̞̬̈́̄̄̈́̏̐{̷̧̢̡͖̰̜͙̦͆̍͋́̊̂͛͘͝ͅ\̴̱̰͍͗[̷̰̩̺̮̲̽̆͜\̶̨̞̳͉̪͓̥̤̹͛̾̃́͒͑ͅ{̸̡̬͚͍̟̣̮͓̙͌͊͗̀́̒̈́̋͘͜\̸̥̟͈́̂͐̑̉͐̍̇͘͝]̴̧̛̺̭̭̣̜͉̺̩͊̽̔[̵̧̡̟̤̣̰͚̺̈̏́̋̎̓|̴̡̱̙̳̜͙̖̋̆̀̏̔̋͘}̶̨̡̜̠̬̩͖̭͖̄{̵̦̹̀͒̋͊́̈́̊̓̕|̸̨͚͈̘͉̑{̸̡̛̤̻̲̮͐̅͊̀̎̀̑̈́̽͜͝|̵̡̼̯̝͖͔̻̻̭̪̇̿̿̈́̀́̆͒̊͘͝}̴̛̝̥̮̓̉́͝͠ͅ{̸̺̜͒̅̍̈́ͅ\̶̨̱̈̈͑̈͒̄̔̓͊̒̕[̵̠͓̯̍͝ͅ]̵̙͓̗̙͂͊̂̌͒̌̉͗ͅ|̸̧̧̧̜̬͇̤͙̀͛͜}̸̻̩̲̞͕͖̇̓͌̇͐̂̌\̶̡̘͚̖̹͍͛̐̊͜͝]̴̣̖̋̍͋̊̆̃͆͘͠͠[̷̬̭̻̬̤̙͉̣̰̑̽̄̂̔̾̃͒͘͘͝ͅ|̴̛̫̦̗͙̝̣̱͂̓́͒̇̆͘}̷̨̛͖̩̫̬͙̺̣̖̑̈́̚{̶̢̱̗̣̺̯̱͕̯̘͒͐̇̓̎͒͛̿̐͝|̸̗͒̔̍̈́̌̄̐}̶̟̩̄̀̋̓̄{̶̪͙̪͔̘̟̜̻̜̣͓̈́̊̄͛̓̑̀̓

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Chip Bit Sid Takes On: ミカヅキBIGWAVE – ‘わたしのYUME DIARY’

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It’s my final article of 2017, so I thought I’d write something special that has been a highlight of the year for me. First of all, this review is not associated with chiptune, but it’s probably my favourite album of 2017, mainly down to how it made an impact on me during the year. Released jointly by the artist and ‘neon city records‘, ‘わたしのYUME DIARY’ by ‘カヅキBIGWAVE’ is primarily a Future Funk album, and isn’t something I generally listen to. When I first came across the genre, I didn’t really take to it; mainly down to the constant slow downs & over saturation of funky samples. However, that didn’t stop ‘わたしのYUME DIARY’ from going against those cliches that reside in Future Funk, and instead relies upon making great, catchy melodies that stick in your head for most of 2017.

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Glenntai Got: “Don’t Wait” by mal4m

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Let’s face some hard truths, no matter how popular chiptune gets (as a niche medium), there have always been a lot of people thinking it’s starting to fade away. The reality, though, is that isn’t even close to true. There will always be jaded people; this is inevitable. However chiptune, much like synthesizers in the 80’s, has helped many people evolve their tastes in music beyond just what they expected. A lot of expectations were the concept of the nostalgia and limitations of the sound of a single console or a few combined. It has brought people into a whole new perspective of appreciating composition, sound design, and genres they never expected to find growing on them. People who haven’t explored their music tastes before chip music are exploring the wide variety of music that’s out there. We have people continuing to put chiptune elements and chip music influences in their music, whether it’s strictly hardware, strictly software, or somewhere in between. This is exactly where mal4m’s EP, “Don’t Wait,” comes into play.


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Guérin’s Dissections: ‘DESTINY’ by Tri Angles

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‘DESTINY’ is an essay on wanderlust. It is a statement of contentment and restlessness. Tri Angles conjures amazing emotions in his music, and this album is no different. Though only loosely connected to chiptune at this point, Tri Angles is still part of the community, and his work deserves recognition for the ways it pushes genre boundaries and demonstrates composition prowess. In an album that most closely resembles the music he produced under his previous pseudonym, SMILETRON, ‘DESTINY’ truly captivates and shimmers with a unique beauty that most other musicians can only dream of. Under the fold, let’s dream together in the gem littered cave Tri Angles has constructed for us.

�̵̢̩͖̓͆̽̋͘�̸̢̩͍̈́�̷̫͈̼̥̜̭̆͌̌̅�̷̦͓͓̝͆̓̒̆͗͝�̴̩͔̝̮̠̊̒̈́̇͒͝�̸̮̦̗̉�̷͇͑̇̈̂̀͠ͅ�̵̡͙͚̺̲͔̆̓́�̷̯̭̞̑�̴̪͔̰̰̟͋̐̊̏�̶̡̲̟͈̮͎̽̚�̸͉͎̇̀͆�̵̱̊̐̈�̴̛͖�̴̥̠̠̹̄͐̈́͒̂͜ͅ�̵̮͌̈́̀͐̚̚�̷̱͑̒́̍̍̽�̷̻̹͖̫̣̣̇͐̂�̵͈̩̪͔̗̲̈�̷̧̩̖̋̕�̶̧̼͍͔̓̐̑͋͌͝�̷̭̃̔�̴͙̻̙̔͊̃ͅ�̸̲͈̭̗̜̪́͋́�̵͇̋̈̆̚�̸̥͉̀̌̃̍̑

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The Unicorn Princess Royally Reviews The ‘Posthuman’ Video by Conquer Monster

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Happy December, folks!

Back in November of 2015, I had the pleasure of talking with Joshua Faulkner and Daniel Romero of the Salt Lake City super synth duo known as Conquer Monster. Their album, ‘Metatransit‘, had just been released the previous month in October, and on top of being incredibly sound design savvy with a variety of instruments, synthesizers, and a C64 on their album the group also performs live and focuses a good portion of their time on reeling listeners in with visuals. Debuting on December 11, 2017, the group has taken one of their tracks ‘Posthuman’ from ‘Metatransit’ and created a retro video featuring the artists in a 90s point-and-click inspired video game.

 

 

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Aydan Appreciates: ‘sketchbook vol #1: 12-17’ by Slime Girls

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Slime Girls’ ‘Vacation Wasteland EP’ was one of the first albums I listened to when I was just getting into chipmusic, and it’s stuck with me for a really long time. Every once in a while, I listen to this classic and reminisce on the events five years ago that ended with my current involvement in the ChipWIN community as a writer and occasional musician. It really has quite a special place in my heart. So, when I saw that Slime Girls had just released a compilation of unfinished works titled ‘sketchbook vol #1: 12-17’, I jumped at the chance to give it a listen. I fell in love with a number of tracks on this enormous 23-track treasure trove, and I’m happy to share with you the ones I enjoyed the most today.

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