Posts Tagged ‘bleep’

Chip Treatment with Professor Oakes: ‘superchroma’ by crashfaster

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crashfaster. You know them as that rockin’ Bay Area quartet with unforgettable stage presence, and you know that pseudonym through association of high quality releases that do anything but disappoint. Every. Single. Time.

If you recall my last crashfaster album review, which you can read HERE, ‘further’ was an album that emerged from ‘the ashes of discarded technology’ in a thoughtfully composed narrative arc. As a whole, ‘further’ is a metaphor for the never-fleeting feelings of isolation, numbness, and emptiness that one may encounter throughout their life, and is largely an autobiographical commentary by Morgan Tucker, crashfaster, 8bitSF and monobomb records’ frontman. Envisioning an explorer, Tucker remarks that the entirety of ‘further’ is a metaphor of the contemplation of his life and eventual journey to find the truth by ‘casting aside his former life and shedding each layer of his humanity.’

Transpiring from the personal anecdote alluded to throughout the course of ‘further’ is ‘superchroma’, an EP whose energetic presence and masterful evolution from the album prior is one that can’t go far from unnoticed. Released fresh on Bandcamp on July 22, 2014, ‘superchroma’ pays homage to what crashfaster had been, but also sets the stage to what the band WILL become. Despite what such a busy man he is, Morgan was very gracious to answer a couple of questions that I had about the evolution of the band, the transition from ‘further’ to ‘superchroma’, influences, and the future of crashfaster—because I love all of you, read on for the interview with the man himself!
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Professor Oakes: Hey Morgan! Thanks again for being able to do this!

Morgan Tucker: No, thank YOU! I really appreciate you interviewing me!

PO: Psh, I do all the easy lifting ;) But seriously, thanks again for taking the time. I know how busy you are with being a father, frontman of crashfaster, 8bitSF and co-founder of monobomb records! You certainly sound like you never take a breather.

Can you tell me a little bit about crashfaster and the significance in the pseudonym?

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llustrations courtesy of Phylissa Li, 2014

MT: crashfaster is meant to infer to both technology (ephemerality) and physicality. I’m fascinated by how much we rely upon technology to feed our souls. I believe we must strip away distractions and excess in both the physical and spiritual realms in order to discover our true nature. crashfaster is a call to action – destroy both your digital and physical selves to reveal the truth that lurks beneath the surface.

PO: I’ve been a fan of yours for years, and I was very excited to see you evolve from a single-person band into a quartet. Can you tell me how the transition from a single act to a full-man band means to you? Are you happy with the sound now that you have extra hands (and friends) on the team? How did you meet one another, anyways?

MT: There are two aspects of working with a band that have had a significant impact on crashfaster. In the studio, songwriting possibilities multiply exponentially. Each one of us has distinct and disparate musical tastes and influences. This has made our sound more rich and varied. In a live setting, there’s a lot more energy on stage to play with and off of. It’s hard to be one guy behind a Gameboy and keep the crowd’s attention. There’s a lot more for people to connect with when there’s four of us thrashing away. crashfaster was always intended to be on the dancey side of things, but something interesting happened when we began writing as a band.

On “further” we each naturally fell into a rock mentality, and the music became more aggressive and a little less beat-oriented. On “superchroma” we’ve pulled the sound back towards something that will make you move. I think we’ve found the right balance in our new material.

As for how crashfaster formed into a four-person band, it happened by chance, mostly. A few years ago I wanted to start stepping up the impact of my live performance, and I thought the single best way to do that was to introduce live percussion. I met Devin through a mutual friend of ours (The Glowing Stars’ Lizzie Cuevas), and we had an instant bond. We both saw eye to eye on where the project could go and shared the determination and work ethic that could make it a reality. A little while later, we got a shot to open for Anamanaguchi, and I wanted the band to sound even bigger.

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The man, the myth… the Ryan Case. Photo by Lester Barrows

I asked Ryan (who was a coworker at the time) if he thought he could learn our songs in a week. He said yes, and he did! We met Keiko at the farewell show for our old singer. The rest is history.

PO: Wow! What a history and inspiring happenstance. While I certainly love the sound of old crashfaster, I love the direction you all have been going in now that there’s four of you. However, I especially LOVE the direction you went in this EP, and it has to be one of my favorite crashfaster releases. With that said, can you tell me a little about the transition from ‘further’ to ‘superchroma’ as a whole?

MT: “Superchroma” was meant to be more of an evolution than a departure. We wanted to both pay homage to what crashfaster had been, but at the same time set the stage for everything that we could become. Our musical influences are deep and varied, and I want the band to reflect that moving forward.

Working at Different Fur with Patrick Brown and Sean Paulson opened our eyes to new workflows and songwriting possibilities. As soon as we finished up “further”, I was ready to get back in there and do it all over again, but this time we’d be armed with new ideas that the studio experience had spurred. “Further” was very much a protracted labor of love…from concept to completion, the project was in development for more than two years. While this allowed us time to refine lyrics, hidden meanings and aesthetic synchronicity, it didn’t let us experiment much while recording. The album was more or less what we came into the studio with. It was only afterward that we realized how much this held us back.

On “superchroma”, we decided to come in sans preconceived notions. We had about 20 rough sketches of songs that Patrick immediately whittled down to 10. From there, we started messing around with each of them until we found the voice the track. We knew we had 10 days from start to finish, and the goal was to get as much done as possible, while reserving the right to chuck things out that just weren’t working. This process was incredibly freeing, and allowed for many happy accidents, serendipitous guest appearances and just more…fun. I think that really comes through in the recording.

PO: Now that we’re talking about production and the gift of group collaboration, what hardware and software do you use?

MT: crashfaster uses a Gameboy loaded with LSDJ, a Gameboy mGB (midi), a NES with midiNES, a SIDstation, sammichSID, a Commodore64 with MSSIAH, Plogue Chipsounds 707, 808, 909, VP330, a Juno 106 & Ableton Live.

PO: Such sweet, sweet tunes for my ears. This hard and software you use—do you have any formal training as a musician? The rest of the band?

MT: I don’t have any formal training as a musician. However, I went to art school for Audio Production. I worked on Foley/SFX/Sound design for several indie films before I started crashfaster. Devin is classically trained and the most experienced musician in the group. The rest of us are pretty much self-taught.

PO: If you could categorize crashfaster’s genre and place a finger on what the band sounds like, what would it be?

MT: Electronic/Industrial/Synth/Rock. Or something.

PO: I’d say that’s pretty accurate! No reason to have to straddle one genre! What would you say influences you all? Music? Movies?

MT: I’d say the biggest influences on our sound are probably Kraftwerk, Nine Inch Nails, Prince, ELO, Afghan Whigs and Neil Young (specifically the “Trans” album). We are big fans of horror movies and anime, and I think you can definitely feel that in our music.

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crashfaster performing ‘GO!’ live at the DNA Lounge, 6/22/14. Photo courtesy of Lester Barrows

PO: Oh, definitely! I feel like “GO!” is straight out of an actual anime—IT’S PERFECT and incredibly energizing! Would you say you have a favorite track on ‘superchroma’?

MT: It’s hard for me to pinpoint a single favorite, because I’m really happy with how the entire thing came out. But if I had to pick, it’d probably be “lost”, because I think we were able to pull off the emotional intent of the lyrics in a way that hits me every time.

PO: I’m curious of the conception of the album name. Does it signify anything in particular?

MT: We were playing with these visual concepts that were heavily inspired by early 90’s rave/cyberpunk culture and anime, and we wanted the music to *feel* colorful. When we were coming up with names for the album, we tried to find something that felt as hyper-kinetic as what was in our heads. Thusly…superchroma!

PO: This colorful and kinetic mood… it’s totally off the spectrum than that of its precursor ‘further’. Would you say the birth of your child had any affect on this newest album and your artistic vision as a whole?

MT: Yes! The idea for “further” was something that preceded my child, and I had been suffering from a loss of purpose and feeling in my every day life, and no matter what I did, I couldn’t seem to find happiness. The construct allowed me to explore the concepts of duty, destiny, assimilation, isolation and self-destruction both lyrically and sonically. Once my daughter was born, I was overcome by a new feeling…not one of numbness, but a crushing awareness of time. I feel, now more than ever, that time escapes me at a pace that I find…unsettling. After all, my biggest fear in life is that I will have regrets (would’ve, should’ve, could’ve), and now I am extremely conscious of the fact that I don’t have forever to do all of the things I want to do while I’m here.

PO: Would you say there’s an overall theme of ‘superchroma’?

MT: Looseness. Ultimately, I wanted this album to act as a “mix cd that you’d have on in your car as you drove around at night in San Francisco.” This lighter construct allowed me to explore more varied types of music…things that I’ve been a fan of but never really found a way to make work within the context of crashfaster.

On this EP, we’ve got everything from a funky synth-pop tune to a faux anime theme song to an industrial club banger. Though the styles are seemingly unrelated, with the help of Patrick Brown, we were able to tie them together aurally in a way that works surprisingly well.

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‘superchroma’ by crashfaster. Album artwork by Phylissa Li, 2014.

PO: Now that your album is wrapped and now live, what does the future hold for crashfaster? Tour? What does it mean to you since you were the founding vision?

MT: More music, and more shows! Through crashfaster and 8bitSF, we’ve built up the community in the Bay Area to the point that I believe it’s one of the most vibrant and diverse scenes in the US. We recently joined forces with LA artists who formed 8bitLA, and we’re working together as sister organizations to bridge the physical divide in California chipmusic.

As far as crashfaster, we’re going on tour with Everything Goes Cold in late August, which will take us from San Francisco to Chicago. After that, we’re hitting the East Coast to play 8static Festival in Philly in October.

PO: I’m looking forward to your Los Angeles stop. You never disappoint! Just thinking about touring the country and doing what you love sounds so incredible. With that said, before we depart, do you have any advice for aspiring musicians?

MT: Oh, absolutely! Be humble. Be persistent. If you’re in it for the music, you’ve got to be prepared for the long haul. Destroy all excuses. Stop talking about why you can’t do things…make do with what you have.

PO: Excellent! Thank you so much for providing those nuggets of advice—I’m sure our readers can relate. Anyways, that just about wraps it up for our interview. Again, thank you, thank you, THANK YOU, and I’m sure I’ll be seeing you soon!

MT: Absolutely! Take care.
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That’s all for this (special) edition of Chip Treatment with Professor Oakes! Don’t forget to check out crashfaster’s music, and follow 8bitSF on ALL THE THINGS SOCIAL MEDIA for future events. Also, if you have some time, be sure to check out the series of music videos for ‘GO!’, ‘goodbye‘, ‘hi‘, ‘lost‘, ‘photograph’, and ‘tonight‘ created by Gabriel Roland, 8bitSF’s resident visualist and mastermind behind Noukon Films.

Until next time! Professor Oakes signing off!

crashfaster
Website Bandcamp | Facebook | Twitter

8bitSF
Website | Facebook | Twitter 

Monobomb Records
Website | Facebook | Twitter | Shop 

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Sladerfluous: ‘Jelly’ by Roboctopus

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Big things come in small packages, and that’s exactly what you get with ‘Jelly’ by Roboctopus.

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Lighthearted, explorative and accessible, ‘Jelly’ by Roboctopus does more with four tracks than others often can with eleven. Roboctopus redefines the meaning of “full album” with ‘Jelly’, a 4 track EP that will leave you full, and craving seconds.

Thoughtful harmonies employed by Roboctopus throughout the album keep transitions fresh, with title track “Midnight at the Ice Palace” showcasing Roboctopus’ ability to flow into new and unique transitions, ensuring intrigue with each purposeful deviation.

‘Jelly’ does a lot with a little. Roboctopus infuses excitement into this latest EP, employing clever tweaks and variations on its own established melodies with an efficiency that inspires. “Evening for the Rest of Your Life (Remix)” even goes so far as to pull the rug out from its own melody during a midway transition to spotlight its bassline undercurrent with refreshing abandon.

While strong ties imbue ‘Jelly’ with a certain uniformity throughout its four ambitious tracks, “Memory Erasers Local” is the strongest departure from the rest of the album with deep explorations into echo, pans and distance, creating hypnotic hooks alongside an upbeat anthem.

‘Jelly’ has a trademark effervescence that culminates with “Can’t Have the Fish if you Ain’t Got the Jelly” which, simply put, is a quirky experiment that WORKS.  It’s lighthearted and fun, infusing an unexpected drop into explorative basslines underneath an unapologetic grab-bag of chip pop-blips and synth that dares to redefine the term “melody”.

‘Jelly’ by Roboctopus is available on Bandcamp right now for “pay-what-you-want” at a minimum of $2(USD). For the LSDJ curious, the .wav files of all 4 tracks are included with your purchase of the album.

“Jelly” is a must listen that plays out as its own mini-odessey, weaving through each of its four distinct tracks with a finesse that evades expectation.

Pixel Recall (R. Morgan Slade) ~ Support the artists you love

Relevant Links:

Facebook | Twitter | BandcampSoundcloud

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Chip Treatment with Professor Oakes: ‘Further’ by crashfaster

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Howdy, Carbon based life forms! Professor Oakes is back to administer another dose of Chip Treatment – so sit down, strap in, and hold on to your butts! No, super serious pro tip… you’re going to need it.

As I’m sure you’ve brushed up on your recent chip releases on account of my awesome colleagues’ (which include DjjD, PixelRecall, and Aydan Scott) write-ups, it’s quite likely that you’ve gotten all starry-eyed and forgot San Francisco’s up-and-coming electronic rock group crashfaster’s newest release ‘Further’, amirite? And if you didn’t, now is the perfect time to develop a little ear bug and listen to it SOME MOAR. ;)

Hitting Bandcamp with a stellar release on November 19, this bumping, 11-track album has been a two year work in progress for crashfaster’s frontman Morgan Tucker, who also heads 8bitSF and monobomb records (along with the help of Richard Alexander ‘minusbaby’ Caraballo). Interested in the coexistence of and how the quality of the production of music affects art, design, and technology, monobomb records is a multi-vocational ‘plastic arts collective’ based in San Francisco with a production annex in Brooklyn, New York, which, when boiled down, makes cool shiz.

Oozing with a bouncy, melodic rhythm, and dripping at the seams with 80s video game culture nostalgia through the use of analog drum machine core, ‘Further’ is a collection of tracks thoughtfully composed in a narrative arc that emerged from ‘the ashes of discarded technology’. As a whole, the never-fleeting feelings of isolation, numbness and emptiness despite tasks being accomplished served as a catalyst to ‘Further’ and helped to inspire Tucker to compose a beautifully written album. Envisioning an explorer, Tucker references the explorer ‘jettisoned into space’ and ‘forced to contemplate his own purpose while dealing with unending solitude, while casting aside his former life and shedding each layer of his humanity in order to find the truth.’ I don’t know about you all, but I know this feeling all too well.

With a wide range of styles and techniques and a wonderful blend of complimentary vocals, ‘Further’ is nothing quite like I’ve ever heard before. With a very suitable entrance for the album as a whole, ‘Launch’ is surely a track to take you on an intergalactic mission through the depths of space and time. While it’s a relatively short track (2:50), ‘Launch’ very perfectly intertwines mission control communication and a sense of countdown as the listener themselves feel like they’re ascending into space with each passing second. ‘Launch’, very appropriately, transitions into ‘Closer’, a track in which I feel to be reminiscent of the feeling when the shuttle finally breaks the thermosphere, reaches 0 G, and breaks off the shuttle boosters. ‘Apex’, which is one of my personal favorite tracks, is also ever so perfect—with incredibly memorable but haunting lyrics. I feel incredibly weightless as if I’m looking down at the sights before my eyes in absolute silence knowing no one can hurt me; however, I suddenly feel like my space travels are up ‘In Flames’ as my ashes are scattered across the universe by the end of ‘Further’.

Without the help of Different Fur Studios during the recording process, Patrick Bischoff-Brown’s production, collaboration with Unwoman, Eric Gottesman,  Mr. Spastic on some of the tracks, John Greenham’s album mastering assistance over at Infrasonic Sound, and of course the rest of crashfaster (Devin Nixon, Ryan Case & Keiko Takamura), ‘Further’ would cease to exist. ‘Further’ can be digitally downloaded on crashfaster’s Bandcamp for $7, or you can opt to purchase the compact disc (yes, they still exist)! Hot and fresh from the press and ships out to your door within two days, the CD contains a 20-page booklet featuring artwork from Kristen Adam and gorgeous package design by Minusbaby all for $12.

If that isn’t enough to settle your ear buds, crashfaster is also performing at the DNA Lounge in SF December 6, at Frequency 3.0 in LA on January 17, and SJSU February 7, so JUMP ON THAT.

That’s all folks! Until next time! Professor Oakes signing off!

crashfaster
Crashfaster.com | BandcampFacebook | Twitter

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Chip Treatment with Professor Oakes: ‘Encounters’ by Zantilla

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My my my, ChipWINers! I see that your eyes & ears are due for their second dose of Chip Treatment the Professor Oakes way! Here, read up!

While I’m sure you’ve all been recuperating from either 8Static Fest or Nerdapalooza, dreaming about MAGFest, or been stuck at work for incredibly long hours with no end in sight, I’m sure you’ve all been auditorily stimulated for weeks to come, am I right? While I’ve felt at the center of a mighty whirlwind of recent chiptune releases these past couple of weeks, I stumbled upon a very Godly late October release by Tampa-based producer Adrian “Zantilla” Shegstad entitled ‘Encounters’ that I’ve been dying to write about!

J. Allen Hynek—United States astronomer, professor, and ufologist who developed the ‘Close Encounter‘ classification system—provides inspiration for ‘Encounters’, a 7-track high-quality album released by Ubiktune on October 25, 2013. Coupled with album artwork by Rufus Blacklock—aerodynamic animator, illustrator and space music follower—Zantilla takes his listeners on a journey through space and time through melodic synths, epic programming, masterful mixing and drum sequences. While ‘Encounters’ screams Ubiktune release, Zantilla’s quality progressive chiptune sound is sure to be a fan favorite for months to come.

Receiving wide support from Dan Behrens (Danimal Cannon), a listening party on Noise Channel (Arecibo Radio), and a review from the crew over at Destructoid, ‘Encounters’ opens with ‘1st Kind’ as Zantilla creates an out-of-body experience within the first minute of album introduction. As he invites his listeners to experience this auditory narrative of communication between humans and extraterrestrial beings, Zantilla uses a wide array of FM sounds and 2A03 additions throughout ‘Encounters’. Through his inspiration from Dream Theater and Jake ‘virt’ Kaufman, Zantilla makes use of exquisite metal recording techniques through live drum sounds, velocity layers and kicks and snares stacked together which gives ‘Encounters’ a very rich sonic vibe. While Zantilla mentions that he makes his own drum samples out of “layering shitty drum sounds together,” I call it absolute chip heaven.

While I could talk about my love for this album for HOURS, two songs in particular really catch my attention…Zantilla, well done. While each of the tracks have their own distinctive sound, ‘2nd Kind’ and ‘3rd Kind’ are all Professor Oakes A+++++ 10/10 certified chip. ‘2nd Kind’ is very reminiscent of a dream sequence. I remember listening to this, very appropriately, right before drifting off to sleep one night. With a hypnotizing key pattern, ‘2nd Kind’ has a very haunting melody that is far from anything I’ve ever heard before. With a drum pattern that kicks up around the 30 second mark, each second of this track is anything but what one can anticipate, as Zantilla blends his Sci-Fi aesthetic into synthesized riffs toward the middle of this track. ‘3rd Kind’, on the other hand, is completely opposite—an ‘evil twin’ to that of its preceding track—heavy, metal, and completely beastly with no time to breathe by the 8 second mark. While I can’t help but head bang, ‘3rd Kind’ is a wonderful whirlwind of chord progression and catchy drum kicks that takes you on a wild UFO ride to the very end as it literally feels as though it dissipates into space.

While the album sure rings sweet bells in my ears, it is also an insane steal and easy on the wallet! While the quality of production throughout is expected in that of a full-price album, ‘Encounters’ can be downloaded on Zantilla’s Bandcamp for a minimum $2 (though I surely recommend contributing more!) You won’t regret it.

That’s all ChipWINers! Until next time on Chip Treatment — Professor Oakes signing off!

 Zantilla
BandcampFacebook | Twitter | Ubiktune

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Chip Treatment with Professor Oakes: ‘Noisechan & Nugget: Adventures in Chiptunes’

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Howdy, ChipWINers! Professor Oakes here to administer the initial dose of Chip Treatment for your eyes and ears! It is a great pleasure to write my first edition on ‘Noisechan & Nugget: Adventures in Chiptunes’ album, which debuted on Bandcamp April 12th, 2013.

Released by Ubiktune, ‘Adventures in Chiptunes’ was a yearlong labor of love that Kris ‘TrueStar’ Kaufman helped catapult into the chip scene through her diligent project management and love for anything chip. Produced and mastered by Jake ‘Virt’ Kaufman, video game music/chiptune aficionado and Kris’s husband of 5 years, ‘Adventures in Chiptunes’ is surely a contribution to this kitschy community to be remembered for years. Gracing Bandcamp with 12 memorable tracks and delightful album artwork by Kabakism, the album opens with ‘Noise Channel Theme (Full Mix)’ composed by Virt, who also makes an appearance later on in the album in the track titled ‘The Artichoke King’. It is revealed in the album credits that the ‘Artichoke King’s’ identity is Nugget Kaufman, Jake and Kris’s 5-year-old Puggle, fan favorite, and Noisechan Radio’s mascot. With a catchy melody and heartwarming lyrics, ‘Noise Channel Theme (Full Mix)’ alludes to Virt’s heavy roots and passion for chiptunes. To no surprise, he was capable of masterfully creating a memorable introduction to the album itself, and of course a track that many listeners of Kris’s radio show ‘Noisechan Thursdays’ on Arecibo Radio are well acquainted with.

‘Adventures in Chiptunes’ continues with TQ-Jam’s track ‘Promise’, whose dreamy rhythm pays homage to his recognizable Famicom craft and quality release titled ‘September Air’. Starting off with a mellow introduction, the track picks up speed around the :14 mark and takes his listeners on an euphoric ride to chiptune land with stunning key strokes and classic 8 bit background buildups that can’t help but make you fall in love.  With a soothing melody, ‘Promise’ is certainly a track you’d expect to soundtrack a couple’s first dance, or even one’s dream of flying through the air as its pop-ish sound becomes an earbug that you just can’t help to forget or hum throughout the day.

Coda’s ‘Can’t Stop Our Noise’, the third track of the album, is a perfect segway from TQ-Jam’s ‘Promise’. His kinetic, space-like intro is a great accompaniment to the song as a whole as he brings to life the child in us all with MIDI guitar riffs and foot tapping kicks. With a sensational introduction, ‘Can’t Stop Our Noise’ is a totally tubular release that is very reminiscent of a vintage game show introduction. By the latter half of the track, Coda has done a fantastic job at packaging it all together with the addictive double bass that we all crave as we’re left in a galactic trance bobbing our heads.

Hally’s ‘Bgrusko Meow’ leads you on a cat and mouse chase (pun intended!) through its addictive, frenetic build up to a sudden BPM decrease in the second half of the song. Reminiscent of a classic 16-bit side-scrolling adventure game, ‘Bgrusko Meow’s’ catchy melody and extreme high energy is one of my favorite tracks on this album, as its bright and pop-ish sound brings a new and innovative composition to the album at large. Rekchadam’s ‘Catch That Girl, She Stole My Heart!’ is very reminiscent to Masato Nakamura’s memorable contributions to ‘Sonic the Hedgehog 2’. I can’t help but think of grinding through each level at warp speed to collect as many rings as I can to be awarded those sweet, sweet Chaos Emeralds because of the track’s enticing melody and double bass pedal kicks that build up your heart rate.

Fear of Dark’s ‘Noisechan Inspection Theme: On the Case’, Norrin Radd’s ‘Rejection’, Surasshu’s ‘Midnight Stroll’, an0va’s ‘It’s Only a Doghouse Right?’, Heosphoros’s ‘Forbidden Hell’ and Blitz Lunar’s ‘Hidden Heaven’ also make appearances on ‘Adventures in Chiptunes’. Displaying the high-quality craft we’ve come to expect from these talented artists, each of these tracks are unique and impressionable as not one sounds like another, but they certainly have one thing in common—a recognizable, addictive sound and a chiptune all star vibe. Ranging from a classic, 1970’s funk-esque feel in ‘Noisechan Inspection Team: On the Case’, to a side scrolling shoot-em-up style similar to that of ‘Contra 4’ in Heosphoros’s ‘Forbidden Hell’, the latter half of this high quality album finishes strong.

‘Adventures in Chiptunes’ can be downloaded through Bandcamp at ‘name your price’ (scroll past the links below to find it at the bottom of this write-up!). All album proceeds are fully given to Child’s Play Charity, which seeks to improve the lives of children in hospitals around the world through video games.

This concludes today’s inaugural edition of Chip Treatment with Professor Oakes! If you enjoyed it, be sure to tune in again next month (or maybe sooner??) as this monthly column continues! And in the meantime, enjoy the rest of this month’s upcoming lovely articles! Professor Oakes signing off!

Arecibo Radio
Website | TwitterNoise Channel Radio

an0va
Bandcamp | Soundcloud | Twitter

Blitz Lunar
Website | Bandcamp|Twitter 

Coda
Website | Twitter

Fear of Dark
Website | Bandcamp | Twitter | YouTube

Jake ‘virt’ Kaufman
Website | Bandcamp  Twitter

hally
Website  | Twitter

Heosphoros
Bandcamp | Tumblr Twitter

Norrin Radd
Website | Bandcamp | Twitter

Rekcahdam
Website | Bandcamp | Soundcloud Twitter

Surasshu
Website | Twitter

TQ-Jam
Website | Soundcloud | YouTube

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Raw Cuts With Kuma Special: BRKFest 2K13

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Hey guys!  Welcome back to Raw Cuts!  This time around, we have a very special edition of RC, as I took the time to sit down with three very special people to reflect on the event everyone is still buzzing about: BRKFest 2K13!  So without further ado, here’s my interview with Brandon “President Hoodie” Hood, Erin “Chip Mama” McQuisten, and Rob Remy “AutoRemi-PK” Pease about the event everyone is calling “The New Blipfest”!
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Kuma:  So, it’s been a while since we’ve all been together. 8 months, in fact.  Jeeze can you believe that?  I haven’t seen ya’ll in 8 months?

AutoRemi-PK (Remy):  That’s nine months too long.

President Hoodie (Hoodie): DEFINITELY way too long.

Kuma:  You guys on the other hand though: ya’ll got to go to BRKFest, which looked awesome from what I saw on Clipstream!

Hoodie:  YES. YES IT WAS.  It seriously felt like a mini-Blipfest, no lie.

Kuma:  That’s actually what I wanted to ask you guys!  You’ve all been to a lot of fests. Blip, PAX, MAG, Nerda.  How did BRK compare to those?

Chip Mama (Mama):  Well it was my first all chip show.  I’d seen a bunch of good chip acts at MAG, Nerda, and PAX, but the amount of awesome at BRK was overwhelming.

Hoodie:  Yeah.  I love Blipfest (or at least the one that I made it to in 2011! haha), but BRK definitely felt like a smaller, more tightly knit Blip.  It was endless good times! And dickbutts.  Lots and lots of dickbutts.

Actually, that’s my one regret: I didn’t get to draw a dickbutt on anything. :*(  Tommy (Thunderfox) brought a shirt that everyone signed and Tony (monotony) had his cast up for inking.

Remy:  BRK is a lot smaller but a lot more closely-knit.

Mama:  I agree with Remy: it seemed like everyone there knew each other either from in person or on the tubes.

Kuma:  Wait really?  That was your first all chip show?  I find that hard to believe considering you’re Chip Mama!

Mama:  I consider myself home-schooled in chiptune by one of the best.

Hoodie:  HAHAHA!

Remy:  Brandon isn’t the president we need but he’s the one we deserve.

hoodie batman hero
Kuma:  I’d hope so!  I think it’d be a disservice to all of us if you were just on the side while Brandon did all this fun shit!

Hoodie:  Real talk: BRK = only my second “all” chip show!

Kuma:  What? Brandon you too! You’re our President!  watrudoin!

Hoodie:  Sure, I’ve been to a handful of MAGs, Nerdas, PAXs, etc., but not too many *JUST* chip shows.  I wholly blame my location for that: BF, Arkansas. >_>
Working on that, tho…

Kuma:  You’d better.  Remy, the close knit feel at BRK, did it feel like 8static?

Remy:  It felt like 8static with southern hospitality. I can safely say that the best bar and the best coffee joint I’ve been to were literally right across the street from one another.

Kuma:  Yo seriously, what was up with that place you guys all went to eat at!  All the pictures of the food from there look like waffle house x9000!

Hoodie:  DAMN. NO KIDDING. Al’s bar & that coffee & donut joint = QUALITY.

Mama:  Oh my lord, the food and the coffee joint were AMAZING.

Remy:  The Institute in Philly is a TOUGH spot to top but Al’s Bar in Lexington really won my heart.

Mama:  Al’s was full of really nice people and a lot of first timers hearing chip that DUG IT and left with stickers and CDs and everything.

Hoodie:  Everyone was talking about the grub from Al’s last year. I expected decent pub grub at best, which would’ve been cool. Not the case, though. FANTASTIC EATS.

Mama:  One random guy even ended up crowd surfing during Trey Frey’s set.

Remy:  Yeah, the food at Al’s Bar puts most dining establishments- forget bars- to shame.

al's bar burger daniel davis

Photo courtesy of Daniel Davis (an0va).

Hoodie:  Damn, I could sure go for one of those Apple Jacks donuts at that coffee shop right about now…

Kuma:  What!  Strangers crowd surfing to chip and a bar that beats out The Institute?  Now I have to make it next year!

Mama:  Hell yes you do!  One of the bouncers went home with ChipWIN CDs!  And the bartenders had a stack!  The music was beyond what I expected!

Hoodie:  More real talk: BRK turned out *EVEN BETTER* than I expected.  The music, the people (locals included!), the food, EVERYTHING = WIN.

Kuma:  Damn it, I really have to do this next year! But, damn: so many things to go to next year!  That being said, you guys have any crazy fun stories you want to share? I’d love to hear about random after party nonsense or travel stories that you may have!

Mama:  Can we talk about the mustache dude that crowd surfed for a second?  cuz WOW!!!

Hoodie:  Hahahahahaha YES!

Remy:  Yes we can.

Kuma:  Mustached dude?

Hoodie:  I totes thought he was a creeper at first. hahaha.

Kuma:  God that alone sounds like half of chiptune!

Mama:  He’d never even HEARD of chiptune before.  I thought he was a creeper at first cuz he was taking pictures, but when folks started talking to him he was totally enthusiastic.

Remy:  Because if anything embodies what makes this collective scene great, it’s the reception he gave all of us that night and the one he got in turn.

Hoodie:  By mustache dude, we mean some random local who came to Al’s to grab a few beers and encountered chiptune for the first time in his life and HAD A DAMN BLAST.

Mama:  Wanted to be able to show his friends “the future of electronic music”

Hoodie:  CUTTING EDGE.

mark thomas the cutting edge

Kuma:  OMG that’s so damn cool!  Was he an older cat?  He sounds like an older cat!

Hoodie:  Totes an older cat.  Leather motorcycle jacket and everything.

Kuma:  NICE!

Mama:  40s – 50s, I’d say.

Hoodie:  Wearing a mustache competition t-shirt. hahaha

Remy:  He actually crowd surfed during Trey Frey‘s set!

mark thomas crowd surf

Photo courtesy of Shane Banegas (shanebro).

Kuma:  WAT!!! We got a possibly 50 year old chiptune fan out there because of you guys! that’s so freaking amazing!

Hoodie:  Seriously, that whole incident finished off the final night PERFECTLY.

Remy:  He won best mustache, both at BRK and in our hearts.

Mama:  He’s friended a bunch of us on FB and wrote a really awesome thank you note on the BRKfest FB page.

Hoodie:  “The Mustache of Our Hearts” <– ALBUM TITLE

Mama:  LOL.  You’re totally right, Remy.

Kuma:  Now I gotta ask, cause Dan Park hasn’t finished uploading all the video to YouTube yet, and I could catch all the sets on Clipstream, but for real: was trey’s set that godly?

Remy:  Yes.

Hoodie:  It was damn fantastic.

Remy:  Plain and simple yes.

Mama:  He got stage rushed on the second song, if that says anything!

Kuma:  D= NO WAI!

Remy:  Solarbear had us bumrush the stage and you don’t say no to that man and his beard.

curtis ware and his beard

Photo courtesy Curtis Ware (solarbear) and Chris de Pew (Storm Blooper).

Kuma:  DOOD, EVEN AUXCIDE AND SHANEBRO DIDN’T GET A SECOND SONG BUMRUSH!

Hoodie:  And I’ll own up to this here too: I’ve always enjoyed Trey Frey’s music, but never caught him live before.  And honestly, just never *quite* understood why people freak out about him *SO* much.

*NOW* I get it. *EXCELLENT* music.  And just an all around quality dude, too.  Super chill, super nice.

Kuma:  Now I gotta hear this!

Remy:  Trey Frey is as great a person as he is a musician, and that’s saying a LOT.

Hoodie:  Agreed 1000% Remy.  You can just tell that with some people.  Just by interacting with them, watching them interact with other people, talking to them a bit.

Kuma:  Yo, speaking of super chill, super nice, that final SMILETRON set, man.  I didn’t catch all of BRK, but that set man…I felt the feels through the stream, man.

Hoodie:  EXTREME amount of feels. Feels overload. 34987sadf654asdf654345.  Almost solemn even.  When the hell does *THAT* adjective come into play for a chipshow? Appropriate though.

smiletron chiptography

Photo courtesy Marjorie Becker (Chiptography).

Mama:  There were tears and sniffles.  At least from me.

Hoodie:  I held it in.  Just barely.

Mama:  SMILETRON is significant for me, since it was one of the first artists Bran and I listened to on some long car trips.

Hoodie:  Erin almost screwed that up for me.

Mama:  Sorry, babe.

Hoodie:  Ay.  He was one of the first artists I introduced her to in the chipworld, and just one of our favorites in general.

Kuma:  God, I can only imagine how you two must have felt seeing him. How bittersweet.

Mama:  Just watching his face during the set, it was almost like he was saying goodbye…

smiletron chiptography bittersweet

Photo courtesy Marjorie Becker (Chiptography).

Hoodie:  A bit sad to see him close up that chapter in his musical life, but at the same time major props to him for doing that when it feels right vs. continuing to drag it out beyond what is proper.

Remy:  I want to say that Casshern and S.P.R.Y. in particular did such an amazing job keeping that stream going and it is with no disrespect that I say no video could hope to capture the energy in that room.

Hoodie:  Like I said, some solemn heavy stuff, man. But in a *GOOD* way.

Remy:  Very much so.  It was cathartic.

Hoodie:  Agreed. Speaking of those cats, though, + the live sound guy & various visualists, AMAZING ZOMBOFURKIN JOB on *ALL* their parts!

Kuma:  Definitely on both accounts.  That was a solemn show if I ever saw one, but man, did SPRY and Dan kick ass for us at home!  I really wanna do something for them to thank them for all the hard work they did.

Hoodie:  
He did an *EXCELLENT* job, no doubt.  Hell, I didn’t think there even *WAS* gonna be a Clipstream until within the last weekend.  Glenntai stepped up to rock that, and then when he had to bow out because of illness Dan volunteered to take it over.  And he certainly did.

dan park chiptography

Photo courtesy Marjorie Becker (Chiptography).

Mama:  I think I gave them cookies. If I didn’t, they deserve some!

Kuma:
  Yeah, the visualists were awesome, too!  I definitely recognized ohhinaifu and datacats work there!  Who else was running viz for BRK?

Remy:  I have endless respect for datacats, both for all that he did to help me get out there, and the hard work he put in on visuals and his (TWO!) performances.  There was a PIXELSEED video used, which is always awesome, and I believe andaruGO stepped up for visuals for a couple of sets!

Hoodie:  And somebody else too, I believe.

Kuma:  Wow, andaru does visuals?  I know he does graphic design and illustration, but I didnt know he does live visuals, too.  Also, I agree: PIXELSEED is the man.

Remy:  PIXELSEED wasn’t there in person, but he very generously puts his work out there to be used by artists, which is very respectable.  I want to say there was one more, too, but the person eludes me.

Hoodie:  Part of what makes chiptune live shows so damn immersive is the excellent visualizations that accompany the music.  And that was there 110% at BRK, for *DAMN* sure!!

Kuma:  Seriously, that timing of Glenn’s pneumonia was unfathomable to me, especially considering all the work and build up he was doing to get there with Lora and Remy!  I’m just glad you managed to make it down there, Remy! Although not without trouble, it seems.

Mama:  Remy’s Great Adventure!

the adventure of remi
Hoodie:  Man oh man, poor Remy’s Great Adventure indeed! XD   ANOTHER ALBUM TITLE!!!

Remy:  Hahaha, when you’re on a long trip like that it’s never smooth sailing.  datacats came through for me in a huge way and I can’t possibly thank him enough.  He’s a paragon of selflessness.  Hahahaha!  Yeah, it really seemed like the universe did NOT want me to go to BRK.

Hoodie:  TAKE THAT UNIVERSE!  You sure showed it!

Kuma:  Dood, at least Remy’s adventure ended happily, unlike Starpilot‘s “Tales Of Being Treated Like A Border Crossing Mexican!”.

Hoodie:  DAMN THAT.  I was *SO* pissed about that shit!!! -flips all the border dickbutts-

Remy:  I’ve got 99 problems and fascism is most of them.

Mama:  Hahaha!

Kuma:  All that spiritual ascension, and yet he himself couldn’t levitate past airport securitah.

star pilot live
Hoodie:  I was so looking forward to meeting him and catching him live too!!  Another time, though, I suppose.  Regardless, he was definitely missed at BRK.  What a bucketload of rotten dickbutts, man.  Ew.

Kuma:  Seriously: that was a load of bs ever heard any, and I work in a public hospital: bullshit is my dayjob.  That being said, you guys did manage to luck out with BSK!  I can’t believe he came all the way from Japan to play at BRK!

Mama:  He melted faces.

Hoodie:  NO KIDDING, MAN.  That… just… I DON’T EVEN

Kuma:  No…no you have to clarify this for me because that was one of the sets I unfortunately missed.

Mama:  I was thinking about crowd surfing up until that point, and then he made the energy in the room go SO HIGH.  I decided that I had to go up.

Kuma:  On a scale of 1 to Killer Instinct, how many faces did he melt!

Hoodie:  Outside of Ralp at Blip 2011, I haven’t had much exposure to Japanese chip (especially live). [writers note: Ralp is from Spain {Hoodie note: OOPS! :3} ].  In general, it has a completely different kind of energy/feel.  So frenetic & hyper & AWESOME.

Mama:  People talk about 4 to the floor, that man was all 8 out the GATE.  As in all 8 cylinders (Bran was looking at me askance from across the room)

Kuma:  D=

Remy:  BSK did Mario at a rave.

Hoodie:  Hahahahaha!

Kuma:  DAN FINISH UPLOADING THE VIDEOS ALREADY!

bsk breaking it down

Photo courtesy of Marjorie Becker (Chiptography).

Hoodie:  Even as awesome as he was, I can’t call it my favorite performance of BRK. Mostly because I’m not sure I *CAN* pick a favorite. Everything was SOOOO GOOOOOOD~  And that sounds generic & lame BUT GORRAMIT IT’S TRUE!!!!

Kuma:  No.   No I’m not giving you that excuse.  Serious question time!  Pick a favorite performance!

Hoodie:  I’M THINKING.

Kuma:  DO IT NOW!

Hoodie:  IT’S HARD.

Mama:  HNGGG!

Hoodie:  I TRY NOT TO DO IT TOO OFTEN.

Remy:  No, it really is true.  A lot of BRKFest consisted of once-in-a-lifetime performances, things you just COULD NOT miss.

Hoodie:  HMMMMMMMMMMMMMMMMMMMMMMM.

Mama:  Can I do a top 3?

Kuma:  No.  While I believe all of you on how amazing these performances are, that doesn’t make you exempt from the question.

Hoodie:  Auxcide.

Something about his music that just *REALLY* resonates with me. And his energy live. Just… DAMN.

Auxcide chiptography

Photo courtesy of Marjorie Becker (Chiptography).

Kuma:  Nice.

Hoodie:  THAT WAS HARD!  DAMN YOU FOR MAKING ME PICK!

Kuma:  Your turn rynamom!

Mama:  Since Bran picked Auxcide (and therefore our parental obligation is filled), I’m gonna probably pick SMILETRON, cuz of the feels.  I’m all about the feels.

Remy:  SMILETRON Plays the Feels

Hoodie:  Yeah.  He’d be my favorite for that reason.  I HAVE DIFFERENT FAVORITES FOR DIFFERENT REASONS.  SUCK ON IT.

Kuma:  Remy, that’s a bad album cover waiting to happen, no matter how true it is.  Btw, it’s your turn!

Hoodie:  C’mon Remy.  Man up.  CHOOSE.

Remy:  I really wish I could back my way out of this, hahaha.

Hoodie:  NOPE.  Time for you to pick and have that pick made public for all the world to see.

Kuma:  Here, I’ll help.  Of the performances I did see, I think the one I liked most was andaruGO!  Andrew’s a sweet heart and I love his energy on stage. I just wish he played MACHINDER during his set.  Other than that, he pretty much played his new album live before releasing it was awesome

Hoodie:  HE WAS AWESOME.  His energy was NUTS!!!!  But that’s andaruGO for you hahaha!  Meeting him was great, too.  Meeting *EVERYONE* was so damn great!!!

And yeah, it’s (his new album) gonna be KILLER.

Kuma:  Nice.  Okay, Remy: it’s your turn.

Remy:  I would say Solarbear, because his performance drove home the fact that, holy shit, I was at BRK.  It happened.  How, I do not know.  Plus east coast chip is just so much better than west coast.  Really, I don’t know what meds people are on to think otherwise.

Mama:  Oh jeez

Kuma:  Very true.  On all accounts. Besides, its not like crashfaster is worth half the music they make.  (just kidding, I love Morgan and crew.)

Mama:  DON’T TALK BAD ABOUT MY CRASHFASTER!  Long live chip with words!

Hoodie:  Other favorites: Roboctopus really got me dancing, an0va was amazeballs (my first time to see *JUST* him live vs. w/ Cheap Dinosaurs), SMILETRON (again), Protoflight (he’s 15!!!), SSD Engage (I EXPLODED WHEN THEY PLAYED 1973!!!), shanebro, & Trey Frey.  And everyone else. Because yeah.

AND THE DATATHRASH PRESHOW AS WELL!!!

Remy:  Yeah, I’ll probably take a lot of flak for joking about east/west chip but whatever. Solarbear is ok.  He doesn’t drag us down TOO much.

Hoodie:  …I missed Solarbear’s set…. ;___;

Mama:  I’d like to tip my proverbial hat to Protoflight. Cuz he’s only 15 and ohmigosh he was amazing.

Remy:  Yeah, Yung Cunni’s got mad skillz

Hoodie:  But then again, SOLARBEAR SUX SO WHO CARES.

Kuma:  Dood that preshow!  I feel like the Datathrash crew doesn’t get the love they deserve! how was that?  Did EGR himself play?

ERG datathrash

Photo courtesy Marjorie Becker (Chiptography).

Hoodie:  IT WAS GREAT!!! Having to get up early enough to be there at noon after night one was kinda rough, though.  hahah Coffee shop across the road saved the day once again.  What was that one random band with the drummer that I’d never heard of before (that played the preshow)?

Mama:  Sludge Metal Ice Cream Truck.

Hoodie:  SLUDGE METAL ICE CREAM TRUCK!!  They were badass!!

The hour long open mic they (The Preshow) opened with was pretty sweet too!

Kuma:  I think that’s the most badass name I’eve ever heard for anything ever

Hoodie:  hahaha Yeah, they had me on name alone.

Remy:  The Datathrash show kicked off pretty early and was less hyped comparably but I can guarantee you that everyone gave 100% up there.  Whether you’re playing to ten people or one hundred in that capacity is irrelevant, everyone who took that stage was impressive in their own right.

Hoodie:  ^ THAT.  Remy busted out a couple of jams on the spot for the open mic, too.  IT WAS AWESOME.

Remy:  Plus, The Dutchess’ tore the fucking roof down with his Wish cover, and that was with about twenty people around the stage.

Hoodie:  HOLY SHIT!  I DIDN’T EVEN REALIZE THE DUTCHESS WAS GLENN UNTIL BRK!  HE WAS AWESOME!!!

Kuma:  And that’s the thing I love most about chip: no matter what the skill level, everyone gives what they can and everyone supports with all their heart in return. I love it.  Also, yeah, Glenn Bauer busts out some crazy stuff!  But that’s what happens when you make music around guys like an0va and skgb!

Hoodie:  Haha GOOD POINT.

Remy:  Nothing but love for Philly chip.

Hoodie:  Introducing Dobbins (and a handful of others) to the majesty that is Sam Adams Cherry Wheat on the final night was a highlight, as well.  I apologize to all of you in advance for the alcoholism this is sure to cause.  And props to one of my roomies, Jason Doss aka Square Therapy for bringing that!  Prevented me from being sad once I discovered they didn’t have it at the bar.

Remy:  Pff, you can’t get drunk off Cherry Wheat.

Mama:  Yes you can, I’ve seen it.

Hoodie:  OH YES YOU CAN.

Remy:  Grow a liver.

Kuma:  I think Hoodie’s liver is specifically designed to get drunk off cherry wheat

Remy:  Hahahahaha!

Mama:  And Jason brought goodies from Starbucks! Breakfast bar because of him.

Hoodie:  TRUTH.

Kuma:  But to be fair, a lot of us got drunk off poor man anger juice at blip and you don’t see us complaining.  “Poor man’s anger juice” being Pabst Blue Ribbon.

pabst blue ribbon

Hoodie:  POOR MAN ANGER JUICE LOLOLOLOL!  THOSE WERE ON SPECIAL AT THE BAR.  I drank a few.  They’re still fucking awful.

And Dustin, well… he didn’t really bring anything except himself.  BUT THAT’S OKAY. *BUTT*DAAAAAAAAAAAAAAWG~  hahahhahahhahha!

Kuma:  Wait, what about his sax?

Hoodie:  No, he forgot.  NEXT TIME.

Kuma:  Oh, that sucks.  But yeah, Pabst is terrible.  Glenntai and I came to the conclusion that Pabst is armpit juice, cause that’s exactly what it smells like

Remy:  At Blip ’12, 99% of us paid 1% prices for 5% alcohol by volume

Hoodie:  Seriously: good beer has ruined my ability to drink shittastic lager.  At least until I run out of money, and then I can still destroy some Bud Light. XD

Kuma:  Oh man Bud Light!  I can’t remember the last time I had a beer that wasn’t Pabst, a Sam Adams specialty flavor or Brooklyn brewery!  Fuck, now I gotta pick some up!

Mama:  Beer is gross. I found some amazing ginger ale at the bar.  And made it “special” for myself.

Remy:  Hoodie showed me some good picks at Al’s, too. He’s very adventurous with his beer drinking.

hoodie and his beerHoodie:  Yeah, I’m all about tastier brews nowadays. Cheap shitty lager still works in a pinch, though.

Remy:  Beer is SO gross. Fuckin’ love it.

Hoodie:  HAHAHAH YES!

Mama:
Hahaha!

Hoodie:  There were a few local brews that were tasty, but I think that Country Boy Cougar Bait was my fav.

Mama:  I had some peach gin, one of the tiny bottles, and I put it in a big glass of that Ale 8-1. It was divine.

Remy:  The Cougar Bait was hella rad.

Hoodie:  And those nachos.

Mama:  Went great with my bison burger with balsamic and grilled green apples.  The nachos!  Home made tortilla chips!

Hoodie:  Fuck me, man!  If we lived in Lexington, I’m pretty sure we’d all be going to Al’s to grab nachos and beer after this interview. hahahaha!

Remy:  Not even kidding, I could live in that bar.

Mama:  We three would have a booth.  It would have our name on it!

Hoodie:  I mean, seriously, that’s one of those joints that makes a place worth living at. haha!

Remy:  Fuck it Hoodie, let’s just do it anyway.  Let’s go right now.

Remy:  LET’S GO.

Kuma:  Remy, you had Institute tots: how do those nachos compare to loaded tots?

the institute tots

Remy:  Damn, that’s a hard question.  I would have to say the nachos win this round but I’m gonna have to eat that Institute jawn again, doe.

Hoodie:  Yeah, I’m definitely going to have to eat something after this interview. XD  I miss Al’s.

Kuma:  Same, man. I might go to the Mexican spot down the street and get some nachos, myself.

Hoodie:  I think it’s a testament to Al’s greatness that we’ve spent about as much time talking about the bar as we have BRKFest. hahahhaa

Remy:  Spot on, Brandon.

Hoodie:  AND EVERYONE THERE WOULD AGREE THAT IT’S DESERVING.

Kuma:  That being said, BRK sounds like it was incredible in every single way imaginable. So now I gotta ask: what’s next for you guys?

Hoodie:  GOOD TIMES.  Also *VERY* nice to have a chiptune festival that’s in driving distance of where I live. hahaha

Mama:  Next adventure is Nerdapalooza!  Or is it Nashville, Bran?

Hoodie:  Working with some folk on a few smaller local shows, but nothing quite like BRK yet.  NASHVILLE.  That’s one of the shows. hahaha

Mama: Yay! Only 4 hours!

Kuma:  Wait, wait hold up for a second.  Nashville…you wouldn’t be talking about the first of the semi regular show series Roboctopus is looking to host out there, would you?

Hoodie:  YUP!  THAT’S THE ONE!

Kuma:  HNNNNNNNNNNNNNG!!!!!

Hoodie:  He, I, Arnie of Datathrash and a few other cool dudes are making this a thing.  It’s taken awhile (we’ve been brainstorming it since earlier this year??), but it’s gonna be worth it. I’m already sure of that.

Kuma:  YES!  You guys totally need it to be a thing! The Midwest suffers of terrible under representation!  I know kloudygirl tried to do street busks and such in Texas and a few others tried to do the same here and there, but damn you guys need an 8static.

Mama:  Yes it does!  And we’ve got really talented folks in this region.

Hoodie:  MAN OH MAN DO WE EVER!!!

Kuma:  I’m so glad this is finally happening for you guys

Hoodie:  With a little time and effort and WORK, maybe this’ll turn into that.  Time will tell.

Kuma:  I hope so.  Even if its not strictly chip, I know you guys can make something wonderful happen there…as long as you have Amanda Lepre doing everything…which she’s already doing, so it’s gonna be a okay.

amanda lepre

Hoodie:  HAHAHAHAHA!  Her and Danimal do indeed do *ALL THE THINGS*.

Remy:   Yeah, no kidding.

Hoodie: I do enough of the things.  That’s good enough for me.

Kuma:  Seriously. I love what I do in the scene, but I can’t do what they do, let alone what you do, and god help me if I try to do what Kilpatrick does, cause I dunno how he does it.

andrew kilpatrick

Mama:  AK is cray cray

Hoodie:  Fuck that guy. He’s an asshole. ♥

Kuma:  I only know one asshole in this scene, and just like Bigfoot, his existence is questionable at best.

Mama:  ^Thats how Brandon expresses his man-love.

Hoodie:  I put a ♥ after that statement. That clears it all up.

Mama:  Of course, sweetie

Kuma:  What about you, Remy?  What can we expect of you in the next few months?  Same for you, Erin.  I know you and Bran are joined at the hip, but can we expect more Ryn vox?  Also, when can I expect mah cookehs?

Remy:  It’s always up in the air, man.  I never know what events I’ll make it out to or when I’ll have a release so I try not to make a big deal out of anything.

Hoodie:  DEFINITELY!  She’s in the midst of working on some more collab goodness as we speak!  As far as cookies, that’s up to her.  I try to eat all of those I can.  Y’all can get your own damn cookies!!!

Mama:  There is more Ryn vox in the works!  Princesses in Another Castle is working on getting a few songs together, and I’m in the early stages of a 5 track EP in collaboration with NickelPUNK. I’m super excited

Kuma:  Eh its all good, Remy.  I know nothing’s set in stone but it makes me happy that you’re doing your thing. And more Ryn vocals yay!

Remy:  I’m just keeping relaxed and focusing on having some modicum of output. I’m not going to release a Teaching Machine or an Information Chase my first time around and that’s okay.

Kuma:  Like wise: I don’t expect any EP I put out to sound amzing, but I’m happy my newer stuff sounds a little more Decktonic as of late.  I think that about wraps up everything here.  Thanks a lot guys!  This was fun!  We should definitely do it again!

Mama:  Thank YOU. I hope you can make something coherent out of our rambling

Kuma:  Oh, I definitely will

Remy:  If you put an egg in your shoe and beat it, it’ll glue everything right back together.

Hoodie:  Thank you! This was pretty damn fun!  Next BRK? YOU BETTER BE THERE!
——————————————————————————————————————–

Thanks for tuning for this special edition of RC!  Don’t forget to follow BRKFest on Facebook to keep up with the lastest shenanigans, as well as updates on media uploads pertaining to it!  Special Thanks go out to Hoodie, Ryn and Remy for this interview, as well as the many numerous artists who contributed to BRKFest, to Clipstream for making this a global experience for those who couldn’t make it in person, and to Chiptography for use of her immaculate photos in this article, as well as generally continuing to chronograph the awesomeness that is the chiptune scene!  Peace!

\m|♥|m/

BRKFest:
BRKfest.org | Bandcamp | Facebook | Twitter |

Clipstream:
Facebook | Twitter | Ustream

Chiptography:
Facebook | Chiptography.com

Hoodie:
Facebook | Twitter

Ryn:
Facebook | Twitter | Chip Mom

Remy:
Facebook | Twitter | Soundcloud