Sup y’all? =) Following up last month’s fantastic conversation with stig, I’ve another thoroughly engaging read for you good folk with yet another silly talented friend of mine (how do I find myself surrounded by these amazing people anyways, geez….).
If you’ve been in or around the chiprealm for a good few years now, you’re very likely familiar with Boston chip duo BR1GHT PR1MATE. Then again, if you’ve just gotten into it all in the last year or so, maybe not so much. This is largely because the talented team of James and Lydia Primate have both been deeply involved in the creation and development of a very unique indie game called ‘Rain World‘, which just released via Steam and Playstation. Today’s interview features an in-depth convo with James about his work on such. Really good stuff once again. Read on below.
After three years away, I finally made it back to PAX East – and in official MAGFest capacity to boot! I had the distinct pleasure of helping run MAGFest’s social media over the weekend as well as kicking off their brand new blog, which you can check outhere. While everyone else was busy making sure that the MAGFest Jamspace didn’t catch on fire and that all of our wonderful guests were there and properly mic’d, I spent the weekend WATCHING those shows… and getting my hands on some sweet sweet vidja games. If you didn’t get a chance to watch the livestream, and/or if you’re curious about the newest and hottest games, I’ve got you covered. If you want to jump between the music and the games in this article, just CTRL+F this page for #games or #music.
On the night of the 22nd, a bunch of East Coast dwellers got together to perform at The Middle East Upstairs in Cambridge, MA. They got together to give the people what they needed for their Saturday night,: and that, my friends, was a night of over the top lo-fi goodness. From the openers to our magical headlinah, the stage was graced by:
Myself, Sam Mulligan, Br1ght Pr1mate, Kris Keyser, and Radlib! Hell. Yes. This article covers the show, what these guys are doing, and how they’re making it happen.
Take one small but awesomely dedicated group of folk, a thriving local chipscene, 5 years of monthly chipmusic shows, a successful Kickstarter campaign, and a CRAPTON OF WORK and what do you get?
In a word (two actually…),THIS:
Boasting a SPECTACULAR line-up of 30+ talented chipartists & visualists from various locales, this three day chipmusic festival hosted in the city of brotherly love is going to be ZOMBOFURKIN AMAZEBALLS!!!
Don’t believe me? Then check out the lineup for yourself below!!!
To share a bit of insight on the fest & 8static in general, here’s a few words directly from Emily Feder, the festival curator:
“8static has been something I’ve held close to my heart for the last few years. All the people involved feel the same way; we devote a good chunk of ourselves to make these events special every month. The past year has been amazing and has shown tremendous growth, but it was time to take a stand and plan something larger scale. Our fifth anniversary seemed like the perfect time to break new ground. Philadelphia is an amazing city & October is a beautiful time of year; I hope that people will come and visit for this show and fall in love with the city and scene here the same way that I did.”
Regarding the fantastic line-up, “I wanted it to remove any skepticism about the event. The amazing thing is that, of pretty much all the people invited to perform, no one really knew who else was playing. They just wanted to be a part of this because they trusted us to come through with a spectacular event. The reaction everyone had when they saw the full lineup was inspiring. This lineup is a once in a lifetime experience for a chip music fan.”
Or her tl;dr version here: “Last year we had 30 people perform in one night! Imagine what we can do with 3 days?” Indeed, Emily. Indeed.
Along with some other notable folks (MAGFest, kitsch-bent, & Grassroots Game Conference to be specific), ChipWIN is also very proud to be sponsoring this festival directly. Outside of BRKFest, it’s only the second time we’ve had the chance to directly contribute to a live show, and to be honest it #FEELSGOODMAN!
At any rate, if you’re any sort of chiptune fan & anywhere even near this incredible event when it starts TOMORROW NIGHT (!!!), I’ve only one thing left to say to you:
GET YOUR ASS TO 8STATIC FEST!!!!!!!
P.S. For those who can’t make it to Philly for this but still want to watch live, YOU CAN. Thanks to the dream team of 8bitx, Clipstream, & Arecibo Radio there WILL be a live stream. When the time is right, find it via the magical link HERE.
P.P.S. While you’re there be sure to catch a couple of our bloggers, Kuma & Adam Seats, hanging around the ChipWIN section of the merch booth or in & around 8static Fest in general. Find ’em & say hi/snag some goodies/grab a beer/dance the night away in good company! ^_^
Hey everyone! Welcome back to Raw Cuts! Before we get started, last time I know that I promised you all that I’d be dropping a Solarbear interview next time I posted! That baby is still on its way, but due to conflicting schedules surrounding BRKFest, that interview’s been postponed to a later date. That being said, I’ve got an awesome interview for you with a rising star from Virginia! Taking a cue from Danimal Cannon, this dude combines sweet guitar skills with precise LSDJ composition and is definitely someone you should pay attention to you! Without further ado, I present my interview with Jason Doss aka Square Therapy!
Kuma: So tell me, Jason: I don’t know everything about you, but what I do know is that you’ve been making music for quite a while. Furthermore, you’ve shown yourself to be quite an eclectic artist. What first brought you to chiptune and how long have you been musician in the first place?
Square Therapy (ST): Well, if we’re getting technical, I started playing piano around three or four. My mom and her side of the family have always been musicians so I kind of fell into it by default; but, as far as chiptune/8 bit music goes, a lot longer than I make it out to be. I remember when I was about 10, I asked for this specific keyboard for Christmas because it had a “square wave” tone on it. I would sit and “write” what I thought to be music for my own little video game for hours. Though it wasn’t much more than me playing simple chords that I knew at the time haha.
Kuma: That’s rather cute, actually. I can see little you on a Casio just playing simple stuff at that age. That being said, your “own little video game”? Was it something imaginary you were doing or were you at the time planning on making a game? Do you still feel like that sometimes when you’re making music? Do you still approach it with that sense of childlike wonder?
ST: Haha It was a Casio, actually! And well, my dream ever since I was a kid was to write and compose music for video games! Which is also still a goal that I will continue to push for the rest of my life. In every little solo project I’ve done it has always contained a sense of chiptune, even before I knew what chiptune actually was.
Kuma: Have you had any luck pursuing that dream so far? I know guys like Jay Tholen, James Therrien of Br1ght Pr1mate and virt seem to have found success, or at least opportunities, in making music for games. Have any come up your way yet?
ST: Actually yes! Nothing major, but I’ve written for some college students that needed music for their projects and other small indie developers just for fun. It’s nothing I ever really plan on making money off of. Just a passion I really want to pursue.
Kuma: I’m actually glad you mentioned money, because money is always an issue that comes up eventually when it comes to music, or any form or artistic expression. When it comes to your music, your craft, are you passionate enough about it that you don’t care about making money off it or is it something you’d love to make your life professionally?
ST: Well, I will never charge for my music. I will stand by that no matter what. Every album that I produce will always be free for a digital download. Always. Now, for other formats such as vinyl and tape, then yes: that’s something I would charge for. And as far as writing music for someone else, I would say you would be paying more for my time than my actual work. Everything I write comes from my heart, and it’s something that I feel I’m just thankful for someone to listen to, money or not.
As far as shows go, a little gas and food cash never hurt anyone, but playing in front of a crowd is like a drug to me. Every time I get on stage it’s like getting a fix. So if I have to dish out cash for that fix, I would be willing to do that if it meant getting to play for people.
Kuma: Thats friggin beautiful, man. I don’t think I’ve ever had anyone describe their music making or performing experience in that way in my interviews. Its quite touching.
That being said, you’ve been making music for a long time, and I remember you’ve been in a few bands before, particularly Zatsesuken (am I spelling that right?): a djenty, sorta metal band you were a vocalist for that was pretty damn awesome. Is making and performing chip compared to, say, metal like comparing a happy drug like E to a hard drug like Coke? Is each musical genre like a different high for you? And is there one high you prefer more than any, if so?
ST:Zantetsuken! ;D and actually yes! I’ve played/toured with metal bands more than anything else I’ve done, so it really is a different world and emotion. Playing metal is much more aggressive and anger focused, which is really not me at all. But then again, I have metal influenced songs that I write as Square Therapy, as well, so I guess I still go back to my roots from time to time. I never try to limit myself to any specific genre, though, which is why I love electronic music so much. I can do anything I want to with it.
In fact, I’ve already started working on my second EP which will contain many different genres. Some of what you’ll hear will include orchestral, rock, and ambient electronica, as well as singing in most songs. I’ve always felt that limiting yourself as a musician is one of the worst things you could do to yourself. It would be like living off nothing but pizza. Sure, I fucking adore pizza, but if I had to eat it every day and night, my body would hate me, as I would hate myself for never knowing anything other than pizza.
Kuma: It certainly would; although, if it were space pizza, I think I might be able to get by for centuries!
Kuma: Speaking of space pizza, let’s talk about your track you submitted for ChipWIN! First off, congrats for being one of the chosen artists to be represented on our second volume! How did it feel knowing you got selected out of nearly 150 entries?
ST:I can honestly say it was extremely rewarding. And after hearing the other tracks, I feel even more fortunate. I don’t think I’ve ever been more impressed with a collection of artists before. So many different influences and styles as well as production. You can really hear a lot of personality in each song and I feel thankful to be a part of it! Also, on a side note of the whole Chiptunes = WIN community, I’ve never felt more welcomed in my life! A lot of music “nerds” can really come down heavy on you as a newbie to a community, but not at ChipWIN. I felt like everyone was instantly a friend, and it’s awesome to be a part of such a welcoming community, even if we are nothing but a bunch of shitty dickbutts!
Kuma: Hey hey hey! Dickbutts are not shitty! Butt tacos are! And they’re delicious!!!
ST: Okay, okay! I’m sorry! You’re completely right
Kuma: You’re forgiven…but I won’t forget. *salutes* I’ll never forget…
ST: It’s okay Kuma: I could never forget you, either! Not after MAG XI at least…
Kuma: Shhhhhh! Those are things people must never find out about!
ST: AND THEY NEVER WILL!
Kuma: Getting back on topic, though: the song you contributed was definitely full of energy and wasn’t anywhere near the angry or aggreissive energy you had with your metal at all. If anything, a lot of us were joking and complimenting at how Anamanaguchi the song sounded! Was that what you were going for at the time or was this just based on a fun, happy feeling inside and you decide to let it spill forth?
ST: Haha Well, even though I am a fan of the older Anamanaguchi, I wouldn’t say that was really a focus while writing the song. That song changed so much through out the writing process that I honestly don’t even know where the original idea came from. I wanted to bring out a lot of my personal feelings with 8 bit, as well as my love for other styles like post rock, as well. Which in all honestly, I probably listen to post rock and emo more than anything else. That and video game OST’s. But I am very pleased with the way the song turned out. I really wish I could go back and add guitar to it, which there is guitar on all the tracks in my upcoming EP except for an interlude. But I put a video up on YouTube of that song with guitar so I feel a little more content now. haha.
Kuma: Oh did you? I’ll definitely have to check it out! That being said, lets talk about your newest album, shall we? How long have you been working on this baby?
ST: That’s a funny question, actually. This EP is really some songs that I’ve written in the past 2 years and just brought back and added to. I was tired of releasing song by song and not having an actual product out there for people to download and listen to. But since I’ve decided to make it a release, I would say a couple months.
I’m also lucky to have been able to make the songs flow as well as they did with each other. I’m a firm believer in writing an album/EP as an entire piece or work rather than random songs on a track list, which is why I also feel that I will never release a full LP. I am extremely A.D.D., and find myself getting bored with my own work at times. So I figured the best thing for me is to just constantly release 3-5 song EP’s, each being a nice piece in its own. It will help me stay involved with my own music, and hopefully some listeners as well.
Kuma: Of what I’ve heard so far, I think its a good gamble. You know yourself well enough to keep yourself going and when to stop, and both are important. I must say, I do appreciate your view of wanting to make albums that flow and have a shared meaning to them, even if its not a concept album. That means a lot to the listener, and I think of what I just heard, not only have you done that well, but your post rock influences definitely shine brilliantly in this EP. Is there anything you, in putting this together, felt was a maybe or an almost you’d still like to put out there, but just weren’t ready to do yet?
ST:I think this EP is a great kick off to whats going to be an awesome chapter in my life. I’m very happy with this release, but I know there is a lot more that I am capable of on a personal level that will be featured in future EP’s. As I mentioned before, my next one contains a lot more elements than just chip and guitar. I also plan on doing a few remix EP’s, as well. I love to cover material as much as I love writing my own. It’s a lot of fun to take someone elses mind of music and turn it into your own little creation.
Kuma: Speaking of covers, should I take your love of chip and guitar as a hint at a possible Danimal Cannon cover? Huh? Hmmmm?
ST: Haha as much as I would love to do that, I don’t think I could ever be as satisfied with recreating something as awesome as he does. It’s funny you mention him actually, because I would honestly like to extend a shout out his way. Danimal Cannon has probably been one of my biggest inspirations in not only chiptune, but music in general. A lot of chiptune tends to run together for me, as I am not particularly a fan of dance; so when I happened to stumble upon him, I was blown away. He made me want to do what I do now: play guitar over chiptune and make it sound fucking bad ass. I still see him as a huge inspiration and look up to him very much. I’m a Danimal fanboy all the way. Consider him my chiptune Justin Beiber. In fact, I think my biggest goal for this ep would be to hear his personal feedback on it haha.
Kuma: Hopefully he gets around to reading this and is able to let you know. That being said, regardless of what comes of this album, I know we can expect great things from you. Is there anything you’d like to say to our readers in closing?
ST: First off, thank you! Thank you thank you thank you! If you ever decide to listen to even one minute to any of my songs, thank you! On that note, my new, self titled EP is out now! Name your price on Bandcamp and all that jazz. (EDIT: Scroll to the bottom of this interview to listen to it! =D ). This will also be followed by a livestream show I am having on 08.16.13 for my birthday!! It’s going to be a hell of a lot of fun and I hope everyone tunes in for the party!
Kuma: I hope they do, too! Jason, Square Therapy, it was a pleasure getting to interview you, my friend! I hope we get to do this again sometime! Peace!
Thanks again for tuning in with us here on ChipWIN! Don’t forget to keep up with Square Therapy on your preferred method of social media, as well as listening to his tunes on either Bandcamp or Soundcloud! Tune in next time as I provide you guys with a very special post BRKFest interview with some very cool people you all know! Ciao!