Posts Tagged ‘chip artist’

Clover Chain Reacts to: Knasibas – ‘CRY’

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Knasibas has been my friend for awhile now, and I’ve been a fan of his music for even longer. In case you haven’t heard of him, he’s a chiptune/bitpop genius who has been featured on Tracked and Chiptunes = WIN compilations, along with releasing music independently since 2015. Inspired by the sugar rush of jpop, the writing in heavier rock/metal, the appeal of videogame music, and EDM sensibilities, Knasibas has a unique overall sound with distinct and memorable melodies.

So now that you know what to expect, I’m really excited to talk about his latest album ‘CRY’. This release has a lot of depth to it, but the great sense of style speaks for itself. It’s inviting, open and up-front, and I find that… comforting. So rather than try to talk about everything and how it works, I’ll be honing in on that sense of comfort, and figuring out why it stuck with me. Hope you like it!


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Progression: Music Theory 112 – Structure, Sequence, and Creating Cohesive Musical Statements

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Hey dudes and dudettes,

I just dropped my album ‘Progression‘ over at Cheapbeats, and thought all of you might appreciate that you can get the .savs and .ftms when you buy the album. Learning! Woo~!

Last month we covered the idea of harmony and melody intertwining to create a holistic entity. Now, it’s pretty fair to say that we’re in deep and in order to understand some of the elements of what I’m writing about you should go back and read through my previous articles which will will help contextualise what we know by this point. We’re building on what we talked about last month with all of the elements of music theory intermingling to create a single refined musical statement. We will do this through the lens of structure and form.

Let’s jam.

This one time at band-camp I tried to summon Satan. I accidentally summoned a clarinet. Same thing really.

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Clover Chain Reacts To: Kubbi – ‘Taiga’

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My introduction is going to be a bit of a gushy personal disclaimer. Sometime in mid-February of 2015, I was chilling out at home browsing Bandcamp, skimming ‘videogame’ tags and fan accountsmy primary way of finding new music back then. I stumbled across Kubbi’s album ‘Ember’, a breathtaking experience that I fall in love with every time I hear it. It’s stuck with me all this time, and while I’m sure it’s influenced me as an artist, Ember has done much more to help shape me as a listener. Looking back, some things have stayed the same (I still spend an occasional evening all to myself on bandcamp), but there’s just so much that has changed since 2015. I discovered Chiptunes = WIN, learned new things. I made new friends, left high school, grew up… and now I find myself here. I know I wouldn’t want to be judged for who I was three years ago, and I certainly wouldn’t want my music to be judged by what I made back then either.

So, as honored as I am to be talking about one of my favorite artists, on one of my favorite blogs – I’m going to try and set that aside, and refrain from any comparisons in regards to Kubbi’s past work too. I’m honestly more excited for right now, and the memories that haven’t happened yet. I used to have one definitive favorite album. With ‘Taiga’, I now have two.


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Progression: Music Theory 111 – Where Melody Ends and Harmony Begins

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Hey dudes and dudettes,

I’m gearing up to drop my new album this month, so look out for a post on that in the future (probably next month) but for the meantime we can look at some hyper-cool music theory stuff.

Last month we covered the idea of Developing Musical Material. You’ll know by this point I’m going to rant about how I strongly advise you to go back and read through my previous articles which will will help contextualise what we know by this point. This month is where these separate puzzle pieces seem to start connecting, and creating a whole cohesive entity that is ‘Music Theory.’ We’ll be covering the idea of establishing harmony, mood, and feeling through the use of melody.

Let’s jam.

okay now these are just getting ridiculous, far too abstract, and honestly quite hard to follow

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Aydan Appreciates: ‘Crunk Witch’ by Crunk Witch

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Crunk Witch, an eclectic and eccentric geeky duo from Maine, is known for their heavy bass, explosive vocals, phenomenal production, and chipmusic-influenced style. They’re also known for touring extensively throughout the United States. Several times a year they come through the college town that I call home, Ithaca, to jam out at one of our favorite local pizza joints, The Nines. This is just a pit stop on their journey to rock the nation, and it’s always a treat to experience the sheer energy that flows through the packed bar during their shows. At these live events, they’ve teased some new material from their latest self-titled album, released a little more than four years after their most recent album, ‘Heartbeats in Hyperspace’. ‘Crunk Witch’ is packed with what long-time fans know and love the duo for, and is sure to open new fans’ eyes to their sheer talent. So come on, everybody; there’s a place we gotta go!

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Clover Chain Reacts To: Tenfour – ‘Wish Book’

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When it came out, Tenfour’s “Wish Book” marked something wonderfully new for Cheapbeats. A popular label for chiptune and lo-fi music, this is the first time in my memory they’ve released something so distinctly modern and inspired more by videogame music than the chip scene. Soundtracks, and VGM in general, were my entryway to taking an interest in composition, which led me to the Chiptunes=WIN community, so I’m going to take this opportunity to try something new myself and write out my thoughts about it. Because this isn’t just a phenomenal album, it’s also *right* up my alley. Let’s dissect why it works so well.

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