Posts Tagged ‘chip artist’

Aydan Appreciates: ‘Kintsugi’ by Calavera

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A lot of the chipscene is based in either the Americas, Europe, or Asia. So many talented artists come from these four continents that we often forget about good ol’ Australia. With the recent influx of interest in Square Sounds Melbourne 2018, and a steady flow of music coming from Australian chipmusicians over the last few years, now seems like the perfect time to review one of the most recent works to come out of the region. Calavera is known for his down-tempo bass-filled bangers of tracks, and his most recent work, ‘Kintsugi’, certainly delivers them. We’ll be looking at three tracks from this album in-depth, so buckle up for one hell of a ride.

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Guérin’s Dissections: ‘Sinergy’ by IDecade

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IDecade—yet another amazing Italian chipmusician—is a relative newcomer to chiptune. You may have seen him posting his LSDJ tutorial videos around the Facebook group recently, but he started in 2015 using Milkytracker. Since his transition to LSDJ in 2016, he’s been making catchy dance tracks in various genres, and he’s made an immense amount of progress in the 2 short years he’s been releasing musi. With his latest album, ‘Sinergy’—released this past December—he’s ready to set the international chip community on fire.

|̸̨̲̬̪̄̅͑̍͜͠/̷̨̣̑̓|̷̥̀̄͛͌̇k̴̛͓̪̯̄̈́́͝ͅ/̶̣͖̀̔|̸̗͋̀̄͂\̷̨̛̤̾̓͐̓͜͝ḯ̵͎͝|̸̩̮̝͆/̴͍̃̈́|̵̡̙̥̠̫̾̍͒c̵͈̅|̷͕̉͜\̷̛͕̹̃̑̿|̵̻͍̼̠͙̍͠k̷̘͖̱̾̂̏̚/̶̟̘̈̄̌̒̆̚|̴͓̻͖̝͈̒̇͐̕͠\̷͇̍̋ș̷͛͌͑̔͆|̷̧̝͖͓̿̄̿͘ͅ/̷̱̯̓̓͑͘|̵̙͉͓͗͐̈́̀́͝n̴̫̝̳̿͋|̷̨̞̅\̷̢͙̠̠͛̀́͜|̵͉̤̭̜͙̜͑̑́̀͘͝a̶͖͕͑͘/̴̠͚̑̄͐͗̈́͆|̷̪͂̇̊͗\̸̧͕̹̇r̸̩̤͓̾͗̑͌|̷̬̲̰̳͗͗́̄̃͠/̵̥͖̩̺̣̇͝͠͝|̴̢̥̓̎̅̈́ȩ̷̱̂͒̆͊́|̵̧͔̙̣̑͛̚\̷̧̛̳͖̝̙̋͌̅̇|̸̧̦̲̜̾̂͊̎̎͛k̴̟̾̀͗̾̓̔/̵̨̱̪̰̲̑̔̚͠|̶͎̜̙̟̣̉̾͑̚͜͝͝\̷̧̒̇͊̕͝i̵̢̯̝̣̐̒̄̾|̸̛̼̣̫͘͜/̷̧̲̦̘̉|̴̱͑c̴̭̾̀̎|̵̰͙͓͕͖͗̋\̶̢̗̺̲͉͕̈́̆̒̔|̵̞͖̼̞̥̱̿͗k̷̯̈́/̸̨̹͆̔̓̉̀͠|̵͇͎̠̇͆͒͜\̶̭̙͎̒͂s̶̛̫͖̺͎͘|̴̬͔̖̹͛̈́̊̌͐̅ͅ/̵̻̼͘͜|̵͉́̈́̏̓͑ͅṉ̶̬͙̠̫̍͊ͅ|̷̖͌̊͒̔͛͝\̸͉̬̃̔̓͑ͅ|̶͎̯̻̤͔̓̈̚͜͝ǎ̶͉̦͎̰̔͜/̴̮́|̵̢̝̿\̴͉̋͝r̷̡̙̙̻̰͗͗̃̕̕͜|̷̺̈́̒̓͋͌/̷̣̦̝̂̕͜͜|̷̢̘̇̓ḛ̶̰̭́̔͛̈́|̸͉̮̊́̐͊͂\̸̪̠̒̐|̸̠͐̈́̔͋͑

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Progression: Music Theory 109 – New Harmonic Territory

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Hey dudes and dudettes,

Tuberz here with an awesome helping of music theory for you. I’ve spent the last few weeks detoxing from the release of The Great Australian Barbecue Bash (which was covered on this blog by a very hip and happening Chip Bit Sid). Last month we covered the idea of pivoting into closely related key areas, as well as harmonic planing. The usual disclaimer applies. Music theory is a vast topic, and if you don’t follow where we’re at with the content this month I would strongly recommend that you go back and revisit my previous articles. This month I’m covering the concept of pivoting into seemingly unrelated key areas. This is a deep topic, so it will be a bit denser than previous articles, but just as rewarding to read through.

Let’s jam.

Seriously, do you like… pay a guy to make weird photos of music theory or like what?

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Aydan Appreciates: You

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Greetings, readers. Under normal circumstances, I’d have a review lined up as an article, and maybe even an interview to cap it off and give you folks a little bit of insight into the artist’s creative process. However, unforeseen hurdles caused me to scrap the review I had lined up, and I went into a creative slump. This article was supposed to publish two weeks ago today, for perspective, but now I’ve worked up the motivation to write again. So, rather than doing a traditional review or interview-review combination, I’d like to talk about something else: the community we’ve fostered for the last six or so years, and what it’s done for me in terms of my personal growth as both a writer and a human being. So, let’s start from the beginning.

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Progression: Music Theory 108 – Extended Harmonic Devices, Pivoting, and Planing

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Hey dudes and dudettes,

Tuberz here with both the first post of the year 2018 for the Chipwin Blog (!!!) and my eighth article in the realm of music theory. Christmas was great. New Years was dope. I ate far too much food and to even that out, I need to let a little bit of air out of my fat head. Last month we covered the idea of Time Signatures and debunking the myth surrounding its difficulty by breaking it down into twos and threes. As I’ve been covering music theory for eight months now, if you have difficulty at any point, don’t dismay! Just backtrack through my previous articles to help get your head around the theory concepts I’ll be discussing. This month I’m covering additional harmonic devices that you can use, including the idea of pivoting to other key areas, and the idea of diatonic and chromatic planing.

Let’s jam.

not that kind of planing… but perhaps this kind is more exciting

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Progression: Music Theory 107 – Time Signatures and Subdivisions

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Hey dudes and dudettes,

Tuberz here with my seventh article in the realm of music theory, and how you can take theory principles and apply them to your own jams. I’ve just returned from a hecking good, heaps awesome trip to Finland for a research conference, and Japan for… well… Japan. I guess. This gave me lots of time to organize my thoughts on this topic. Last month we covered the idea of secondary dominant chords, and other functional chords for pivoting into other keys and tonal areas. By this point, my articles may seem more like science fiction novels with a grounding in theoretical physics, so I think it may be wise to peruse some of my other articles to help bring you up to speed. This article is going to cover my favourite topic: Time signatures. We’ll talk about some other cool rhythmic ideas as well.

Let’s jam.

Do you like pay people for reference photos of sheet music with weird stuff on it or are you just resourceful?

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