What’s up nerds. Rhyphte here, and we got new tunes to talk about. Coming at us straight from London, we’ve gota ripe new release by Shirobon. Aptly titled ‘Rebirth,’ it’s a true return to form for the artist, being primarily based on LSDJ x1. While it’s not the flashiest album Mikey has ever debuted, it’s certainly one that I enjoyed, primarily due to my unbridled enthusiasm for quality LSDJ music. Without further delay, let’s dive right in.
It’s been a hot minute since I’ve heard the name Derris-Kharlan, so when Brandon notified me that an indie game with a soundtrack by this seldom-featured artist had been released, I was intrigued. I was quite excited to see what the project is all about, and wanted to familiarize myself with some of his previous compositions prior to this review. In perusing his Bandcamp page, I found the bizarrely comical Sonic Art series, a track released through the GameChops label, and I was reminded of his track on the classic ChipWIN Expansion Pack. Needless to say, his releases are few and occasionally far in-between. The excitement I had for this album spurs, however, from an iconic chipmusic album I love deeply – Ubiktune’s 2010 ‘Wintertunes‘. Derris-Kharlan’s contribution, ‘Reconciliation‘, is a piece that has always been special to me. It would play on my commutes to my college courses, or while I was studying or heading to work when I was just getting into chipmusic. I’m excited to have the opportunity to review ‘Rogue Singularity’, and I’m prepared to see what lies beyond the shroud of the stars!
Every year, ChipWIN releases a compilation of 51 of the best chipmusic tracks of the year, and every year it continues to impress. In case you haven’t been tuning in over the course of the last week, here on The ChipWIN Blog we also happen to review every track from the compilation. A daunting task indeed, but it’s our way of saying thanks to the many people involved in this continuously expanding project. Shall we?
It’s that chiptastic time of the year again! The long-awaited ‘Chiptunes = WIN: Volume 8’ has finally arrived! Newcomers and veterans from across the globe unite to bring us some of the best chipmusic of the year! Join us as we review the compilation in its entirety!
Hey folks! It’s ya boi rhyphte here with some more great summer tunes to talk about. In the midst of V8 submission prep, a very special member of our community was working hard on his first feature length release with his new label! I meant to put this out sooner (closer to the album release and farther from V8), but moving sucks (Editor-in-chief’s note: 100% AGREED), traveling sucks, and doing both in the same week is a gigantic pain in the ass.
I like Catskull Records because of its position as the nucleus of the Midwestern scene. There’s a lot of action on the coasts but the great interior of the states is certainly nothing to sneeze at. Toasterpastries, aka Jack Danial Young, has officially been inducted into the same cabal as the likes of Immortan and ChronoWolf, and I’m glad to see it because he’s definitely been on the come-up for a hot-ass minute now.
I also want to point out the awesome fucking album art. Jack took a picture of the solar eclipse (you know the one) with a GAMEBOY CAMERA. What a badass power move, am I right? The font chosen is very recognizable to the LSDJ goonsquad, of which I am a card-carrying member.
Normally I’d say it’s a little late in the game to be bringing out a “Game Boy/LSDJ-themed” album (it’s INSERT_YEAR_HERE, after all), but Jack has a strong argument for reminding us what these tiny old computers are really capable of. Not that any of us here at Chiptunes = WIN have ever actually forgotten. (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧
Long ago, deep in the archives of the 8bp community, there was an experimental, Japanese chiptune duo by the name of Kplecraft. Utilizing a wide variety of percussive instruments and a saxophone to name just a few, Kplecraft’s sound is complex in theoretical scope and instrumental diversity. After an eight-year hiatus, they’ve released a new album titled ‘Klingsardry’. Having been released through the Cheapbeats label and recommended to me by Brandon himself – not to mention, its teaser being a fully animated video set to a portion of each track – it’s safe to say that this album was destined to blow my mind.