Posts Tagged ‘chip artists’

Progression: Music Theory 114 – An Example of Process

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Hey dudes and dudettes,

Last month we covered the idea of keeping things simple for a myriad of reasons. These reasons include us restricting potential musical possibilities and enhancing sections with diversity of material, among many others. We’re at a point now where these concepts are quite difficult, so I highly recommend that you go back and read through my previous articles which will help contextualise what we know by this point. Seriously. We’re building on all of our current understanding of music theory to construct an example of how you might use these tools to write a section of music.

Let’s jam.

I don’t know… something about instructions? Cooking? Metaphors are weird.

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Aydan Appreciates: ‘started commuting’ by Ello Costello

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Hey there, ChipWINners. It’s been a few months since I’ve written an article due to some extremely time-occupying life events, but I’m happy to be back now! At the end of May, Cheapbeats released an EP showcasing a new artist in the community named Ello Costello. This artist certainly isn’t a stranger to producing music; he’s released a few EPs independently prior to this, such as the freely composed ‘Just For Fun‘ and the environmentally influenced ‘Small Windows‘. With influence and assistance from DonutShoes, an artist who’s been featured on ‘ChipWIN: Volume 5‘ and on ‘Volume 6‘, Ello Costello makes his stunning debut in our niche with ‘started commuting’. Throughout this EP, Ello Costello draws influence from morning cityscapes, the excitement of travel, and his own musical interests. Let’s see what this release has in store for us!

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Progression: Music Theory 113 – Simplicity, Restraint, and when Less is More

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Hey dudes and dudettes,

Last month we covered the idea of structure, form, and creating holistic musical statements. We’re at a point now where these concepts are quite difficult, so I highly recommend that you go back and read through my previous articles which will help contextualise what we know by this point. We’re building on what we talked about last month with all of the elements of music theory intermingling to create a single refined musical statement. We’ve learned all about how to make very exciting and high-brow musical material, but should it always be full of these difficult concepts? Is it sometimes okay to just use three chords and a simple melody? I guess it’s time to find out.

Let’s jam.

I’m so glad that this month’s post is about simplicity. This took me a grand total of 2 minutes to edit.

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Progression: Music Theory 112 – Structure, Sequence, and Creating Cohesive Musical Statements

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Hey dudes and dudettes,

I just dropped my album ‘Progression‘ over at Cheapbeats, and thought all of you might appreciate that you can get the .savs and .ftms when you buy the album. Learning! Woo~!

Last month we covered the idea of harmony and melody intertwining to create a holistic entity. Now, it’s pretty fair to say that we’re in deep and in order to understand some of the elements of what I’m writing about you should go back and read through my previous articles which will will help contextualise what we know by this point. We’re building on what we talked about last month with all of the elements of music theory intermingling to create a single refined musical statement. We will do this through the lens of structure and form.

Let’s jam.

This one time at band-camp I tried to summon Satan. I accidentally summoned a clarinet. Same thing really.

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Progression: Music Theory 111 – Where Melody Ends and Harmony Begins

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Hey dudes and dudettes,

I’m gearing up to drop my new album this month, so look out for a post on that in the future (probably next month) but for the meantime we can look at some hyper-cool music theory stuff.

Last month we covered the idea of Developing Musical Material. You’ll know by this point I’m going to rant about how I strongly advise you to go back and read through my previous articles which will will help contextualise what we know by this point. This month is where these separate puzzle pieces seem to start connecting, and creating a whole cohesive entity that is ‘Music Theory.’ We’ll be covering the idea of establishing harmony, mood, and feeling through the use of melody.

Let’s jam.

okay now these are just getting ridiculous, far too abstract, and honestly quite hard to follow

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Aydan Appreciates: ‘Crunk Witch’ by Crunk Witch

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Crunk Witch, an eclectic and eccentric geeky duo from Maine, is known for their heavy bass, explosive vocals, phenomenal production, and chipmusic-influenced style. They’re also known for touring extensively throughout the United States. Several times a year they come through the college town that I call home, Ithaca, to jam out at one of our favorite local pizza joints, The Nines. This is just a pit stop on their journey to rock the nation, and it’s always a treat to experience the sheer energy that flows through the packed bar during their shows. At these live events, they’ve teased some new material from their latest self-titled album, released a little more than four years after their most recent album, ‘Heartbeats in Hyperspace’. ‘Crunk Witch’ is packed with what long-time fans know and love the duo for, and is sure to open new fans’ eyes to their sheer talent. So come on, everybody; there’s a place we gotta go!

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