Posts Tagged ‘chip musics’

Chip Bit Sid’s Chiptune Sans Special: Utsuro Spark – Static Electricity

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It’s last review of the year for me and I thought I’d continue the trend by reviewing absolutely no chiptune. Last year was no contest for me and I reviewed one of my favourite ‘Futurefunk’ albums of the year, ‘Watashi No Yume Diary’ by ‘Bigwave Mikazuki’. It was a wonderful release that I continue to listen to this day. This year however has been harder to choose. Originally I was going to review ‘Moe Moe’ by ‘Moeshop’, an awesome release with a variety of singers. Featuring a worldwide collection of artists from Manchester’s own ‘MYLK’ to Kyoto’s ‘Toriena’, ‘Moe Moe’ was full to brim with character.

However, as the year started to draw to a close, I came across another album; ‘Static Electricity’ by ‘Utsuro Spark’ (released by New Japanese Net Label, ‘Local Visions’). Whilst ‘Moe Moe’ was bubbly and colourful, ‘Static Electricity’ managed to instantly hook me, both through its mystical music and passionate vocals. Ultimately it was the heart of ‘Static Electricity’ that won me over, even when I compared both albums vigorously against one another.

Album artwork by Futureflavor.

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The Unicorn Princess Royally Reviews ‘October (2018)’ by Spaceman Fantastiques

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[Editor’s note: this album was moved elsewhere on Bandcamp well after the article published, so none of the embeds work. ƪ(‾ε‾“)ʃ ]

Happy November, folks!

This month, Spaceman Fantastiques is back with yet another gorgeously articulated record, scoring his life from the previous month, entitled ‘October (2018)’.  Combining a mixture of well mixed sound textures with smartly composed arrangements, this record took me on an adventure that was left waiting to be continued from his last release.

One thing I deeply admire about Spaceman Fantastiques, and a couple reasons I review his work so much, is because I not only love it, but there is also a never ending stream of real creativity that spews out of every variety of instruments used for each album.  A multi-instrumentalist, Spaceman Fantastiques uses each acoustic texture or synthesizer to new brinks of limitations, combining that art with both storytelling and beautiful, listenable music.  This record, and his previous, have been so easy for me to write about because they’ve been so relatable.

Spaceman Fantastiques, courtesy of Bandcamp.
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Chip Bit Sid Takes On: Boaconstructor – ‘Winds Of Null’

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This year has been an excellent year for chipmusic using nanoloop. We’ve had a huge amount of releases ranging from the astounding ‘Geothermal’ by Classic Mistake, to the chilled as hell ‘Vanilla Dome’ by Glooms. This time we have Boaconstructor’s ‘Winds Of Null’. For context into ‘Boaconstructor’, he is a Seattle based musician who also runs ‘The Base bit’, one of the go-to net labels of chiptune. ‘The Base Bit’ have released a variety of accomplished albums such as ‘Refresh’ from Trey Frey, to ‘Steel City Zone’ by ‘HarleyLikesMusic’. It has been three years since ‘Boaconstructor’ has produced an album, with ‘Loop Dreams’ being released in 2015.

Whilst ‘Loop Dreams’ and ‘Winds Of Null’ were produced using Nanoloop, they are vastly different albums. ‘Loop Dreams’ focuses on using modulation to create weird and wonderful noises on a high BPM. ‘Winds Of Null’ on the other hand, focuses more on the bass, as well as detuning the melody and slowing down the music. For me I prefer Boaconstructor’s latest album, as I found it more accessible to listen to. The recording and mastering are also, in my opinion, much higher quality. Everything seems to pop better, with the levels balanced much better than ‘Loop Dreams’.

Album artwork by Dr!p.

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Chip Bit Sid Takes On: Paladin Shield – ‘Many Blessings’

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It is funny how plans can be altered within a second. Originally, I was going to review something else. However, just as I was about to put fingers to keyboard, I got an email: ‘Paladin Shield’ had just released a new album; ‘Many Blessings’! ‘Hot damn’, I said as I spent more money on yet another album. Below are three tracks that I loved off ‘Many Blessings’ and why I think it’s top notch.

Photo by jmswts.

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Chip Bit Sid Takes On: Classic Mistake – ‘Geothermal’

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For this month I’ve been really busy with a variety of different chiptune projects, and so I’m doing a reblog of an Article I wrote back in early 2018.  ‘Classic Mistake’ is a an artist I’ve only recently come across, beginning with a cover of 0F Digital’s, ‘Mesh’ and featured in ‘The Great Australian Barbecue Bash’ compilation. What I liked about ‘Classic Mistake’ is that he almost exclusively uses ‘Nanoloop 2.0’, creating some fantastic hooks which are reminiscent to early techno. ‘Geothermal’ is Classic Mistake’s first album released under ‘Cheapbeats’. Below I have selected three tracks that stood out for me of ‘Geothermal’.

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Chiptunes = WIN: Volume 7 [Tracks 11-20]

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Hey dudes and dudettes~!

Tuberz here. Rather than rant about theory and rhythms and other malarkey, Brandon thought it would be nice to get me to review some of the stellar new tracks from ‘Chiptunes = WIN: Volume 7’.

I took up the challenge with eager willingness to enjoy some tunage and I must say that I have really been taken by surprise with the sheer quality of some of this music. That’s saying something because I already thought the music would be insanely good. Without further adieu, let’s hear my ranting about other peoples’ application of music theory.

Careful or V.7 art contest winner, TinyNeenja’s, Glitch Dragon will melt more than just your face!

ARE YOU READY FOR MY SCATHING CRITIQUE OF GAMEBOY JAMS AND OTHER SUCH PARAPHERNALIA??? 

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