A lot of the chipscene is based in eitherthe Americas, Europe, or Asia. So many talented artists come from these four continents that we often forget about good ol’ Australia. With the recent influx of interest in Square Sounds Melbourne 2018, and a steady flow of music coming from Australian chipmusicians over the last few years, now seems like the perfect time to review one of the most recent works to come out of the region. Calavera is known for his down-tempo bass-filled bangers of tracks, and his most recent work, ‘Kintsugi’, certainly delivers them. We’ll be looking at three tracks from this album in-depth, so buckle up for one hell of a ride.
IDecade—yet another amazing Italian chipmusician—is a relative newcomer to chiptune. You may have seen him posting his LSDJ tutorial videos around the Facebook group recently, but he started in 2015 using Milkytracker. Since his transition to LSDJ in 2016, he’s been making catchy dance tracks in various genres, and he’s made an immense amount of progress in the 2 short years he’s been releasing musi. With his latest album, ‘Sinergy’—released this past December—he’s ready to set the international chip community on fire.
Tuberz here with an awesome helping of music theory for you. I’ve spent the last few weeks detoxing from the release of The Great Australian Barbecue Bash (which was covered on this blog by a very hip and happening Chip Bit Sid). Last month we covered the idea of pivoting into closely related key areas, as well as harmonic planing. The usual disclaimer applies. Music theory is a vast topic, and if you don’t follow where we’re at with the content this month I would stronglyrecommend that you goback and revisit my previousarticles. This month I’m covering the concept of pivoting into seemingly unrelated key areas. This is a deep topic, so it will be a bit denser than previous articles, but just as rewarding to read through.
Seriously, do you like… pay a guy to make weird photos of music theory or like what?
Hey y’all! =) Been a spell since I published an interview here on the blog; the final quarter of the year rarely shows me any quarter. haha That said, I’ve a really good one to kick off 2018! Featuring a cat that’s been involved in and around chiptune longer than probably most of us, and in various ways: composing his own music, performing live, modding gear, and managing various communities. Everyone welcome to the blog, Timothy Lamb aka Trash80!
Greetings, readers. Under normal circumstances, I’d have a review lined up as an article, and maybe even an interview to cap it off and give you folks a little bit of insight into the artist’s creative process. However, unforeseen hurdles caused me to scrap the review I had lined up, and I went into a creative slump. This article was supposed to publish two weeks ago today, for perspective, but now I’ve worked up the motivation to write again. So, rather than doing a traditional review or interview-review combination, I’d like to talk about something else: the community we’ve fostered for the last six or so years, and what it’s done for me in terms of my personal growth as both a writer and a human being. So, let’s start from the beginning.
At the time of the release of ‘Decline’, it had been over 7 years since CCDM’s previous full-length , ‘7″ of Doom’. The scene is ripe for some hard, dark Amiga breakcore, and CCDM aims to deliver in his latest release. Filled with glitchy drum breaks and grungy, low-bitrate samples, ‘Decline’ will melt your brain while you thrash to its beats.