Posts Tagged ‘chipmusic netlabel’

Clover Chain Reacts To: Purely Grey – ’27’

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On January 11th, 1992, Alex Soborov was born. Since then, he has made dozens and dozens of chiptune tracks and other music as Purely Grey and, previously, Twistboy. He has contributed to Chiptunes = WIN as both a musician and a judge, and he’s run a family-owned (aren’t they too cute?!) netlabel called Tracked for chiptune releases and cassette tapes for nearly three years now. In 2018, Alex released a track every single week, and on January 11th, 2019, many of them were put together to form ’27’, a celebration of Soborov’s 27th year on this earth. Supposedly. Based on this music, he may have been studying the arts somewhere else, learning another plane’s stellar wisdom.

Bursting with clarity, consistency, and an endearing freshness to it, ’27’ is shaping up to be my favorite album released this year, and I’m saying that in February. It’s full of enthusiastic decisions, delicious instrumentation, fun harmonies, interesting melodies, gutsy and smart rhythm, and an integral originality in how each track is structured and how they bounce off one another.

Let’s start at the ending.

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THE CLOVER AWARDS: 2018

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The new year is in full swing – MAGFest has come and gone, Chipwrecked is preparing for another great lineup, and we’ve already got a few fun 2019 chiptune releases! But such an active community also makes for a lot you may have missed, and I’d like to give the last year a final sendoff before moving onto this one. I’m proud of the work I did in 2018, but there was a lot I didn’t get to talk about as well. This scene is bursting with music to enjoy and appreciate, so while I can only cover a small portion of it, I’d like to try and spotlight some tunes that deserve the attention.

Naturally, I will be doing this in the silliest way possible.

(Collage by Hoodie)
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Aydan Appreciates: ‘Lonely Idiot’ by Imaginary

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Hey ChipWINners! I’m excited to kick off the year here on the blog with an article about an artist whose work I’ve reviewed a few times in the past – Imaginary! Released under the fledgling Catskull Records label while I was in Italy on my honeymoon, ‘Lonely Idiot’ initially flew under my radar, but an email from the artist alerted me to its presence. I’ve listened through the album a few times, and am excited to share a few choice tracks with all of you! Let’s get started!

Album artwork by heartsl0b.
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Rhyphte’s Remarks: Why Collabs Are Pretty Cool

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A lot of people make the bassline (huehue) assumption that multiple musicians working together is automatically a band. While the vast majority of multi-man musical acts do come in the tried-and-true form of live-performance groups, the picture is much blurrier in the realm of electronic music characterized by digital production and playback. Due to the relative ease of collaborating piecewise with an individual thousands of miles away via the internet, you see things like features, remixes, and group handles all over the place. While this article is mostly aimed at getting into the “collab” side of things, most of what’s covered can be applied to anything similar enough.

So let’s dive into what a collab actually is, how it can help you grow, and how to manage the development of one!

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Chiptunes = WIN: Volume 7 [Tracks 31-40]

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Hey there, familia. How’ve you been? Myself, I’ve been digging these here tracks on this compilation.

I, too, am going to go ahead and skip what could be a wordy introduction, and delve into tracks 31 through 40 of this simply amazing volume.

A more minimalistic, yet super cool approach to V.7 album artwork from Karl Ericksen.

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Clover Chain Reacts To: Tuxic – ‘Oblivion’

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Tuxic’s riveting concept album ‘Oblivion’ was released through Russian netlabel BleepLove in June 2018. Featuring some fantastic LSDj chops, low-fi drum’n’bass grooves, and hostile progressive metal, this music stood out to me from the moment I first heard it for its strong drive and dynamic execution. Making use of some really interesting pacing decisions alongside active melodies and uneven rhythms, the tight composition creates an intriguingly mechanical feel with incisive focus. This is balanced out nicely by the more free-spirited sound, full of surprises, where even the vocals display quite the stylistic range – composite instrumentation with a penchant for harsh qualities and sudden appearances. The most natural aspects of this album are presented through an artificial texture. The result is engaging, self-contained, expressive, abrasive, and GREAT.

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