Hey y’all! =) Been a spell since I published an interview here on the blog; the final quarter of the year rarely shows me any quarter. haha That said, I’ve a really good one to kick off 2018! Featuring a cat that’s been involved in and around chiptune longer than probably most of us, and in various ways: composing his own music, performing live, modding gear, and managing various communities. Everyone welcome to the blog, Timothy Lamb aka Trash80!
Hello people and thank you for once again reading Paul’s Tech Talk on the ChipWIN Blog!
Today we’re going to finish the two-part article about LSDJ version 5.0.0 and the wonderful new Commands it came with. Last time, we delved into the new possibilities offered by the Pulse [F]inetune Command, so don’t hesistate to read that one first if you haven’t already!
Today, we will focus on the upgraded W command, which can now control WAV channel instruments. Buckle up!
Just like the pre-5.0.0 F command, W already existed in LSDJ before. It was a very handy command that used to work only in the Pulse channel and controlled Pulse [W]idth Modulation (or PWM for uppity initiates, pronounce “Pwuhmmm”). Even though the Pulse channel Width parameter was only limited to 4 values, (12.5%, 25%, and 50%, with 75% being the inverse phase twin of 25%), being able to control it thanks to the W command opened up a lot of bleepy sound design possibilities. Using and abusing this command has always been, as far as I can remember, a staple of the LSDJ workflow.
Cycling through the 4 Pulse Width settings
But we’re not here today to talk about Pulse channels. These have been thoroughly accounted for last time already. Time for the Wave channel to shine! As true as it may be for the distinctive squarewave sound of the Game Boy Pulse channels, LSDJ probably wouldn’t have been nearly as popular if it didn’t allow us to tap into the nigh-infinite power of the Wave channel.
Hello everyone! Paul here from the French Chip Duo Pain Perdu. Some of you may know of our YouTube channel, where I’ve done a few tutorial videos about technical aspects of LSDJ that I thought were often misunderstood, overlooked or underused. In terms of ergonomy, raw music-making potential and how easily people can access parameters that grant extremely minute control over the sound, LSDJ is a fantastic program; in fact it stands out for me as the tracker that strikes the most perfect balance between complexity and accessibility. The fact that it is displayed in the Sweden Museum of Music and Performing Arts is well-deserved.
Despite being nostalgic for me, the Famicom has some very distinct sounds that are instantly recognizable. To me, the one that seems to stick out the most, is the triangle wave. To anyone not familiar, a triangle wave is the shape of a sound wave, and you can guess what shape that it makes. Yup; a triangle.
But… what causes the Famicom’s triangle wave to be so different compared towhen you produce it in a digital audio workstation, or even other programs such as LSDJ? Why does ithave a unique sound that’s more audible than the others? Who is the muffin man? We’re about to dig into that after the jump. (more…)
A recipe; the ingredients; the cookware — all crucial to preparing your meals and satiating your growing hunger.
The very same analogy holds true for chipmusic: the personality that a musician puts into their work; the level of composition the song yields; and the success of mixing which helps to amplify the song. In this sense, the composition is the recipe; personality the ingredients; and the method the musician is producing their album on and the song mixing is the cookware.
You’re probably thinking why I’m making all of these silly analogies to food and food prep, am I right? Without further adieu…
Ahoy there, ChipWINners! Welcome back to the blog! Now as I’m sure many of you are aware, we’ve recently outdone ourselves again with the release of our second epic annual compilation! Having enjoyed continued success with it, we danced, drank Cherry Wheat and made merry with all of our friends!
Then, as with all great celebrations in life, we woke up the next morning in a state of panic as we realized our terrible predicament: we had 99 problems, and all of them were songs! (Well, 95 to be exact…but I wanted a Jay-Z joke.) Needing to do something with at least some of this residual music (which was mostly pretty damn good), we here at ChipWIN made a deal with the devil and agreed to allow our Editor-in-Chief to create a joint release with us to handle some select tunes from the surplus. In turn, the mighty Kilpatrick, in all his Satanic might, used his silver tongue (by which I mean he spoke plain English with an English accent) to bend the rules (which, technically, did not exist for side-releases!) to allow two additional songs of his choosing that weren’t part of the bundle to be included with album. We acquiesced, and soon thereafter, Devil Kilpatrick, along with his cohort Alex Kelly (who’s a pretty swell guy, actually) turned out what would be Chiptunes = WIN first joint release with another netlabel: PXL-WIN!
Now I know what you’re thinking: should I listen to this… bedeviled album? Is it worth risking my soul to listen to an… abomination these English demons have wrought upon chiptune?
The answer, quite simply, is yes. But don’t fear, for I, Kuma, the bear in a black man’s body, will lead the way through the 17 layers of WIN and prove to you this is a journey worth taking.
Track #1: Deeksha by AlexOgre
First up to the plate is Alex Ogre, a young man from Russia who busts out some incredible stuff on LSDJ. Taking full advantage of the program’s capabilities, Alex has become one of several artists whose work has progressed to the point that it has become exemplarychiptune, and that isn’t a bad thing at all.
A nice, steady bass line, strong use of snappy snares and arps, and a simple, dream like melody all combine to make a song that kicks off PXL-WIN in strong, confident fashion. Put bluntly, this song is a dancer’s dream. Its the kind of song that, when the chiptune community goes out to a venue like 8static, I/O chipmusic or Pulsewave, we expect to hear, and that’s exactly what Alex Ogre wants. He wants to keep you on your feet, and quite frankly, if you don’t want to get up while he’s playing this track, well keep listening to this album, because clearly you’re dead inside and you need chiptune to work its magic on you!
Track #2: C-Side (Tetanus In My Connector Pins) by AutoReMi-PK
Speaking of derpy chiptuners and dickbutts, this second track is one I’m especially fond of as it’s by my friend AutoReMi-PK. You might know Remy from his blog posts here on ChipWIN, or for his level headed attitude in the ChipWIN group, or, most likely, his derpy antics with Ryn and Hoodie in my interview with them about BRKFest! Regardless of where you know him from, or if you didn’t know him at all, one thing that you do know now thanks to PXL-WIN is that he’s also an adept chipmusician!
Specializing in Famitracker composition, Remy takes heavy influence from numerous genres, companies and franchises (most notably Megaman, Super Smash Bros, Kirby, and anything Motoi Sakuraba has touched), which he then uses to craft tunes that run the gamut to fun and quick to lengthy and full of emotion. With its broad pulsewaves, militaristic snares and arpeggios that compliment the melody perfectly, Remy’s “C-Side (Tetanus In My Connector Pins)” is a fine example of the perfectionist lurking inside this affable young man.
Confession time: I’m a sucker for fighting games. The button mashing action, visceral visuals and especially the adrenaline pumping music just make me excited in ways I can’t describe but can be seen at MAGFest for yourself. So when I first heard irq7’s “Twisted”, I couldn’t help but smile the biggest, shit eating grin the world has ever seen! From the moment the perfectly timed build up leading to the sinister words “I try to scream…GO!” drops into the hook, irq7 drags you into the ring and doesn’t let go until he’s knocked you out.
I’m especially fond of this song as it represents a nice compliment to cheapshot’s “Jambo“, a song I’m fond of as it, too, is evocative of a fighting game theme. But while “Jambo” is reminiscent of music heard in Tekken Tag Tournament, “Twisted” takes a more Street Fighter styled approach, reveling in its use of aggressive kickers, heavy, pulse pounding bass and rhythm, and a melody that begs to have a Chun-li style “Yatta!” thrown in over it for good measure!
Very few artists in the scene live up to their name, as most seem to be puns or names of things from yesteryear, and others are just Solarbear. Some, however, let you know from the get go what they’re all about, and no one does that quite as well as AciDnB. Having been inspired after seeing a bevy of Korg synths at an expo in 2010, AciDnB took his love of those sweet, artificial sounds and turned it into a serious passion. The result is music that combines the decadent sounds of KorgDS10 and the finishing touches of FLStudio to create lush tracks such as the song you’re listening to now.
Replete with perfectly timed snares, a fuzzy ass bass line, and some of the coolest and most refreshing non-wub drops I’ve heard in quite a while, “Alien Friendship” invokes stark imagery of flying saucers as disco lights at the most happening party in the galaxy! In a scene that is heavy with dance monsters, AciDnB takes his music a step further by embracing that he is part of a community that loves to boogie on down and runs with it, solidifying himself among artists such as LukHash and Whitely as one of the best beat makers to grace lofi music in the past five years.
As we say goodbye to the stylish and funky “Alien Friendship”, we shift our attention to a song that, admittedly, I wasn’t sure I liked at first. Most of the songs on this album stick out right away and you can tell you’re gonna just be into them the moment they open up. However, when it came to Gab Pearson’s “alcaline pizza”, I wasn’t so sure what to make of it.
It certainly wasn’t a bad song by any means, I just didn’t have any compelling inclination towards it. Over time, however, I found that the song’s strength came from its ability grow on you. Further more, I found that Gab Pearson’s execution in crafting such a song is one of the most deliberate decisions I’ve encountered recently in music, as he’s a musician who switches up his style as often as he eats poutine. Considering that he’s 1) Canadian and 2) he has a song named after the stuff, that means he changes it up a lot.
Making music that ranges from hip hop to chillout to the kind of funky, lofi new jack swing you’d hear in the genesis Sonic games, Gab may be one of the most versatile and understated artists I’ve ever encountered.
Track #6: The Mysterious Shapeshifting Dog by Jay Tholen
What’s this? A slowed down tempo? A dream like rhythm? All accompanied by a masterfully composed lead that could easily be replaced in a live performance by a trumpet or saxophone? Oh yeah, we’re definitely back in Jay Tholen territory. One of a handful of artists to return to ChipWIN on this joint compilation, I don’t think much needs to be said about Mr. Tholen that I haven’t already covered previously in my interview with him. A talented and prolific renaissance man who excels at both visual and musical art, Jay seems to have done everything from dream like music videos to crafting his own video game.
This time around, Mr. Tholen seems to have channeled his love of the Mother series once again to make “The Mysterious Shapeshifting Dog”: a track that sounds like what would have happened to Boney had he eaten the hallucination mushrooms along with Lucas and the rest of the crew in Mother 3. The distorted synth noise, steady, droning snare hits and a rhythm that create an atmosphere that simultaneously mimics a bad trip and an endless walk through a desert, Jay Tholen succeeds once again in leading his audience through another bizarre adventure.
Often times, when art is created, its intended message gets lost, changed, or misconstrued because while its creator may have had one intended message, the observer perceives something very different altogether.
This isn’t possible with monotron’s “Far From Home”. From the moment the pulsewave builds up like a foreign sunrise on a strange horizon, this song makes it very clear that you’re not where you belong. More importantly, it reminds you to make haste finding your way back to familiar ground. In short, “Far From Home” invokes a feeling of fear.
Sure, its got a phat beat and bass line you can boogie too, but if you really listen to your song, it’s very clear monotron is making a statement: that the light of day can only bring comfort for so long, but as soon as the sun sets, a universal fear fills us all. That fear is the fear of the unknown, and of the dark things in our hearts that we subconsciously fill the void with.
Maybe I’m wrong, though. Maybe I’ve mistaken monotron’s message and am just talking out my ass. Why don’t you take a listen and decide for yourself?
Following up monotron in masterful form is a chiptune artist from France named DJ-PIE. A musician who describes himself on his Soundcloud as a “MASTER PEANUS ZDEDEDEDE” (a reference to a ridiculous song he named P E N I S, as well as its various remixes), DJ-PIE busts out with some of the sickest synth play I’ve heard in quite a while!
Having crafted what I deem to be the greatest holiday song ever made for something that isn’t Christmas (even if it wasn’t his direct intent), “K1NG 0V TEH #D4RK” is the perfect Halloween anthem for the chiptune lover in you! Combining almost warlike drum rolls with yowling square waves and a lead that invokes images of a pixelated interpretation of “This is Halloween” from The Nightmare Before Christmas, the song instills a playful sense of devilishness in anyone who happens to be caught in its spell.
Much like when I first started listening to Gab Pearson’s “alcaline pizza” I wasn’t sure what to make of Orbital Strike’s “The M Word” at first. However, unlike Gab Pearson’s jawn, which took a few consecutive listens for me to feel, Orbital Strike grabbed me by the collar, and reminded me just who the hell we were talking about here as soon as they dropped the bass. I was sold.
A song with a dizzying, almost alien, sounding lead, drum complimenting noise effects, and a club worthy bass line, “The M Word” is a seizure inducing dance hit that’s sure to energize and remind everyone listening that Nate and Nick are the frenetic, dubstepping George and Jonathan of the Seattle chiptune scene! The wubs are something I have to compliment, in particular, because while wubs are certainly plentiful in chiptune, I don’t think I’ve heard anyone outside of Auxcide, DireHit, and Ultrasyd drop them with this much skill.
Following up on the awesomeness that was Orbital Strike is a young man who’s taken the west coast by storm. Having found a strong niche for himself in Seattle and Portland is Graz: a versatile EDM artist who may have put forth one of the coolest fakebit songs I’ve heard since I last saw Misfit Chris live over a year ago!
An artist I first encountered after winning a copy of RAVECORE MASTERS Vol 1 from Initial P of Diskowarp, Graz takes a little bit of everything, from chiptune to gabber, to bonk to electro, and crafts music that is, quite frankly, a raver’s wetdream, and Thunderlizard is definitely proof of his skill!
A song that — very similarly to irq7’s “Twisted” — works equally well on the dance floor as it does in a fighting game, Graz has made a track that continues his proud tradition of making pure party music. From remixes of Crazytown’s “Butterfly” to bass heavy eurobeat, Graz has joined the ranks of heavy hitting DJs in the Northwest such as Initial P/Kid Whatever, Jimni Cricket, and J-Mi & Midi-Dto keep the raver scene alive and well, constantly infusing it with anything from chipstep to happy hardcore.
Track #11: We Screw Up At The End by Mr Wimmer & Solarbear
Sometimes, when you least expect, life throws you a curveball. While that odd pitch is normally perceived as a bad thing, this time around it’s absolutely wonderful. You see, we all know Solarbear sucks. That phrase is as axiomatic on this planet as gravity. Or at least, that’s what I thought until I heard this song. I’d like to think it was Mr Wimmer, with his deep, mournful, distorted crooning, skillful guitar strumming, and beautiful face, is the only person that made this song as wonderful as it is. In all honesty, though, and I can’t believe I’m going to say this: I think Solarbear actually has talent.
I know, it’s a difficult pill to swallow, but listen to this track! Listen to it’s sinister noise, sad lead, and pulsing rhythm that seemingly rains down misery on these two poor saps! It’s almost as if Solarbear is acutely aware of how to craft atmosphere in a piece of music that sounds like someone’s spiral down the drain towards personal oblivion! These two bastards actually managed to not only enhance each other, but they managed to make a song that’s the embodiment of a strung out heroin junkie coming down from his fourth fix on a hot summer day in what used to be The Prodigy’s apartment complex in their video for “Breathe”! It’s…It’s…oh wow, they really did screw up at the end.
In the time I’ve been in this scene, I’ve heard chiptune be many things. I’ve heard it be dance music, I’ve heard it be rock; I’ve heard it take the form of folk and I’ve heard it take the form of haunting industrial. Indeed, I’ve heard chiptune used in many a genre and have heard it described it in many ways, but never before have I described chiptune with the adjective I’m about to use right now.
Sexy. KOOL SKULL’s “Lickwid Lazer” is sexy.
Not only is it the first song I’ve ever heard in chiptune that I can straight up consider sexy, but it’s one of the most lustful songs I’ve ever heard, period. Get past the noise, the snares, the static that fills background with dissonant chaos. Listen to that bass line and kicker. Listen to what KOOL SKULL did. Do you hear that? The man made a thrash song over a reggaeton beat, then sang a carnal, domineering lead over it a la Trent Reznor or Ogre of Skinny Puppy! You can just as easily mosh to this song as you can grind up against someone or tie them up to the bedposts and — *cough* I’m sorry I… I got carried away there.
The point I’m trying to make, though, is that surprises such as this are what make me fall in love with chiptune over and over again! Musicians like KOOL SKULL are the guys that make the work we do here at ChipWIN exciting! Between his visceral illustrations and guttural, raw music, KOOL SKULL is a talent that continually pleases and surprises.
Continuing the visceral noise trend that Kool Skull set is unini with his song “shortcut”. A track that lives up to its name, as it’s only rivaled in brevity by AutoRemi’s “C-Side”, “shortcut” may be short, but it certainly isn’t sweet. Striking hard and fast with a violent assault on the senses that deftly combines noise, off pitch pulsewaves, and frantic drum and bass, this song is an excellent example of unini’s style.
Interestingly enough, however, despite the fact that unini crafts music that’s a slam dancers dream, the man himself is incredibly quiet and elusive! In fact, unini is so mysterious that outside of this contribution to ChipWIN, he can only be found on Bandcamp and noisechannel, where he’s only posted on the forums twice!
If this enigmatic newcomer’s style is up your alley, I definitely suggest checking out his debut album on Bandcamp, and, if you’d like to learn more about him, I’d recommend trying to hit him up noisechannel. Just don’t expect him to say anything back. Bandcamp | noisechan
Track #14: That’s Fer Sure! by + Let’s Disinfect! +
My mp3 player has a tendency of putting tracks in alphabetical order as opposed to track listed order, so while the album actually starts off with the aforementioned “Deeksha”, my Sansa clipzip decided that + Let’s Disinfect’s! + “That’s Fer Sure!” was the first track on PXL-WIN, and as far as I’m concerned it made an excellent choice!
I say this because while a large part of what ended up becoming ChipWIN Vol 2 had to do with flow from one song to another, PXL-WIN seems to have done the opposite and gone back to ChipWIN’s roots by putting out a release that’s much more dynamic. That’s not to say PXL-WIN doesn’t have synergy, but when it comes to energy you don’t get much more dynamic than this!
Deftly combining his punk sensibilities and skills as a singer and multi instrumentalist, the prolific talent that is Sean Monistat (who has contributed to ChipWIN as + Let’s Disinfect! +, Sean Monistat, as well as with his bandmates in Thorazine Unicorn!) proves he is a force to be reckoned with in a song that’s not only full of life but catchy as hell! Between his clever use of the pulsewave being used as a rhythm guitar, his frenetic guitar solo, and mosh pit inducing lyrics, I dare you not to sing the lyrics along with him whenever you hear this jawn!
Honest. Derpy. An astute awareness of being both. These are things I appreciate in a person. Fortunately, Sam Mulligan is all these things and more, as he’s not only a talented musician and a vibrant DJ, but he’s charismatic enough to tell his seemingly never ending stories of failure as well!
Seriously, how can you not love a man who openly admits how damn stupid he can be! “I’m An Idiot!” is another in a long line of songs that is just quintessentially Mulligan. Fun, energetic, quick, and laughter inducing, this particular song earns extra points with me for sounding like “punk” groups I used to listen to in the 90s, like early Green Day a la Dookie and Insomniac, Blink182, and Sum41.
Chiptune gets accused of being a cheap trick that cashes in on nostalgia, and because there are people and companies that do take advantage of this I think there’s a sort of uneasiness about nostalgia being used as an adjective in the scene. While that’s an unfortunate truth we have to live with, nostalgia isn’t something to be ashamed of. In fact, if done properly, thoughts and experiences that invoke memories of yesteryear can be reveled in, and this does so in hilarious fashion. Breaking the mold that chiptune only conjures recollection of the late 80s and early 90s era of gaming, Sam’s tale of whimsical dumb fuckery and unfortunate events causes me to recall my asinine teenage years when I used to rip my favorite cds onto mini discs and get into arguments with friends about how they were the future of music.
As a writer and music reviewer, I strive to put out quality material for you guys to read, because even if not a lot of you read it, for those that do, you know that I put a lot of effort of into what I’ve produced and that means a lot to both of us in the long run. But sometimes, there’s not much to say about a song, and such is the case is shakaboyd’s “Morning Breeze”.
Now why is that, you may ask? Well, sometimes a song isn’t a deep metaphor for darkness in the hearts of man or a moan of carnal pleasure among basement party moshpit. Sometimes a song is just good and fun because its, well, good and fun. Filled with a playful melody, cheerful rhythm, wave hits that sound like a steel drum and a beat you can dance or work out to, shakaboyd has made a song that falls into that simply delightful category, along with song’s like chipzel’s “Can’t Stop Us“, Snesei’s “Button Mash” or Brick Breaker’s “Dusk Runner“.
In the end, for all the fancy adjectives I could try to use to describe this song, no amount of words can compare to the fact that, quite simply, it makes me smile.
I remember the first time I saw Corset Lore. She got up on stage to perform a song she was working on during an I/O open mic session and I was thoroughly impressed by what I heard and saw. I walked up to her and asked her if she’d be interested in submitting to ChipWIN. Little did I know, being very new to chiptune at the time, just how long she had been rocking the scene. I would later find out to great surprise and moderate hilarity that not only had she been kicking ass in the community for years, but that she’s one of the great vets of the East Coast chip scene!
Having performed at venues along side other heavy hitters such as minusbaby, Bitshifter, Kris Keyser, Bubblyfish and Glomag, I’m sure you can imagine my embarrassment at this situation! I like to think childlike enthusiasm must have worked (although I know it was really the work of Devil Kilpatrick) because she submitted the incredible track you’re listening to now!
Wrapping up PXL-WIN with elegance and style, “The Cloma” is a continuation of Tamara Yadao’s proud tradition of crafting music that’s both intricately melodic and easily enjoyable in way that’s accessible to the masses. With its fun beat, energetic lead and sweeping rhythm that combine in a way that make you want to listen to this song all day, Corset Lore manages to make a song that feels comfortable in any setting, regardless of tastes.
That’s a feat that’s certainly rare in a scene many already consider too obscure to be mainstream. I just hope that if I ever get to hear her play this live, that she plays a guitar over this incredibly lofi melody, because it’s just begging for some sweet riffs to be layered in with it a la Square Therapy’s “Miracle Max & The Cliffs Of Insanity“! If Ms Yadao’s music is your cup of tea (and I don’t see why it wouldn’t be) I recommend checking out her home page so you can keep up with and learn about not only what she does as Corset Lore, but the various other audio/visual projects she’s invovled with, including foci + loci, frogwell and tu.
That wraps up this album review. I hope you enjoyed taking this journey with me through PXL-WIN and that you’ll continue to stick with both Chiptunes = WIN and PXL-BOT. PXL-WIN is the 6th album we here at ChipWIN have helped release since 2012, and while we’ve certainly gained quite a bit of momentum over the past year, we don’t expect to stop doing what we do, and neither should you! So stick around and don’t forget to keep up with us and and all your favorite artists on Facebook, Twitter or Tumblr. I promise you, you guys ain’t seen nothing yet.