Hello, how are you all doing today? This week I’ll be reviewing a very interesting album called, ‘Tribal Rock’ by, ‘Kosmic Tantra’ and it’s an incredible selection of tracks to say the least. To give you context, ‘Kosmic Tantra’ are a french 3 person electronic rock band, consisting of a variety of different unique instruments; from the staple gameboy running LSDJ, to the more abstract, Didgeridoo and Accordion. Yes, you heard that right; throughout the entire run time of the album you’ll be hearing amazing ‘Eastern outback instruments’ whilst chiptune & electronic music are used as the backbone of each track. A first for the genre, I think!
Knasibas has been my friend for awhile now, and I’ve been a fan of his music for even longer. In case you haven’t heard of him, he’s a chiptune/bitpop genius who has been featured on Tracked and Chiptunes = WIN compilations, along with releasing music independently since 2015. Inspired by the sugar rush of jpop, the writing in heavier rock/metal, the appeal of videogame music, and EDM sensibilities, Knasibas has a unique overall sound with distinct and memorable melodies.
So now that you know what to expect, I’m really excited to talk about his latest album ‘CRY’. This release has a lot of depth to it, but the great sense of style speaks for itself. It’s inviting, open and up-front, and I find that… comforting. So rather than try to talk about everything and how it works, I’ll be honing in on that sense of comfort, and figuring out why it stuck with me. Hope you like it!
Hello everyone! Whilst I was extremely busythese past few weeks, I still managed to find the time to write about this small chiptune EP called, ‘Bull Inside the Echo Chamber’ by ‘Portopak’. The last time he was featured on the‘Chip Bit Sid’ blog, was two years ago, covering his album, ‘Monsters’ as I first started out. If you haven’t heard of him before, Portopak is a Pittsburgh based chiprock musician, and his style is a combination between chiptune andshoegaze music, using a lot of echo on bothhis guitar as well as his own vocals. ‘Bull Inside the Echo Chamber’ is a first for ‘Portopak’, as it’s his first song that’s actually included lyrics with hisvocals, and I’m excited to explore it past the fold.
My introduction is going to be a bit of a gushy personal disclaimer. Sometime in mid-February of 2015, I was chilling out at home browsing Bandcamp, skimming ‘videogame’ tags and fan accounts, my primary way of finding new music back then. I stumbled across Kubbi’s album ‘Ember’, a breathtaking experience that I fall in love with every time I hear it. It’s stuck with me all this time, and while I’m sure it’s influenced me as an artist, Ember has done much more to help shape me as a listener. Looking back, some things have stayed the same (I still spend an occasional evening all to myself on bandcamp), but there’s just so much that has changed since 2015. I discovered Chiptunes = WIN, learned new things. I made new friends, left high school, grew up… and now I find myself here. I know I wouldn’t want to be judged for who I was three years ago, and I certainly wouldn’t want my music to be judged by what I made back then either.
So, as honored as I am to be talking about one of my favorite artists, on one of my favorite blogs – I’m going to try and set that aside, and refrain from any comparisons in regards to Kubbi’s past work too. I’m honestly more excited for right now, and the memories that haven’t happened yet. I used to have one definitive favorite album. With ‘Taiga’, I now have two.
Hey guys. I’ve been extremely busy these past few months, mainly down to getting the funding secure for Chip Bit Day 18 (which you can read about it later on after the review). Thankfully I’m still finding time to do my reviews for ChipWIN! This month I’m reviewing an album that I’ve been sitting on for a while now; ‘Monolith’ by Graz and released with ‘Ravertooth Tiger’.
The last time I review a Graz album was back in 2016 with ‘Ravepunk’ and that released by ‘Cheapbeats’. It was a great listen whilst feeling incredibly boppy & funky. ‘Monolith’ however is a lot different compared to ‘Ravepunk’, sounding more heavy whilst feeling darker & grittier.
Crunk Witch, an eclectic and eccentric geeky duo from Maine, is known for their heavy bass, explosive vocals, phenomenal production, and chipmusic-influenced style. They’re also known for touring extensively throughout the United States. Several times a year they come through the college town that I call home, Ithaca, tojam out at one of our favorite local pizza joints, The Nines. This is justa pit stop on their journey to rock the nation, and it’s always a treat to experience the sheer energy that flows through the packed bar during their shows. At these live events, they’ve teased some new material from their latest self-titled album, released a little more than four years after their most recent album, ‘Heartbeats in Hyperspace’. ‘Crunk Witch’ is packed with what long-time fans know and love the duo for, and is sure to open new fans’ eyes to their sheer talent. So come on, everybody; there’s a place we gotta go!