Posts Tagged ‘Chiptuner’

Clover Chain Reacts To: Tuxic – ‘Oblivion’

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Tuxic’s riveting concept album ‘Oblivion’ was released through Russian netlabel BleepLove in June 2018. Featuring some fantastic LSDj chops, low-fi drum’n’bass grooves, and hostile progressive metal, this music stood out to me from the moment I first heard it for its strong drive and dynamic execution. Making use of some really interesting pacing decisions alongside active melodies and uneven rhythms, the tight composition creates an intriguingly mechanical feel with incisive focus. This is balanced out nicely by the more free-spirited sound, full of surprises, where even the vocals display quite the stylistic range – composite instrumentation with a penchant for harsh qualities and sudden appearances. The most natural aspects of this album are presented through an artificial texture. The result is engaging, self-contained, expressive, abrasive, and GREAT.

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Progression: Music Theory 114 – An Example of Process

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Hey dudes and dudettes,

Last month we covered the idea of keeping things simple for a myriad of reasons. These reasons include us restricting potential musical possibilities and enhancing sections with diversity of material, among many others. We’re at a point now where these concepts are quite difficult, so I highly recommend that you go back and read through my previous articles which will help contextualise what we know by this point. Seriously. We’re building on all of our current understanding of music theory to construct an example of how you might use these tools to write a section of music.

Let’s jam.

I don’t know… something about instructions? Cooking? Metaphors are weird.

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Aydan Appreciates: ‘started commuting’ by Ello Costello

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Hey there, ChipWINners. It’s been a few months since I’ve written an article due to some extremely time-occupying life events, but I’m happy to be back now! At the end of May, Cheapbeats released an EP showcasing a new artist in the community named Ello Costello. This artist certainly isn’t a stranger to producing music; he’s released a few EPs independently prior to this, such as the freely composed ‘Just For Fun‘ and the environmentally influenced ‘Small Windows‘. With influence and assistance from DonutShoes, an artist who’s been featured on ‘ChipWIN: Volume 5‘ and on ‘Volume 6‘, Ello Costello makes his stunning debut in our niche with ‘started commuting’. Throughout this EP, Ello Costello draws influence from morning cityscapes, the excitement of travel, and his own musical interests. Let’s see what this release has in store for us!

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Clover Chain Reacts To: Chiptunes4Autism – Volume 3

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A little over a month ago, Chiptunes4Autism released their highly anticipated ‘Volume 3: Forces of Neurodivergence’ compilation. Spanning around an hour and a half, the album is part of an ongoing fundraising nonprofit run by Gustuf Young (Asperkraken), focused on promoting autism positivity, and empowering people on the spectrum. Uniting a diverse group of chiptune artists from all around the world, with all kinds of backgrounds, Chiptunes4Autism organizes live showcases and a yearly compilation album. The earnings are donated to a few different causes that support opportunities, advocacy, and resources – all while giving musicians, neurodiverse or otherwise, a helpful and accepting community in the process.

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Progression: Music Theory 113 – Simplicity, Restraint, and when Less is More

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Hey dudes and dudettes,

Last month we covered the idea of structure, form, and creating holistic musical statements. We’re at a point now where these concepts are quite difficult, so I highly recommend that you go back and read through my previous articles which will help contextualise what we know by this point. We’re building on what we talked about last month with all of the elements of music theory intermingling to create a single refined musical statement. We’ve learned all about how to make very exciting and high-brow musical material, but should it always be full of these difficult concepts? Is it sometimes okay to just use three chords and a simple melody? I guess it’s time to find out.

Let’s jam.

I’m so glad that this month’s post is about simplicity. This took me a grand total of 2 minutes to edit.

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Progression: Music Theory 112 – Structure, Sequence, and Creating Cohesive Musical Statements

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Hey dudes and dudettes,

I just dropped my album ‘Progression‘ over at Cheapbeats, and thought all of you might appreciate that you can get the .savs and .ftms when you buy the album. Learning! Woo~!

Last month we covered the idea of harmony and melody intertwining to create a holistic entity. Now, it’s pretty fair to say that we’re in deep and in order to understand some of the elements of what I’m writing about you should go back and read through my previous articles which will will help contextualise what we know by this point. We’re building on what we talked about last month with all of the elements of music theory intermingling to create a single refined musical statement. We will do this through the lens of structure and form.

Let’s jam.

This one time at band-camp I tried to summon Satan. I accidentally summoned a clarinet. Same thing really.

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