Posts Tagged ‘Chiptuners’

Aydan Appreciates: ‘[USA]’ by Anamanaguchi

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Anyone who’s ever listened to chipmusic has assuredly heard of the legendary Anamanaguchi. A four-piece group from New York City, their 2009 ‘Dawn Metropolis EP‘ was likely the first taste of chipmusic many of us received upon exploring the genre – myself included. 2013’s ‘Endless Fantasy’ saw a departure from this style and marked their first full-length foray into the world of electronic dance music, and spawned a semi-viral video in which the band launched a slice of cheese pizza into space. In October of 2019, they released ‘[USA]’, their second full-length album, and on the off-chance you missed it on release, I’m excited to share it with you all today!

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This month in The Overworld: Crab Sound

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Nestor Ovilla, also known as Crab Sound, is a Chiptune music producer and the founder of one of the first music collectives in his home country of México. Interestingly enough, he is also an illustrator, writer, and experimental photographer. Born in Tuxla Gutierres, the capital of the Chiapas state on the year 1991, he was always drawn to experimental art.

Crab Sound posing with a gameboy, his instrument of choice.

Crab Sound posing with a Game Boy, his instrument of choice.

On 2010, he started working with producing and programming his own EDM tracks, an activity that flourished with several projects besides of Crab Sound that he still continues up to this day. Self described as “A boy who inhabits an ice mountain, inventing sounds to make the robots and mutants break into dance”, here’s what he had to say about Chiptune.

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Rhyphte Reviews ‘PWRNEON’ and Interviews The Mad Lads Behind It

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What’s up, gamers. If this isn’t the first article of mine you’ve scrolled through, you know I’m a sucker for living examples of collaboration in action. I love seeing different creative directions come together to present a totally new musical idea or experience, and, like many of you, I fucking adore LSDJ chiptune and Famitracker-based synthwave. Basically, it should come as no surprise to anyone that I’m about to unleash a whole article about ‘PWRNEON,’ an absolute banger of a single and cover of toasterpastries’ ‘PWRMEOW’ by Techno Mage, a Seattle-based duo comprised of famitracker musician Dan Butler and guitarist Austin Schuyler. The track premiered last night on Nightride.fm alongside a playlist of recent LSDJ tracks curated by Dan himself. There’s more to be said about Nightride, but first I’d like to kick things off with my own review of ‘PWRNEON.’

Album artwork by Melissa Butler

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Aydan Appreciates: ‘Ratvader’s Dream’ by Ratvader

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‘Ratvader’s Dream’, released through the incredible Swedish Columbia netlabel, is the first full-length production from Gothenburg, Sweden-based musician Ratvader, one-half of the group Hello World. If that name sounds familiar, it might be because they wrote the opening track for ChipWIN’s most recent compilation, the Wild West-themed ‘A Fistful of Chiptunes‘. Their atmospheric contribution set the mood for the rest of the album and was a demonstrable display of their musical expertise. What’s more, the album was produced – and had its cover art drawn! – by El Huervo, an artist whose work you may recognize from Hotline Miami between some of its music or its iconic cover art. Now that you know a little bit about the artists, let’s get to know the music a little more intimately, shall we?

Absolutely stunning album artwork by El Huervo.

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This Month in The Overworld: Uctumi

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Always witty and to the point, this month’s The Overworld guest once said about hardware limitations “Challenge is the fuel that turns the cogs of creativity”.

Uctumi playing live.
Uctumi playing live.

Born in Buenos Aires in the year 1981, Uctumi is an Argentinian musician that began composing tracker music in 1996. Very active in the current local demoscene, he shares his views of Chiptune music and innovation in general in this interview.

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Aydan Appreciates: ‘Modern Closure’ by 4mat

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‘Nadir’ was my first exposure to 4mat’s timeless and emotional music. I was given the honor to review the album in 2014, and it filled a musical void I never knew existed until I listened to it in depth over and over again. With off-kilter percussion and melodies, polyrhythms galore, and overarching themes of memory and self-doubt, ‘Nadir’ is a thing of beauty, with some of its hauntingly beautiful melodies still ringing in my head to this day. Since the release of ‘Nadir‘ and the remaster of ‘Decades‘, however, the artist’s Bandcamp page had been relatively quiet up until the surprising release of ‘Modern Closure’, an expansive 18-track journey through the depths of emotion.

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