And like all Teacher Summers, it is already filled with plans for get togethers, travel, and visits with family! I love all of those things, and I love to be able to offer something yummy and delicious that doesn’t take away from my quality time with my chosen ones. If you do too, then you should definitely know about this delicious…
Hello, how are you all doing today? This week I’ll be reviewing a very interesting album called, ‘Tribal Rock’ by, ‘Kosmic Tantra’ and it’s an incredible selection of tracks to say the least. To give you context, ‘Kosmic Tantra’ are a french 3 person electronic rock band, consisting of a variety of different unique instruments; from the staple gameboy running LSDJ, to the more abstract, Didgeridoo and Accordion. Yes, you heard that right; throughout the entire run time of the album you’ll be hearing amazing ‘Eastern outback instruments’ whilst chiptune & electronic music are used as the backbone of each track. A first for the genre, I think!
Knasibas has been my friend for awhile now, and I’ve been a fan of his music for even longer. In case you haven’t heard of him, he’s a chiptune/bitpop genius who has been featured on Tracked and Chiptunes = WIN compilations, along with releasing music independently since 2015. Inspired by the sugar rush of jpop, the writing in heavier rock/metal, the appeal of videogame music, and EDM sensibilities, Knasibas has a unique overall sound with distinct and memorable melodies.
So now that you know what to expect, I’m really excited to talk about his latest album ‘CRY’. This release has a lot of depth to it, but the great sense of style speaks for itself. It’s inviting, open and up-front, and I find that… comforting. So rather than try to talk about everything and how it works, I’ll be honing in on that sense of comfort, and figuring out why it stuck with me. Hope you like it!
Hello everyone! Whilst I was extremely busythese past few weeks, I still managed to find the time to write about this small chiptune EP called, ‘Bull Inside the Echo Chamber’ by ‘Portopak’. The last time he was featured on the‘Chip Bit Sid’ blog, was two years ago, covering his album, ‘Monsters’ as I first started out. If you haven’t heard of him before, Portopak is a Pittsburgh based chiprock musician, and his style is a combination between chiptune andshoegaze music, using a lot of echo on bothhis guitar as well as his own vocals. ‘Bull Inside the Echo Chamber’ is a first for ‘Portopak’, as it’s his first song that’s actually included lyrics with hisvocals, and I’m excited to explore it past the fold.
So I’ve been watching an indecent amount of Great British Bakeoff for the past week or so. Inspired, this month’s blog was going to be about a Bakewell Tart or Macarons or Choux Pastry. Unfortunately, strep throat had other plans. You will have to make do with these scrumptious, non-soggy bottomed…
We all love our chipmusic here on the blog. Many of us are familiar with the various kinds of hardware, software, and their unique sounds, be they the NES, the Genesis, the Game Boy, or some other kind of emulator with the express purpose of creating the tones we all know and love. But did you know that the future bass subgenre of electronic dance music is actually in a similar vein to chipmusic by extension? Future bass music is often loosely tied to VGM and chipmusic, and is defined predominantly by its use of synthesizers that are commonplace in all three of these scenes. Today, we’ll be looking at the latest Snail’s House release, ‘Snö’; something that’s particularly notable about this release is the difference in tone between this EP and the majority of Snail’s House’s previous works. Most of this artist’s pieces are high-energy, utilizing a multitude of voices and aggressive percussion to create wild, jazzy tunes, ‘Snö’, on the other hand, is more subdued and calm in nature, sounding something like a soundtrack from a futuristic RPG, but with emotional overtones. Without further ado, let’s see what ‘Snö’ has in store for us.