So… I’m a sucker for cute things. I mean, just look at my cat. ADORABLE. So it stands to reason when this adorable recipe via cookingclassy came across my Facebook page, it HAD to be done. Check out the d’aww levels inherit in these…
This banging, melting recipe is going to ruffle some feathers, but its not too nerve inducing!
18 Oreos, crushed or about 1 3/4 cups (260 g)
2 1/2 Tbsp (38 mL) butter, melted, separated
2 pkg (16 oz or 460 g) cream cheese, softened
1/4 cup (50 g) and 2 Tbsp (25 g) white granulated sugar
2 large eggs
1/2 tsp (3mL) vanilla flavoring
1 1/3 cups (300 g) White Chocolate Chips
1/3 cup (80 mL) of heavy cream
25 fairy small strawberries (one for each square)
Canned whipped cream
Start by lining your pan with tinfoil (aluminium for all you fancy pants Europeans out there). Use two sheets, each the width of the pan, and overlap them at 90* angles so that your pan is fully lined and the foil drapes over the side. This is a make-shift spring form pan of sorts; it will help you lift the cheesecake out when it’s time for the cuttin’.
Then use about a third of your butter to grease the pan. I used a kitchen brush, but a paper towel can be used in lieu of your fingers or any household pets.
You’re going to make the crust by venting all of your frustrations on those poor, unsuspecting Oreo cookies. I put mine in a bag and wrapped them in a towel to prevent explosions and beat them senseless using a family heirloom (not kidding, that rolling pin is over 40 years old!)
After you have crafted your Oreos into a chunky mess, transfer them to a bowl and add your remaining melted butter. Stir them around with a fork for a bit until they have an even, glossy sheen. Then you place them in your baking dish on top of foil, butter, and all. Using the bottom of a cup, smoosh the cookie bits into a flat crust.
To create the filling, place your cream cheese and sugar into a medium bowl and beat on low with your electric mixer until smooth. (The most astute of you will notice at this point that Chip Mom totally left out an entire package of cream cheese when making these…. WHOOPS!)
Add your vanilla and eggs and blend thoroughly together. Set this bowl aside.
In a small, microwave safe bowl, place your cream and white chocolate chips. Microwave at 50% power in 30 second intervals, stirring in between, until you have created a smooth mixture. Add this to your cream cheese mix and blend again. .
Tap the bottom of the bowl on the counter to release any trapped air bubbles (about 30 times) and the pour over your crust.
Bake in the oven for 40 minutes, turn off your heat without opening the door and let the cheese cake rest in the oven for 15 minutes, after which it hangs out on the counter for another half hour. Then this lazy little jerk gets to sit in the fridge for 6 hours (or 3 in the freezer).
After the cake has chilled, use a sharp knife to cut it into 25 even squares. .
The bravest among us would take this moment to make their own whipped cream with heavy cream and powdered sugar, but after this bad boy got to lay about for hours on end it was Chip Mom’s turn to be lazy! I dolloped a circle of canned whip cream on top of each square. I then placed a strawberry in the center, finally topping the little morsels with a dot of the white stuff.
BOOM! Instant Santa Hat. Instant Adorable. Instant hit at the party.
One word of warning, however. The cream falls rather quickly, so I’d recommend assembling these little goodies at your get-together site. Either that or you can sit down and eat the whole pan, but I wouldn’t recommend it!
Until next time ChipWINners, remember: Mama luvs ya!
It’s time to get classy tonight on The ChipWIN Blog! And by that I mean, of course, I’m going to do my first “manifesto” with a focus on booze & chip from Great Britain. Aren’t you thankful you can’t hear the extraordinarily terrible British accent that I’m absolutely affecting on this entire article as I write it? Because I totally am. In my head. Jolly good show & all that rot. Sounds just like the beer fox actually (don’t worry; you’ll meet him soon).
At any rate, Beer & Chip Vol.6 is going to be all about…
Morland “Old Speckled Hen” Ale & Mark ‘TDK’ Knight
I initially picked up a sixer of Old Speckled Hen on my brother’s suggestion. While we don’t always see eye to eye on beer choices, this one was a pretty good call!
Old Speckled Hen is a smooth, easy drinking, refreshing ale with some tasty malty flavors. Just the slightest bit of sweetness, but not enough to “ruin” it in my mind. With that rich amber color, it’s a beautiful looking beer as well, especially poured into a tall pint glass and left sitting in the window for the sun to shine through (which is a terrible damn idea; your beer will get warm way too gorram fast!).
Classy, classy Hoodie.
This could easily become a go-to beer for me, particularly in the warmer months; except as an import it’s a bit too pricey to be a regular grab (around $12 for a sixer in my neck of the woods). I expect I’ll still buy it on occasion, and would definitely be willing to try its counterparts (“Old Golden Hen” & “Old Crafty Hen“) were I to run across them.
But nevermind what I think about this tasty ale! Why should I waste words talking about it when you can listen to a fox puppet tell you all about it?? (brilliant advertising campaign).
Truth be told, while I like this English beer pretty well I mostly purchased it to assist in making a smooth segue to my UK chipartist, the demoscene legend Mark ‘TDK’ Knight (nevermind the fact that his chosen alcoholic beverage isn’t beer of any kind…).
If you’re unfamiliar with that name (or have only seen it popping up around the intertoobs within the last year-ish), don’t feel bad. TDK has only recently returned (2012) to making chipmusic after a considerably lengthy hiatus (approximately 19 years!!!). And while I could delve into his considerable back story of early chipmusic creation (he began in 1984), in depth demoscene involvement (google Anthrox and Melon Dezign) & subsequent video game music composition (skim his Bandcamp bio for that impressive list), I’d rather focus on his current efforts! In particular, his aptly titled full length album ‘Reawakening’.
This excellent 11 track chip album is a combination of brand new jams & revisited tracks from his past, all created using a mix of his well established Commodore chip savvy and modern music production skills appropriated in more recent years. As a whole ‘Reawakening’ screams of compositional experience and refined talent; covering a gamut of musical styles, every single track is an engaging and addictive listen. Were I forced to choose a favorite from the release, I’d likely go with ‘Erethism’; there’s something about the crazy, happy energy of that jam that gets me grinning like an idiot every time!
In addition to this powerful comeback album, TDK also managed to lock-in Henry Homesweet to do a killer remix of his track ‘Nicotine Pang’, which is released separately via Bleepstreet Records here:
To complement his return to chipmusic, TDK has begun performing it live as well, incorporating his talented & frenetic fiddle playing. This unique addition enhances what is already a quality live set. In a short time, TDK has performed at a solid handful of European events over the past year, up to and including SuperByte 2013, with a spot at NINTENDOOM 3.0 coming up the last weekend of February.
TDK chip-fiddling up a storm at SuperByte 2013.
To top it off, Mark’s a genuinely delightful character (sorry to out you, bro! <3 ). The 8 Bit Power Hour release party we held for ‘Reawakening’ is still one of the most enjoyable shows we’ve had to date (as well as one of the snarkiest; damn Brits!! ;). And working with him on both ‘chipWINter’ & ‘Volume 2‘ was an absolute honor & a joy. Check out the most excellent end result of both of those contributions below:
I say, I suppose that wraps up this unusually British edition of my beer & chip review! Here’s hoping you get a chance to sample the tasty brew, preferably while listening to TDK’s excellent jams. If you need more British-ness for the night, just go watch a Doctor Who marathon or something, I dunno. Cheers!!
Weeeeelp, looks like it’s that time of the month again! Of course, I’m talking about some good ole beer & chiptune commentary with me, Prez Hoodie! =D
So turn up your speakers & grab your favorite drinking glass, and let’s get on with my seasonally appropriate December selections:
Dansk Mjød Viking Blod & Kubbi.
Yup. That’s right. This month I’m deviating from my normal selection of a beer type to review and instead featuring a Nordic honeywine (aka mead). All in honor of the Norwegian wonder Kubbi, of course (more on that cat further in).
In all truth, my quest began not for mead but for a bottle of akvavit/aquavit, a traditional flavored Scandinavian spirit often imbibed around the holiday season, which Kubbi recommended that I sample. Whilst I had no luck finding that imported drink in my region of Podunk, Arkansas, I did fortunately stumble upon a bottle of Dansk Mjød’s Viking Blod in the search. A more than worthy substitution to incorporate in this Skyrim-esqe pairing.
The front label describes Viking Blod as “Nordic honeywine with hibiscus and hops added”. If this seems like an interesting combination of ingredients, it’s because it is.
I’ve sampled a couple varieties of mead before, but never one with a gorram flower added to it! As one might expect, it adds a notable floral element to the already rather complex flavor. Combined with the hops and honeyed sweetness, it brings an almost ginger like aftertaste to the drink. It’s certainly… different, but undeniably quite nommy!
Seeing as how this is a fairly unique beverage, I for once followed all of the back label’s suggested methods of imbibing (which also includes an interesting, albeit brief historical account of mead!). Quaffing both on the rocks and in a slightly chilled glass served it well (with chilled glass being the superior method), although my #1 recommendation would be to drink it thoroughly heated. It turns Viking Blod into a delightful winter beverage akin to something like wassail, perfect for warming the insides as Jack Frost howls fiercely outside (or, in my case, maybe stirs up a chilly little breeze here and there…). I could also see it used to great affect in cooking, particularly a reduction with pork or a really tasty ham glaze. Heeeeeeeey Chiiiiiiiiiiiiiiiiiiiiiiiiiip Mooooooooooooooooom!! ;)
The internet is quite fond of Viking Blod as well! For instance, Ratebeer.com gives it a 92 overall score, accompanied by a multitude of favorable reviews. My summation would have to be something along the lines of, “YOU CAN TASTE THE FORESTS OF NORWAY IN EACH GORRAM SIP.” Yup, that’ll do. ;)
Kubbi sez, “Gi meg mjød!”
Moving onto the equally complex & delicious chipartist known to the internetz as Kubbi, we find just as delectable a sonic treat for the ears.
Quite the prolific artist, Kubbi has both a thorough & musically diverse discography spanning the past three years. While his initial forays in 2010 were primarily found on cm.o & the now defunct 8bc, the bulk of his releases can be found in the form of singles on Soundcloud and EPs and full length albums on Bandcamp. And just so you know, every single gorram track is worth indulging in.
To give a little background on his compositional methods, Kubbi uses the tracker inspired DAW Renoise to create his chipmusic, and employs a solid library of samples that he’s collected & tweaked over the years. His goto plug-ins include YMCK’s Magical 8bit Plug, Plogue Chipsounds & U-he Zebra, all of which he highly recommends. Although on his more recent releases he also incorporates the talented guitar-work of Jonas Dam (featured on ‘Gas Powered EP’ & ‘Something New’) & the beautiful vocals of Live-Andrea Rasch (on tracks “Concrete” & “Circuithead”), further fleshing out the already dynamic soundscapes found in his music.
It’s no secret: 2012 was definitely the most prolific year of Kubbi’s career thus far, during which he released three different full length albums (‘Transmittance‘, ‘Sleet‘, & ‘Circuithead‘). While all three merit a good solid listen/download/purchase, ‘Circuithead’ is probably the most standout among the three (note the “probably” snuck in there, as dammit, they’re all quite standout!). It’s the most cohesive release among them, sounding almost like a concept album of a sort. Although to be honest, there’s an overarching theme/feel of wistful melancholy and driven determination interwoven into most of his music. Maybe it’s natural by-product of drinking mead & practicing dragonshouts in the snowy mountains of Norway all the time, I don’t know. ;)
Regarding recent singles of note are his fantastic Renovation Mixes. They’re essentially re-instrumentations of some of his previous works, and really do breathe new light into the tracks. There are only three at the moment, but I have a feeling that’ll change in the coming months.
Kubbi’s latest single “Something New” does an excellent job of displaying the current state of his musical evolution & where he’s aiming for; it combines his signature chip stylings with an even more grand & ethereal, almost orchestral sound-set. Check it out right here:
To kick off 2014 with a MAGnificent bang, Kubbi is debuting his first live performance with both Jonas & Live at MAGFest 12. If you’d like to catch a very rare treat (and who wouldn’t?!?) make sure to get your ass to MAGFest & come down for the Saturday Midnight Chiptune Blowout! That alone is gonna be worth the trip to MAG this year!
Seriously, I could write endlessly about this exceedingly talented young chipartist. Everything he composes is simply extraordinary; each track takes you on a fantastic journey as you listen to & experienceit. All that and the fact that, well… HE’S DONE A LOTTA STUFFS!! :O All the same, whether you’re a fan of chipmusic or not, Kubbi has something to offer you.
And this finishes up yet another edition of my monthly beer & chip specials! Here’s hoping you’ve enjoyed the read, the delightful Kubbi-music referenced in it (a handful of his music embedded below!), and are fortunate enough to stumble across a chance to sample this very tasty beverage (maybe I’ll bring a flask to MAGFest 12 for this very purpose. Who knows? ;).
HEY EVERYONE. It’s been quite a while since I did my first guest write-up on this blog, which was a review of Kola Kid’s “Afterparty” EP. Since then, a number of fabulous chiptune albums and compilations have come into being. However, I’m certainly not afraid to say, as a long-standing fan of chiptune, that Chiptunes = WIN: Volume 2 is quite possibly the GREATEST CHIPTUNE COMPILATION EVER RELEASED. I’m going to be discussing the first six tracks from the album, so bear with me as I find the words to describe the sheer amount of excellence contained within each of them!
Track #1: Starpilot – Just The Right Amount of Whelm (Qubert Dancing The PaisleyUnderground)
Ah, Starpilot. Your unique take on chiptune music has always amazed me. Ever since listening to “Experimentalist” , I’ve known that there isn’t anyone else who can quite do what Starpilot can. This track is upbeat; “Just The Right Amount of Whelm (Qubert Dancing The Paisley Underground)” is one of the many tracks on the compilation that just makes you want to get up out of your seat and dance. It’s a track that makes you feel like you’re at a rave in space. As the opening track of the compilation, it’s the introduction to another fantastic chiptune journey.
Track #2: Theory of N – Buttdawg Funk
I didn’t know about Theory of N before listening to the strangely-yet-aptly titled “Buttdawg Funk”. The track has a very bouncy sound to it, and as a listener it’s almost impossible NOT to tap your foot to the beat. The solos in the song stand out quite a bit; they’re all incredibly well structured. Having checked out Theory of N’s Bandcamp after listening to “Buttdawg Funk”, I can say that each one of his tracks are definitely worth a look. I also discovered that Theory of N is an OCRemixer who’s been around for quite a long time!
Track #3: Petriform – Heliofluid
“Heliofluid” is catchy, and makes great use of non-chip sounds as a support to the leads. Exciting and fast-paced, the music switches flawlessly from exciting to mellow and really entertained me as a listener. The minimal use of kick in the opening focuses the listener on the chip leads. Given Petriform’s hard-hitting, modern twist on chiptune, I wouldn’t be surprised if he hits it BIG in the future. Petriform has also delved into writing music for a number of different genres, including noise, drum ‘n’ bass, and IDM; his talents aren’t only seen in the chip community.
Track #4: Mark ‘TDK’ Knight – Hoovering With A Hangover
Mark ‘TDK’ Knight isn’t a stranger to the ChipWIN community; he previously appeared on chipWINter with his brilliant track “Sunrise”. “Hoovering With A Hangover” sounds like it could be a custom file you’d see in a rhythm game such as In The Groove. Mark’s masterful command of chiptune melodies really shines through in this song; the main melody is incredibly composed , and the build-up in the intro is extremely well done. Additionally, his musical composition skills haven’t gone unnoticed; he has been employed by a number of large companies, including Konami, Warner Brothers, and Crytek, just to name a few. To top all of that off, he has received a number of awards from BAFTA; his first was awarded to him in 2000, and he has continued to shine since.
Track #5: The One Electronic – ♥∞
A fellow member of the FlashFlashRevolution community and a notable artist within the Piko Piko Detroit community, The One Electronic (aka iPatcH) makes his ChipWIN debut on the Volume 2 compilation. His song, “♥∞”, feels slower and calmer than the previous tracks, which sets it apart from many other songs on the compilation. It’s mellow and happy, and the melody is quite catchy. The common changes in lead sounds are a welcome addition and really give the track its own unique feel.
Monomer’s presence in the chiptune community is not long-standing, but the quality of the music he’s produced is wonderful. His most recent album release, “Quite Operational”, was released through the massive chiptune netlabel Ubiktune, and garnered a massive amount of attention. His track, “Dastardly Deeds (feat. Yoann Turpin)”, feels funky and improvised, with a similar sound to fellow Ubiktune artist Shnabubula. The solos in the song are phenomenal, fusing perfectly ideas from chiptune and funk, whilst adding his own twist.
Keep your eyes peeled next week for the next installment of The ChipWIN Blog Volume 2 coverage! Stay classy, everyone.
Ho-Ho-Holy Shit. If the holiday season wasn’t exciting enough, the wonderful/not-workshy/probably mentally unstable people over at Chiptunes = WIN have graced the world with the first in a series of promised themed compilations, starting with the theme of winter. Sounding like a condensed audio personification of Christmas, if this doesn’t get you in the mood for mince pies, roast dinners and eggnog (is that actually a thing or have years of US Sitcoms been lying to me?), then nothing will. You utter Grinch. So without further ado, here is where we break it down:
BR1GHT PR1MATE – Linux and Lucy
Returning for their second bout on a Chiptunes = WIN comp, James and Lydia start proceedings with a sweet and sour swirl. Delicate melodies and jazz/funk fm influences swamp the track, and coupled with sampled voices which narrate, the track jumps between sugar and spice repeatedly; the sugar hook will stay with you for eons.
Having appeared on Fox News, released the acclaimed ‘Night Animals’ earlier this year and been credited for countless game OST’s, the Br1ght Pr1mate freight train appears to be doing the very opposite of slowing. Frequent live performances and an e-performance on the upcoming uber-web-show ‘WWCW 12’, keep a look out for this duet’s fantastic live show too.
Vince Kaichan – Midnight Snowflake
Soft and subtle seem to be the thematic qualities of this compilation, and if so then ‘Midnight Snowflake’ is the template. No jarring dynamic shifts or unannounced jolts, just blissful frolicking through winter tundra and the feeling the melodies could be icicle tendrils. Harmonically robust and beautiful, this track can be added straight to Vince’s long catalogue of fantastic tracks.
With releases as VCMG on Pxl-Bot and others on Noisechannel, Vince has shed his newcomer badge long ago and has since become a well-established name in the chiptune scene. If this is your first experience of Mr. Kaichan’s work, you’re in for an early Christmas treat.
Professor Shyguy – We Three Kings
Convention frequenter and pedlar of pop rock chiptune, Professor Shyguy brings his rather nice (trying not to sound emphatically romanticised here) to a cover of ‘We Three Kings’. How Christmassy does this sound? All of the Christmas.
Not one to do things simply, the climax breaks from the mould to provide a darker and far more Pink Floyd take on the classic carol, with screeching distorted guitars and acoustic fiddling aplenty.
With a full length and a new single both released this year, you’re more than spoiled for material to keep you happy(er than you would otherwise be) over the Christmas period.
Mark ‘TDK’ Knight – Sunrise
The prolific game music composer and BAFTA winner (!) TDK is returning to grace the chip world with his masterful compositions. With a single coming out soon on the deity house that is BleepStreet Records, Mark reintroduces himself here with a chilled and icy jam that melds eastern melodies and jazz elements into a consistently surprising and enjoyable track, with frequent nods to his previous soundtrack work.
With more skills, projects and awards than I can ever hope to cover in this short passage of text, it’d be wise of you to check out the huge repertoire of this brilliant composer and sound wizard. 20 pounds if you don’t see a game you recognise.
Storm Blooper – The Stellar Dendrite
Having been around originally as Sub-Woofer Special since 2008, the reincarnation as Storm Blooper has thus far brought with it two full lengths, a single earlier this year and plenty of live performances, morphing to a more standard chiptune affair to his present day dub inspired grooveathon. And here we arrive and Blooper’s magnum opus, The Stellar Dendrite.
You’ll have noticed the emission of anything even slightly wobble-influenced (now that I’ve pointed it out) and not one to displease, Storm Blooper handles the job solo and with gusto. Whilst not a wobble track per se, the grooves and dub flirts will have you chomping at his hyper sweet bit through the pieces duration and beyond.
Glenntai – Snowfall and Snowballs
With the fondly remembered EP ‘Silly Hats Only’ from 2010 and a new EP in the works and his hands full with the planning and leader of the newly formed and already respected ‘Clipstream’, a monthly online chip festival (it is as brilliant as it sounds), seeing Glenntai’s name appear on this compilation will likely have excited many.
And here is why: complex and experimental melodic tinkering laced into an upbeat and wintery socket, carefully crafted to the smallest degree. Feeling fuller and longer than its mere four minute play time, this masterfully conceived track is a refreshing take on the hyper-happy chiptune of ye olde.
ABSRDST – Let Me Freeze
Since July ABSRDST has released the mammoth-sized ‘Home Sweet Home’, the brilliantly received and diverse ‘Sugar Blossom and the Space Cadets’ and most recently his albumette ‘Rigby Wearing Shades’. Definitely a busy fellow.
Lending his expert meanderings to chipWINter, ‘Let Me Freeze’ takes six minutes of your time to lead you through multiple genres and styles, coaxing out memorable and tightly constructed melodies at every intersection, giving the track an unparalleled flow. Building to an incredible climax with one final violently adrenaline-coaxing twist, ABSRDST sure knows how to do ‘epic’ as well if not better than most.
Daniel Capo – Frosted Over
Featured on multiple compilations including a past Chiptunes = WIN and the fantastic Perelandra Records compilation ‘Tide’, Daniel, has been carving himself a name for professional sounding and presented chilled chiptune. ‘Frosted Over’ is no different.
Mixing EQ manipulation with subtle breakbeats and sporadic melodies, ‘Frosted Over’ has an almost glitch-like quality to its wintery demeanour. The rising a falling of the backing synth’s pitch and volume help add the dreamlike qualities of the understated piano and unimposing harmonies, creating a track that truly embodies the term ethereal.
Jay Tholen – Justice Delivers Its Death
There is a lot to say about Mr. Tholen. The prolific progressive rock and chiptune connoisseur has graced labels as respected as Pause and Ubiktune, with plenty, and I mean plenty, of self-released pieces in between. With his game Dropsy in development under the Tendershoot studio name, Tholen is truly a man of many talents.
And creating catchy chipfolk is one of said talents. Backed by female vocalist(s), the slow crescendo of chiptune and acoustic builds to a tightly woven and emotional end. The lyrics, whilst at times slightly unsettling in an obviously deliberate way, work cohesively with the music to create Tholen’s truly unique and remarkable atmosphere and style.
Vegas Diamond – The Ghost Of Christmas Dance
Featured on the Spanish equivalent of 8bitpeoples, LowToy, Vegas Diamond’s bittersweet jams having begun to tease the ears of chiptune fans everywhere, and here is no different.
Scales flow over each other jumping from major to minor to create that bittersweet tinge of sweet and sour. Starscream (Infinity Shred/Whatever) influenced chords rain from this, sending astral snow into your speakers (I’ve always said the line between space and ice themed is only a contextual one). Featuring one of the most memorable melody and chord progression dualities on this compilation, Vegas Diamond has continued their thus far unblemished record for great music.
The Bitman – Next Stop, Detroit
Visitor on the release pages of Noisechannel and with two other Eps under his belt, Bitman’s dance LSDJ boogies this time go for winter’s thorax. Pulsating drums and scales carry the first half of the track gracefully, before the mid-break switches up the formula into a wide-eyed melodic call and response as scales dance around each other in a hypnotic cycle. Memorable 3/4 hooks and dragging drums help the track stand out from the LSDJ pack, and dissonant bleeps help create and uneasily sub-zero atmosphere. Apparently Detroit is cold this time of year.
shanebro – A Chipwinter Stroll
Winter drum pumps fill the space left between the rising and falling scales of the tracks beginning. Flowering into a melodic to and fro with the beats, Shanebro spends the rest of the track experimenting with constantly shifting melodies and brief motif reprisals. The mid-drum break has a real 80s ad-vibe about it, primed to tug at the nostalgia toggles on anyone’s hearts.
With the release ‘The Sky Is Ours’ over on Noisechannel and a full length in the works, look out for this up-and-comer taking over this place.
an0va – Christmas Time Is Here
Frequenting stages in the US and teasing the general populace with only one released EP thus far, the fantastic ‘The Teaching Machine’, an0va is already a well-known name and unique talent in the chiptune field.
‘Christmas Time Is Here’ starts, sounding eerily similar to a lost song from The Snowman soundtrack, an0va uses a blend of chiptune, guitar and expert atmospheric control to create an audio personification of the festive season. Even before the jazz guitar begins, the track’s slow lounge croon carries the listener, only heightened by the presence of lucid and fluid guitar playing.
Kubbi – Polar Bear Rides
Chiptunes = WIN’s very own Master Of The Tracklisteh provides another track for another compilation in the wake of his fourth full length release, ‘ Circuithead’. With a progressive twist to the melodically founded chiptune, these 80’s-esque synths bring to mind Drive during the winter months, snow drifting and cold stares. Melancholic and with the spirit of the festive months etched into its psyche with great force, this winter paradise stands out starkly in Kubbi’s extensively eclectic as another choice cut.
If you enjoyed this track, definitely check out his other release from this year, ‘Sleet’, and last year’s full length ‘Transmittance’.