Posts Tagged ‘computer music’

Leveling Up Your Artistic Identity – Episode IV: Cornering Your Market

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For many, the term ‘marketing’ can have an unsavory connotation – especially when applied to their own work. If this describes you, it’s time to reevaluate. While there are plenty of entities that use marketing as a means to questionable ends, we have to remember that marketing is merely a tool. Rather than look at marketing as a way to ‘control and manipulate people,’ think of it as a way to optimize the presentation of your work and ensure that it gets put in front of latent superfans. Previously, we looked at how to establish a series of themes and aesthetics that make up your ‘brand.’ Truthfully, that only covers half of the equation. The other half deals less with the nuance of identity and more with logistics. Now that you have a good idea of what to put into the world, we’re going to postulate how you plan to put it out there.

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This Month in The Overworld: Uctumi

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Always witty and to the point, this month’s The Overworld guest once said about hardware limitations “Challenge is the fuel that turns the cogs of creativity”.

Uctumi playing live.
Uctumi playing live.

Born in Buenos Aires in the year 1981, Uctumi is an Argentinian musician that began composing tracker music in 1996. Very active in the current local demoscene, he shares his views of Chiptune music and innovation in general in this interview.

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Aydan Appreciates: ‘Modern Closure’ by 4mat

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‘Nadir’ was my first exposure to 4mat’s timeless and emotional music. I was given the honor to review the album in 2014, and it filled a musical void I never knew existed until I listened to it in depth over and over again. With off-kilter percussion and melodies, polyrhythms galore, and overarching themes of memory and self-doubt, ‘Nadir’ is a thing of beauty, with some of its hauntingly beautiful melodies still ringing in my head to this day. Since the release of ‘Nadir‘ and the remaster of ‘Decades‘, however, the artist’s Bandcamp page had been relatively quiet up until the surprising release of ‘Modern Closure’, an expansive 18-track journey through the depths of emotion.

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A Square Meal: The SOUNDSHOCK Series

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Beyond all the glamour and pageantry of the blips & blops, a misunderstood way of making chip music has grown and bloomed away from the spotlight of the scene – yes I’m talking about FM Synthesis. Of course, this is not a complaint, as we say in Spanish: “para gustos los colores”. The point is that, most of the time, a lot of cool things happen under the surface, things that are worth talking about and, from time to time, seem to be buried in the huge mass of crunchy sounds. The album series I’m covering today is not that. I can even say that it’s well known by everyone nowadays, precisely because the intention was –and still is– to direct your attention to the music and techniques used by those incredible musicians. Today I want to go back to one of the greatest compilation series centered on the FM side of the Micro Music, Demoscene, and Chiptune. Apt for newcomers and veterans, it will make you move and ignite the fires of love and interest in this particular approach to chip music in your soul – hoping the inferno grows so big that it encourages you to search for new music or even make your own. So let’s take a look over the ‘SOUNDSHOCK’ Series by Ubiktune.

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Leveling Up Your Artistic Identity – Episode III: Logos 101

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First impressions are paramount wherever your music is concerned. While your work should indeed speak for itself, it’s just as important that your music is packaged and presented in a compelling way. Something as subtle as a logo can serve as an entry point to your music. In this episode, we’re going to explore a few ways to develop a cohesive visual aesthetic. With this groundwork in place, you’ll be able to communicate the full breadth of your artistic vision…all without having to say a single word!

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This Month in The Overworld: Kenobit

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Is there something like a Chiptune Maestro? This month’s artist, Kenobit, a.k.a Fabio Bortolotti, could definitely be defined as one. Self proclaimed Game Boy addict, he has been working on his masterful and dynamic tracks for over 9 years, and has certainly become an integral figure of the chipmusic community in Milan, Italy.

Kenobit performing live with his Gameboy.
Kenobit performing live with his Game Boy.

Fabio was born in Italy, in the year 1982. After playing drums in a few punk bands in his teens, he discovered chiptune at a show in a small club. He instantly fell in love, bought an LSDJ cart, and never stopped producing chiptune.

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