Hello everyone. If you haven’t heard I’m yet again organising Chip Bit Day and it’s in its 4th year. I never thought I’d do another one after 2016, but here we are. As with all my Chip Bit Day articles, I will be showcasing each artist who is playing whilst picking a track that I think properly defines them. If you are interested in donating to Chip Bit Day you can do so by following the link here.
The last thirty or so days have been enormous for fans of chipmusic. Between a new boaconstructor EP, ChipWIN: Volume 7, a new Chunderfins LP, and various other new albums, we’ve been gifted with a simply staggering amount of high-quality material to soothe our ears. On September 10th, the legendary Bit Shifter has graced our community with a brand new release titled ‘Closed System Blues’. At times blissfully peaceful and pensive, and at others pugnacious and adrenalized, ‘Closed System Blues’ showcases a difficult to match diversity in composition. I’m honored to have been presented with the opportunity to review an album by this master of his craft, so without further ado, let’s dig in!
THIS IS IT. We’ve come up to the last ten tracks of Volume 7, and I can’t begin to express the rollercoaster of emotion that was experiencing this album without being able to share the hype with everyone in our Discord channel during the release party.
Fortunately, I have a platform where I can have opinions regardless of how right or wrong I can be (thanks, Internet! <3), so without further ado, it’s time to jump into the first track on my list to cover!
Pixel Syndrome’s ultra fun entry to the V.7 art contest.
Tuxic’s riveting concept album ‘Oblivion’ was released through Russian netlabel BleepLove in June 2018. Featuring some fantastic LSDj chops, low-fi drum’n’bass grooves, and hostile progressive metal, this music stood out to me from the moment I first heard it for its strong drive and dynamic execution. Making use of some really interesting pacing decisions alongside active melodies and uneven rhythms, the tight composition creates an intriguingly mechanical feel with incisive focus. This is balanced out nicely by the more free-spirited sound, full of surprises, where even the vocals display quite the stylistic range – composite instrumentation with a penchant for harsh qualities and sudden appearances. The most natural aspects of this album are presented through an artificial texture. The result is engaging, self-contained, expressive, abrasive, and GREAT.
Hey there, ChipWINners. It’s been a few months since I’ve written an article due to some extremely time-occupying life events, but I’m happy to be back now! At the end of May, Cheapbeats released an EP showcasing a new artist in the community named Ello Costello. This artist certainly isn’t a stranger to producing music; he’s released a few EPs independently prior to this, such as the freely composed ‘Just For Fun‘ and the environmentally influenced ‘Small Windows‘. With influence and assistance from DonutShoes, an artist who’s been featured on ‘ChipWIN: Volume 5‘ and on ‘Volume 6‘, Ello Costello makes his stunning debut in our niche with ‘started commuting’. Throughout this EP, Ello Costello draws influence from morning cityscapes, the excitement of travel, and his own musical interests. Let’s see what this release has in store for us!
Hey guys. I’ve been extremely busy these past few months, mainly down to getting the funding secure for Chip Bit Day 18 (which you can read about it later on after the review). Thankfully I’m still finding time to do my reviews for ChipWIN! This month I’m reviewing an album that I’ve been sitting on for a while now; ‘Monolith’ by Graz and released with ‘Ravertooth Tiger’.
The last time I review a Graz album was back in 2016 with ‘Ravepunk’ and that released by ‘Cheapbeats’. It was a great listen whilst feeling incredibly boppy & funky. ‘Monolith’ however is a lot different compared to ‘Ravepunk’, sounding more heavy whilst feeling darker & grittier.