Posts Tagged ‘dramatic’

Glenntai Got: ‘Battle Jazz Classics II’ by don’tblinkoryou’lldie

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What can you say about don’tblinkoryou’lldie (fka DBOYD) that hasn’t already been echoed by the community? Highly skilled with sound design and composition, don’tblinkoryou’lldie is a high-energy experience that puts your body and listening skills to work simultaneously with some of the most lush, fleshed-out detail I’ve heard from a Game Boy. If this is your first introduction to don’tblinkoryou’lldie, buckle up and get ready to never blink again in your life.

Art by Kino Johl @moeggoi 
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Chiptunes = WIN: Volume 7 [Tracks 41-51]

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THIS IS IT. We’ve come up to the last ten tracks of Volume 7, and I can’t begin to express the rollercoaster of emotion that was experiencing this album without being able to share the hype with everyone in our Discord channel during the release party.

Fortunately, I have a platform where I can have opinions regardless of how right or wrong I can be (thanks, Internet! <3), so without further ado, it’s time to jump into the first track on my list to cover!

Pixel Syndrome’s ultra fun entry to the V.7 art contest.

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Glenntai Got: ‘Retro​-​Active Pt. 1’ by Keiji Yamagishi

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Many chiptune composers and enthusiasts alike will reminisce about their favorite video games and their soundtracks; oftentimes because of their soundtracks bringing such a large breath of life to the gaming experience.   Fortunately, thanks to a huge effort of many groups of people celebrating video game music, we have come to a point where we are celebrating the music and composers that helped shaped our youth, imaginations, and lives.  However, most to all of the contributions have been to primarily video game music, be it tributes to old or new content for (equally amazing) games.  While you would never find me complaining about this, part of me had wondered what would happen if one of the composers of what I considered “the golden age of video game soundtracks” were to make a new chiptune (or at least chip-inspired) album?

Apparently, legendary Famicom-era pioneer, composer and (coincidentally) an influence of my own personal musical tastes, Keiji Yamagishi (along with director Mohammed Taher) were already a few steps ahead of me, and after the jump I will explain to you how it feels to be given a gift by a legend.

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