After a long hiatus I’m back with ChipWIN writing about some chiptune music, and what better way than beginning with the fantastic album, ‘Illegal Street Racing’ by MisfitChris? This was initially released towards the end of January as solely a digital album. However, it wasn’t until June 24th, when ‘Data Airlines’ produced the cassette release of ‘Illegal Street Racing’, did it come under my radar.
This month’s Chiptune artist never ceases to amaze me with his rave style bangers and his witty, surreal and flashy Instagram stories. It’s always a quirky and wild ride listening to the tunes of Una Niña Malvada!
Una Niña Malvada, whose real name is Marcelo Aliste (nicknamed Rano) has lived in Santiago de Chile (Chile) all his life. He considers himself to be a very boring but restlessly creative individual, so he has always tried to learn and produce a lot of things: with design, painting, drawing, programming and music. According to him, he is the classical case of “master of none”, although I beg to differ.
Rano creates as if he always tries to tap into the child in all of us, and having several musical projects, Una Niña Malvada is the one that has the most longevity of the bunch. The visual mascot of the project is a lovely female pooch that Rano draws all the time and can be seen throughout his social media. Being such a well received project internationally and online, one could also reflect upon his drawings, that have an 80’s anime vibe, but in which the content is universally relatable, and has a contagious glee, much like his music.
Two and a half years ago, I had the honor of reviewing an album that heavily altered my perception of chipmusic. That album was ‘GLITCH’ by LukHash, and its smooth fusion of genres blew me away; so much so that it became a permanent addition to my playlists. While I missed reviewing the musical artisan’s October 2018 release, ‘GHOSTS’, he’s quickly come out with yet another mindblowing, genre-defying release with ‘BETTER THAN REALITY’. Plug in your headphones and prepare yourself…this is one hell of a ride.
I have had my hands full with Chip Bit Day, so instead of reviewing something new I decided to look back to an album that was released last year on ‘Datafruits’. ‘Vanilla Dome’ by ‘Glooms’ was a truly fantastic album. Created using a copy of Nanoloop 2 synced up to a Korg Electribe Drum Machine, Vanilla featured a vast amount skill with sound engineering and programming.
Ozymandias by ‘Starving GOGO’ (and distributed by Cheapbeats) has been under the radar for a while, being released back in October 2018. However, it is definitely one that people should pick up and get into. Last year I had the absolute privilege of meeting ‘Starving GOGO’ and having him play at Chip Bit Day 2018. Needless to say Starving GOGO’s entire set blew everyone away with his blend of chiptune, electrocore, and attention to detail in LSDJ. As well as playing live, GOGO also faced off against ‘Tekmann’ in a ‘ChipBattle’, playing some fantastic quick tunes that are actually featured on this album.
Ciro Mendoza is, in his everyday life, a 37 year old Information Technology professor, Software Developer and a Student of Multimedia and Sound and image careers. From the bowels of the west of Buenos Aires, Merlo, he can never stay still: he has also worked as a columnist for the video games section at a local culture mag known as ‘Los Inrockuptibles’ (a branch that previously existed in Argentina, that stemmed from the french magazine ‘Les Inrockuptibles‘) and participated in a project (that never came to fruition) trying to develop a game based in the popular argentinian comic book “El Eternauta” (The Eternaut).
With his chiptune project, going by the name of Cinematronic, all of this geeky exterior explodes into a punkish rage of noise, as I realized when witnessing his live shows. He is everything but meek. He sometimes makes me wonder what would have happened if The Stooges had incorporated chiptune music created to go alongside to the beats of Iggy’s frenetic and contorsionated stage moves from the 70’s.