Posts Tagged ‘electronic’

ChipWIN-tern Presents: Networking and Brand Management

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Hello everyone. For this month, I decided instead of an album review or talking about a concert I thought that I might perhaps offer some help to the community at large by addressing one of the things I see as a major common weakness: poor brand management. “Wait what,” I hear you say, “why are you teaching me an Intro to Business course here? I just want some dank bleep bloops, bro!” And that’s fine, because at the end of the day is not a man entitled to the bleep from his bloops? But for those of you who are interested in getting senpai to notice you, and by senpai I mean potential fans and friends, then I have some broad and functional advice for you in terms of making sure that what music you have is available to the most people and you can start being that cool kid who wears pastel colored 80’s and 90’s era windbreaker jackets, clear Wayfarer glasses, a geeky Snapback and patterned leggings that all the convention-goers want to throw their parents’ money at. Or whatever it is YOU deem as commercial success, I guess.

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Aydan Appreciates: ‘started commuting’ by Ello Costello

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Hey there, ChipWINners. It’s been a few months since I’ve written an article due to some extremely time-occupying life events, but I’m happy to be back now! At the end of May, Cheapbeats released an EP showcasing a new artist in the community named Ello Costello. This artist certainly isn’t a stranger to producing music; he’s released a few EPs independently prior to this, such as the freely composed ‘Just For Fun‘ and the environmentally influenced ‘Small Windows‘. With influence and assistance from DonutShoes, an artist who’s been featured on ‘ChipWIN: Volume 5‘ and on ‘Volume 6‘, Ello Costello makes his stunning debut in our niche with ‘started commuting’. Throughout this EP, Ello Costello draws influence from morning cityscapes, the excitement of travel, and his own musical interests. Let’s see what this release has in store for us!

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Clover Chain Reacts To: Chiptunes4Autism – Volume 3

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A little over a month ago, Chiptunes4Autism released their highly anticipated ‘Volume 3: Forces of Neurodivergence’ compilation. Spanning around an hour and a half, the album is part of an ongoing fundraising nonprofit run by Gustuf Young (Asperkraken), focused on promoting autism positivity, and empowering people on the spectrum. Uniting a diverse group of chiptune artists from all around the world, with all kinds of backgrounds, Chiptunes4Autism organizes live showcases and a yearly compilation album. The earnings are donated to a few different causes that support opportunities, advocacy, and resources – all while giving musicians, neurodiverse or otherwise, a helpful and accepting community in the process.

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ChipWIN-tern Spotlight: ‘chipsynth PortaFM SONGS’, by ToyCompany

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Over the last few years, for reasons best left to the wastes of time, I’ve dedicated a lot more time on the blog writing about albums that feature FM synthesis, be it on live chips or emulated. It seems like in a sea of Gameboy music, FM often goes by the wayside. Thankfully, some folks in the frozen northlands of Mapleopolis  Montreal are fighting the good fight and have been working to change that. If you’ve used a DAW to make chipmusic in the last 20 years, you’re probably familiar with Plogue and their line of chiptune emulation VSTs. Their latest release, the PortaFM, focuses on the emulation of the YM2413 chip (also known as the OPLL), and the good folks at Toy Company have released a small album to demonstrate just what this baby can do.

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The Unicorn Princess Royally Reviews ‘Novum’ by Gesceap

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Happy May, everyone!

This month, we were graced by a new Cheapbeats release written and produced by UK electronic artist, Gesceap. Released on May 4th, the seven track album is full of glitchy percussion and hypnotic melodies composed with Nanoloop. With a variety of digital elements comes a strong song structure created from from samples and soft synths. Interestingly enough, this was the first Nanoloop iOS album ever released on Cheapbeats, so on top of the sound being sublime, listeners can hear history unfolding right before their ears.

When I listen to a record, just like how when I make one, I tend to listen and check my mixes on both my studio speakers and headphones. I’m currently on the road and, as I write this, I’m limited to my iPhone speakers. Just from hearing it from this extremely limited audio source, I can say the album’s mixes are done very well. The percussion cuts through perfectly, and the bass holds its own space without creating a centimeter of mud. While an album isn’t just about a great mix, I can honestly say that each track was wonderful to listen to and the album itself was easy to listen to at one time. As a whole, it was unique and beautiful, and I can see why Cheapbeats proudly released it.

Album art for ‘Novum’, created by Gesceap.

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