Posts Tagged ‘electronic’

Aydan Appreciates: ‘Four Elements’ by uraboroshi

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The name uraboroshi should be relatively fresh in the minds of us ChipWINners; their ChipWIN debut was on Volume 5, with the explosive and frenetic ‘Greed Palace’. The track essentially defies genres and embodies chiptune music. A little longer than a year later, esctrax, a chipmusic label based in Japan, has released uraboroshi’s ‘Four Elements’. This EP consists of four compositions depicting earth, air, fire, and water in addition to a piece symbolizing the unity of the four. Today, we’ll be looking at several aspects of this brief aural venture. Let’s check out what this up-and-coming artist’s work has to offer!

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Guérin’s Dissections: ‘Jumper’ by Foxx + [BONUS] ‘solo’ by Je Mappelle

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Sometimes, you just need a good album to play in the background of your daily tasks. Sometimes you need a lowekey song to just relax in bed with. Sometimes you need to listen to ‘Jumper’ by Foxx. His style has always been some brand of chill with a few hectic songs thrown in for good measure, but this album turns the dimmers low and lights the fireplace for you to stretch out and unwind to. Let’s just sit and chat for a bit about this adorable album.

ヽ̶͈̼͒͋͌ͅ(̷̨̰̟̮́´̸͍̺̿̇̚ὠ̸̗̟̲̃͑̎`̸̛̛̞̝͆̊○̴͙̈́͌̈ͅ)̶̢͎͉͇̽ノ̵̣̪̗̃́̈́.̵̫̗̰̿̌+̷̸゚̢̮͔̮͎͔͖̍̂̈́͝*̵̨̰̣̜́̿̑͑。̵͚̹̓͂̉̓:̸̸゚̩͚͔̋͋̾́+̵͓͍̟̎͜∩̵̩̌̄̉(̴̯̐̀͝ ̴̳͆̐・̶͍̯̇͗͛ω̶̢̼̳͑・̴̫͈̅̉̈)̵̢̀͛̀∩̷̢͆o̸͔͗͋̇́(̴͚͚̖̈́͂̃́(̶͖͖̳͂̀͊*̶͓͉̯͚͌̔̄͝^̴͖̭͊▽̴̹͉͖͙͑̄^̶͔͚̋̓͒͝*̴̪̲̇͂͌)̵̠͔͓̋̈́̈́͗)̸̭̜̥̎̃͝ỡ̷͈͕̫ͅ《̴̟̬͆《̷̨̻̮͖͠ơ̶͜(̸̨̢̜̙̀≧̶̩͎̹̹̑̊̏◇̴̖̗̍́̕≦̴̤͚̽̈́̕)̷͚̈́o̷̼̜͍̓̾》̴̢̧͎̮́̃̇̇》̴̯̾̐∩̴̼̱̾͛̿ͅ(̸̙̍ ̶̝̫̓・̷̱̘̓̈́͘ω̷̨͔̟̤̿͒̚・̵̹͓̝͘)̶̧̐̑̅̕∩̶̯̳͚̩̃͘o̴̱̫̖͌̆͆͗(̶͖͋̃́(̶̨̟̭̌̐̈́̽*̶͍̟̗͝^̴̲̿̈́͝▽̴̨͖̉̇͝^̶̲̙̦̹͌*̷̭̙̦̳͑̊̑)̴̞͓͆̌͛͘)̵̡͉͕̐ö̵̲́̓̽《̸̠̭͕͚͐《̶̭̻̻̅͋o̵̡̻̖̒̄͋͠(̷̥͚̏≧̵̱͕͌͗◇̴͈͒̿≦̵̭̇̈́͘)̴̜̦̞̈͑͒͜o̸̮̟̾̐》̸̙̲̟̀̽͠》̸̙́̅̂ͅ(̷̗͂۶̵̬̰̺͌̽͗*̵̛̖͓͕̖̒ ̷̮̪̽͝‘̸͕͎̓̀̚̚͜ꆚ̴͔̼̅̒͠’̷̥͗̌)̴̟̠̋۶̴̡͚̙̎̕”̵͕̝̌ͅ

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ChipWIN & DESKPOP Present: The Volume 6 Expansion Release!

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EDIT: comp is live! Get it right HERE!

As of today it’s been exactly one month since we unleashed the colossal compilation that is Chiptunes = WIN: Volume 6‘ upon the cyber realm. At this point in the game, do I really need to spell out what that means? ಠ‿↼

OKAY. FINE. I WILL.

IT’S VOLUME 6 EXPANSION RELEASE TIME, BBY! ٩(^‿^)۶٩( ‘ω’ )و٩( ᐛ )و

Album artwork by the multi-talented and multi-limbed Brazos.

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What’s On Tap – Jellica

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Welcome to the fall edition of What’s On Tap! Cooler weather pairs nicely with cool tunes and the first fall seasonal beers this month – let’s rock!

Cambridge-based musician Jellica is a veteran of the chip scene, having released 14+ EP/LP online, running the Kittenrock netlabel, and performing live both in the United Kingdom and abroad. Jellica’s style is somewhat fluid between releases, moving deftly between various genres of electro-pop oriented sounds.

Released on August 31st, Jellica’s newest offering ‘Retrotech Romance’ is a masterclass in SID sounds, with dual Commodore 64 chips pumping out waves of intense textures and funky rhythms. An interesting aspect of this album is that it takes time – each track is at least 4:00 long and all evolve organically rather than using a standard verse/chorus approach. In the style of the American minimalist composers Philip Glass/Terry Riley/John C. Adams, musical events unfold over a series of minutes rather than seconds. Sometimes these are small nudges to the musical orbit rather than colossal impacts; the addition of a higher set of accompanying blips or a 7-tone melody that unfolds over twenty seconds. In our current environment of 140-character snippets, ‘Retrotech Romance’ closes out the summer with a marathon session of electronic jams.

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Paul’s Tech Talk – LSDJ 5.1.0, Civil War Part 1: “Linear” Pitch

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Hello beautiful people and thank you for reading Paul’s Tech Talk on The ChipWIN Blog!

Today we’re going to tackle one, if not THE most groundbreaking update that happened to LSDJ in the midst of all its crazy transformations. With 5.1.0, Johan Kotlinski decided to rewrite the entire pitch behaviour in LSDJ from scratch. For the sake of this article I’m going to try and keep an unbiased point of view. Even though I am pretty partial to the newer versions, I still use the older ones as well. But it’s safe to say that this update was probably the most controversial of all, and it ruffled a few feathers in the community.

In music in general, but more particularly from a software perspective in LSDJ, Pitch is a solid foundation on which a lot of elements are built. And even though LSDJ is a shining example of software ergonomics and accessible design, its complexity still gives it a bit of a learning curve. The 5.1.0 update shook things up so much that artists would either have to relearn a lot of tried-and-true techniques that would now work just as well but very differently, or refrain from upgrading altogether, deliberately missing out on later updates and bug fixes.

Long story short, for a lot of people, upgrading to 5.1.0 and above would break songs from older versions and render quite a few staple sound design techniques obsolete. Let’s take a quick look at what has changed and get a better grasp of the situation.

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Sladerfluous Reviews: ‘Adventures in Bitscape’ by Batou

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‘Adventures in Bitscape’ by Batou fills the vacuum of space with a passionate, thought-provoking soundscape that you absolutely need to stabilize into your own orbit.

Chill, delightful, and contemplative, ‘Adventures in Bitscape’ is a focused concept album featuring 6 cohesive tracks delivering a musical jaunt through the far reaches of space and beyond. Batou focuses on a sparse, precise collection of sounds to augment an ever-present effective use of silence and the space between notes in an evolving experience that absolutely delivers on its promise to send you off on a contemplative journey through the empty reaches of space and beyond with grace and chip-style.

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