What’s up nerds. Rhyphte here, and we got new tunes to talk about. Coming at us straight from London, we’ve gota ripe new release by Shirobon. Aptly titled ‘Rebirth,’ it’s a true return to form for the artist, being primarily based on LSDJ x1. While it’s not the flashiest album Mikey has ever debuted, it’s certainly one that I enjoyed, primarily due to my unbridled enthusiasm for quality LSDJ music. Without further delay, let’s dive right in.
Hey folks! It’s ya boi rhyphte here with some more great summer tunes to talk about. In the midst of V8 submission prep, a very special member of our community was working hard on his first feature length release with his new label! I meant to put this out sooner (closer to the album release and farther from V8), but moving sucks (Editor-in-chief’s note: 100% AGREED), traveling sucks, and doing both in the same week is a gigantic pain in the ass.
I like Catskull Records because of its position as the nucleus of the Midwestern scene. There’s a lot of action on the coasts but the great interior of the states is certainly nothing to sneeze at. Toasterpastries, aka Jack Danial Young, has officially been inducted into the same cabal as the likes of Immortan and ChronoWolf, and I’m glad to see it because he’s definitely been on the come-up for a hot-ass minute now.
I also want to point out the awesome fucking album art. Jack took a picture of the solar eclipse (you know the one) with a GAMEBOY CAMERA. What a badass power move, am I right? The font chosen is very recognizable to the LSDJ goonsquad, of which I am a card-carrying member.
Normally I’d say it’s a little late in the game to be bringing out a “Game Boy/LSDJ-themed” album (it’s INSERT_YEAR_HERE, after all), but Jack has a strong argument for reminding us what these tiny old computers are really capable of. Not that any of us here at Chiptunes = WIN have ever actually forgotten. (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧
After a long hiatus I’m back with ChipWIN writing about some chiptune music, and what better way than beginning with the fantastic album, ‘Illegal Street Racing’ by MisfitChris? This was initially released towards the end of January as solely a digital album. However, it wasn’t until June 24th, when ‘Data Airlines’ produced the cassette release of ‘Illegal Street Racing’, did it come under my radar.
Happy Pride Month, everybody! To fit the theme, I’d like to cover a very special release from Business Pastel that is quite literally a rainbow of expression.
With a vast array of technical styles and moods, this album is just jam-packed with content. All of the tracks flow into one another seamlessly, and serve as little windows into the depth of the character of Billy Murphy, better known as business pastel.
Cityfires’ latest release is fire.That pun is too easy not to make, but I really mean it. With buoyant emotional synthpop, some of the most magnetic sound design I’ve heard all year, and fascinating lyrics – this album’s spirit is most deserving of the title “adventure” out of all that I’ve written about. It’s full of surprises and seriously fine-tuned, with tracks like ‘The Tangle’ trimmed down to interesting ideas, while others such as the titular song take the time they need for a core feeling to hit home.
Full to the brim with electric melody lines, immersive sound design, and creative mixing decisions, this fifteen-track masterpiece never sacrifices quality for quantity. Tight vocal tracks are infused with textured electronica, and organic instrumentation as well. Instrumentals are just as diverse: ‘Daybreak Apparatus’ echoes the peppy videogame joy of earlier ChipWIN comps, while ‘Dreamshifting’ feels like some more recent chiptune which draws from mathrock. Alternatively, ‘Mothfold’ defies description. The whole album is kinetic, and really integrated, a trip through clear landscapes and sights to behold.
It’s finally summer, and I’m finished with college and coming out of hiatus. The last few months have been crunch, and I’ve had muchless time to produce or review, but I’ve still been able to hear so many of the great new titles that have been dropping this year. Among them is yet another excellent indie-chip hybrid, a subgenre of a subgenre I’m starting to notice I have a weakness for.
‘We Were Once Called Spring‘ is Azuria Sky’s experimental and significant expansion into the constantly blending realm of folk and indie. It’s an eclectic assortment of LSDJ riffs, folksy chord progressions, and poignant, sentimental lyrics backed by acoustic guitar.