Hello, how are you all doing today? This week I’ll be reviewing a very interesting album called, ‘Tribal Rock’ by, ‘Kosmic Tantra’ and it’s an incredible selection of tracks to say the least. To give you context, ‘Kosmic Tantra’ are a french 3 person electronic rock band, consisting of a variety of different unique instruments; from the staple gameboy running LSDJ, to the more abstract, Didgeridoo and Accordion. Yes, you heard that right; throughout the entire run time of the album you’ll be hearing amazing ‘Eastern outback instruments’ whilst chiptune & electronic music are used as the backbone of each track. A first for the genre, I think!
Hello everyone! Whilst I was extremely busythese past few weeks, I still managed to find the time to write about this small chiptune EP called, ‘Bull Inside the Echo Chamber’ by ‘Portopak’. The last time he was featured on the‘Chip Bit Sid’ blog, was two years ago, covering his album, ‘Monsters’ as I first started out. If you haven’t heard of him before, Portopak is a Pittsburgh based chiprock musician, and his style is a combination between chiptune andshoegaze music, using a lot of echo on bothhis guitar as well as his own vocals. ‘Bull Inside the Echo Chamber’ is a first for ‘Portopak’, as it’s his first song that’s actually included lyrics with hisvocals, and I’m excited to explore it past the fold.
Hey guys. I’ve been extremely busy these past few months, mainly down to getting the funding secure for Chip Bit Day 18 (which you can read about it later on after the review). Thankfully I’m still finding time to do my reviews for ChipWIN! This month I’m reviewing an album that I’ve been sitting on for a while now; ‘Monolith’ by Graz and released with ‘Ravertooth Tiger’.
The last time I review a Graz album was back in 2016 with ‘Ravepunk’ and that released by ‘Cheapbeats’. It was a great listen whilst feeling incredibly boppy & funky. ‘Monolith’ however is a lot different compared to ‘Ravepunk’, sounding more heavy whilst feeling darker & grittier.
Instead of doing your standard review, I thought I’d do something a little different. At the moment I’ve been extremely busy raising the funds for Chip Bit Day 2018. Yes, Manchester’s latest chiptune event is back for it’s 3rd year, and I’m looking to build upon the foundations laid by the last two tocreate an even better night – or shouldI say nights?!?
[Editor’s note: I nearly un-retired from review writing to cover this magnificent new release composed by one of my original childhood inspirations; Tanaka-san’s Metroid OST is largely responsible for initially engaging my interests in both VGM and chip, if not music in general! I’m glad I didn’t, however, as Paul has done a marvelous job conveying his own enthusiasm and appreciation for ‘Django’ as a chipmusic composer himself. Regardless, please enjoy this lovely take from a member of the new chiptune generation on one of the forefathers of chipmusic’s latest works! ~Brandon L. H.]
If you’ve read any of my previous reviews, you know how laudative and enthusiastic I can get. But today is a bit different. Here I am, listening to this album again, reading up on Tanaka-san’s bio to research the article, recalling the mind-bending experience that was seeing him live at Square Sounds Tokyo last September. Here I am, writing about the article, instead of the album or the artist, trying to sound meta and smart, keeping my composure, because I don’t want you to know that words are failing me.
I don’t want this article to be a string of enthusiastic platitudes and generic descriptions of the music. I love this album and I want my review to do it justice, beyond the fact that I’m still starstruck and not in any fit state to be objective.
And even if this album refuses to fit nicely in a traditional 2k-word album review, which it probably will, I’m still gonna give it my best shot. Here we are. Let me tell you about Chip Tanaka, and his album, ‘Django’.
This beautiful cover art shows the many qualities of Chip Tanaka’s music: Eclectic, goofy, organic, multi-facetted and good for your health.
Hello! It’s my first review of the year so I thought I’d begin with a compilation straight from down under. Released on 18th January, ‘The Great Australian Barbecue Bash’ compilation is the first of its kind featuring an all aussie line up with all the artists, covering an fellow artist from the country. It’s a fantastic line up, with prolific artists such as Ctrix, Tomfoolery and The Family Jewellery, Calavera, and many more!