Posts Tagged ‘facebook’

Chip Bit Sid Takes On: Shortee – ‘Lost’

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After a month off to focus on other matters, it feels good to be back reviewing music at ChipWIN. ‘Lost’ by Shortee was an album that slipped under my radar last year, but as soon as I started listening to it, ‘Guten Morgen’ immediately became one of my top 10 tracks of 2018. That said, the album has plenty more songs worth delving into, so I wanted to do a showcase on The ChipWIN Blog and dive into Shortee’s debut album.

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Aydan Appreciates: ‘Rikki & Vikki OST’ by RushJet1

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From my earliest days on FlashFlashRevolution in 2008, I was intimately familiar with a few of RushJet1’s compositions. ‘Almost There’ and ‘Fighting for Control’ are two pieces that I remember fondly as two of my favorite files in the game, and his complicated rhythms and use of numerous melodic voices gave me a deeper appreciation for the finer things in chipmusic before I was fully aware of the genre and community. Just after Christmas Day of 2018, a game called ‘Rikki & Vikki’ was released with modest, yet positive, acclaim. ‘Rikki & Vikki’ is a puzzle-platformer that can be played alone or cooperatively, and is highly reminiscent of the ‘Mega Man’ series, with each puzzle taking place on a single screen. In addition to its lovable visual aesthetic, RushJet1’s soundtrack perfectly complements the game and stands alone as a marvelous example of chipmusic done well. Let’s dive in!

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Chip Bit Sid’s Chiptune Sans Special: Utsuro Spark – Static Electricity

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It’s last review of the year for me and I thought I’d continue the trend by reviewing absolutely no chiptune. Last year was no contest for me and I reviewed one of my favourite ‘Futurefunk’ albums of the year, ‘Watashi No Yume Diary’ by ‘Bigwave Mikazuki’. It was a wonderful release that I continue to listen to this day. This year however has been harder to choose. Originally I was going to review ‘Moe Moe’ by ‘Moeshop’, an awesome release with a variety of singers. Featuring a worldwide collection of artists from Manchester’s own ‘MYLK’ to Kyoto’s ‘Toriena’, ‘Moe Moe’ was full to brim with character.

However, as the year started to draw to a close, I came across another album; ‘Static Electricity’ by ‘Utsuro Spark’ (released by New Japanese Net Label, ‘Local Visions’). Whilst ‘Moe Moe’ was bubbly and colourful, ‘Static Electricity’ managed to instantly hook me, both through its mystical music and passionate vocals. Ultimately it was the heart of ‘Static Electricity’ that won me over, even when I compared both albums vigorously against one another.

Album artwork by Futureflavor.

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Aydan Appreciates: ‘Digression’ by Snesei

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Hey, ChipWINners! Long-time fans of ChipWIN may remember, on our very first compilation, a track called ‘Button Mash’ by a Detroit-based chipmusician named Snesei. With its high-energy percussion and cute melody, the track has cemented itself as a nostalgic trip down memory lane to the earliest days of my chipmusic blogging career. Every time I hear it, I can’t help but feel emotions rush over me as I recall my college years and the friends that I so cherished during that period. When I saw just four short days ago (as of the publication of this post) that Snesei released a short, 3-track EP with a guest remix included titled ‘Digression’, I was intrigued. Each track on this EP feels as though it’s been written from the heart, and with the central theme of growth, one can tell that a truly personal, loving touch is present throughout. But, I digress… let’s see what we have here.

Album artwork by Mitsuna Vinilo.

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The Unicorn Princess Royally Reviews ‘October (2018)’ by Spaceman Fantastiques

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[Editor’s note: this album was moved elsewhere on Bandcamp well after the article published, so none of the embeds work. ƪ(‾ε‾“)ʃ ]

Happy November, folks!

This month, Spaceman Fantastiques is back with yet another gorgeously articulated record, scoring his life from the previous month, entitled ‘October (2018)’.  Combining a mixture of well mixed sound textures with smartly composed arrangements, this record took me on an adventure that was left waiting to be continued from his last release.

One thing I deeply admire about Spaceman Fantastiques, and a couple reasons I review his work so much, is because I not only love it, but there is also a never ending stream of real creativity that spews out of every variety of instruments used for each album.  A multi-instrumentalist, Spaceman Fantastiques uses each acoustic texture or synthesizer to new brinks of limitations, combining that art with both storytelling and beautiful, listenable music.  This record, and his previous, have been so easy for me to write about because they’ve been so relatable.

Spaceman Fantastiques, courtesy of Bandcamp.
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Chip Bit Sid Takes On: Boaconstructor – ‘Winds Of Null’

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This year has been an excellent year for chipmusic using nanoloop. We’ve had a huge amount of releases ranging from the astounding ‘Geothermal’ by Classic Mistake, to the chilled as hell ‘Vanilla Dome’ by Glooms. This time we have Boaconstructor’s ‘Winds Of Null’. For context into ‘Boaconstructor’, he is a Seattle based musician who also runs ‘The Base bit’, one of the go-to net labels of chiptune. ‘The Base Bit’ have released a variety of accomplished albums such as ‘Refresh’ from Trey Frey, to ‘Steel City Zone’ by ‘HarleyLikesMusic’. It has been three years since ‘Boaconstructor’ has produced an album, with ‘Loop Dreams’ being released in 2015.

Whilst ‘Loop Dreams’ and ‘Winds Of Null’ were produced using Nanoloop, they are vastly different albums. ‘Loop Dreams’ focuses on using modulation to create weird and wonderful noises on a high BPM. ‘Winds Of Null’ on the other hand, focuses more on the bass, as well as detuning the melody and slowing down the music. For me I prefer Boaconstructor’s latest album, as I found it more accessible to listen to. The recording and mastering are also, in my opinion, much higher quality. Everything seems to pop better, with the levels balanced much better than ‘Loop Dreams’.

Album artwork by Dr!p.

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