Posts Tagged ‘famitracker’

This month in The Overworld: Crab Sound

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Nestor Ovilla, also known as Crab Sound, is a Chiptune music producer and the founder of one of the first music collectives in his home country of México. Interestingly enough, he is also an illustrator, writer, and experimental photographer. Born in Tuxla Gutierres, the capital of the Chiapas state on the year 1991, he was always drawn to experimental art.

Crab Sound posing with a gameboy, his instrument of choice.

Crab Sound posing with a Game Boy, his instrument of choice.

On 2010, he started working with producing and programming his own EDM tracks, an activity that flourished with several projects besides of Crab Sound that he still continues up to this day. Self described as “A boy who inhabits an ice mountain, inventing sounds to make the robots and mutants break into dance”, here’s what he had to say about Chiptune.

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Rhyphte Reviews: ‘Scars’ by Watch Out for Snakes

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Y’all. It has not been easy deciding what to write about. The late autumn/early winter releases have been fucking killer. Right now, I’m sitting on like, two half-finished reviews—which is nuts! But I’ve just decided to take the plunge on this ’cause I’ve gotta honor what Matt has accomplished here. Watch Out For Snakes (hereon referred to as WOFS), is a synthwave project from Matt Baum featuring prominent chiptune elements and is a cornerstone of the Atlanta synthwave scene. When I heard ‘Arms Race’ on Volume 7 of the annual compilation, I knew that something truly remarkable was taking shape in the chiptune scene and I couldn’t be happier to see this fucking stellar release at the forefront of Georgia’s chiptune landscape.

Album art for ‘Scars’ by Andrew Tremblay.

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Chiptunes = WIN: Volume 8 [Tracks 21 – 30]

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Every year, ChipWIN releases a compilation of 51 of the best chipmusic tracks of the year, and every year it continues to impress. In case you haven’t been tuning in over the course of the last week, here on The ChipWIN Blog we also happen to review every track from the compilation. A daunting task indeed, but it’s our way of saying thanks to the many people involved in this continuously expanding project. Shall we?

Pixel Syndrome‘s pixel-tastic entry.
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Chiptunes = WIN: Volume 8 [Tracks 1 – 10]

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It’s that chiptastic time of the year again! The long-awaited ‘Chiptunes = WIN: Volume 8’ has finally arrived! Newcomers and veterans from across the globe unite to bring us some of the best chipmusic of the year! Join us as we review the compilation in its entirety!

‘Chiptunes = WIN: Volume 8’ artwork by Nate Horsfall.
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Aydan Appreciates: ‘Klingsardry’ by Kplecraft

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Long ago, deep in the archives of the 8bp community, there was an experimental, Japanese chiptune duo by the name of Kplecraft. Utilizing a wide variety of percussive instruments and a saxophone to name just a few, Kplecraft’s sound is complex in theoretical scope and instrumental diversity. After an eight-year hiatus, they’ve released a new album titled ‘Klingsardry’. Having been released through the Cheapbeats label and recommended to me by Brandon himself – not to mention, its teaser being a fully animated video set to a portion of each track – it’s safe to say that this album was destined to blow my mind.

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THE CLOVER AWARDS: 2018

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The new year is in full swing – MAGFest has come and gone, Chipwrecked is preparing for another great lineup, and we’ve already got a few fun 2019 chiptune releases! But such an active community also makes for a lot you may have missed, and I’d like to give the last year a final sendoff before moving onto this one. I’m proud of the work I did in 2018, but there was a lot I didn’t get to talk about as well. This scene is bursting with music to enjoy and appreciate, so while I can only cover a small portion of it, I’d like to try and spotlight some tunes that deserve the attention.

Naturally, I will be doing this in the silliest way possible.

(Collage by Hoodie)
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