Posts Tagged ‘famitracker’

Chiptunes = WIN: Volume 8 [Tracks 21 – 30]

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Every year, ChipWIN releases a compilation of 51 of the best chipmusic tracks of the year, and every year it continues to impress. In case you haven’t been tuning in over the course of the last week, here on The ChipWIN Blog we also happen to review every track from the compilation. A daunting task indeed, but it’s our way of saying thanks to the many people involved in this continuously expanding project. Shall we?

Pixel Syndrome‘s pixel-tastic entry.
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Chiptunes = WIN: Volume 8 [Tracks 1 – 10]

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It’s that chiptastic time of the year again! The long-awaited ‘Chiptunes = WIN: Volume 8’ has finally arrived! Newcomers and veterans from across the globe unite to bring us some of the best chipmusic of the year! Join us as we review the compilation in its entirety!

‘Chiptunes = WIN: Volume 8’ artwork by Nate Horsfall.
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Aydan Appreciates: ‘Klingsardry’ by Kplecraft

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Long ago, deep in the archives of the 8bp community, there was an experimental, Japanese chiptune duo by the name of Kplecraft. Utilizing a wide variety of percussive instruments and a saxophone to name just a few, Kplecraft’s sound is complex in theoretical scope and instrumental diversity. After an eight-year hiatus, they’ve released a new album titled ‘Klingsardry’. Having been released through the Cheapbeats label and recommended to me by Brandon himself – not to mention, its teaser being a fully animated video set to a portion of each track – it’s safe to say that this album was destined to blow my mind.

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THE CLOVER AWARDS: 2018

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The new year is in full swing – MAGFest has come and gone, Chipwrecked is preparing for another great lineup, and we’ve already got a few fun 2019 chiptune releases! But such an active community also makes for a lot you may have missed, and I’d like to give the last year a final sendoff before moving onto this one. I’m proud of the work I did in 2018, but there was a lot I didn’t get to talk about as well. This scene is bursting with music to enjoy and appreciate, so while I can only cover a small portion of it, I’d like to try and spotlight some tunes that deserve the attention.

Naturally, I will be doing this in the silliest way possible.

(Collage by Hoodie)
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Rhyphte’s Remarks: Why Collabs Are Pretty Cool

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A lot of people make the bassline (huehue) assumption that multiple musicians working together is automatically a band. While the vast majority of multi-man musical acts do come in the tried-and-true form of live-performance groups, the picture is much blurrier in the realm of electronic music characterized by digital production and playback. Due to the relative ease of collaborating piecewise with an individual thousands of miles away via the internet, you see things like features, remixes, and group handles all over the place. While this article is mostly aimed at getting into the “collab” side of things, most of what’s covered can be applied to anything similar enough.

So let’s dive into what a collab actually is, how it can help you grow, and how to manage the development of one!

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The Unicorn Princess Royally Reviews ‘2011’ by WMD

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Happy October, folks!

Just as the month comes to an end, I bring to you a cool little surprise.  Released on September 29, WMD is combining their ability to create atmospheric sound textures and presenting a record paired with straight up chiptune.  It’s been quite a while since something like this has been released, and judging by the comments on their Bandcamp, I’m not the only one excited about it.

Album cover for WMD’s ‘2011’. Credit: Bandcamp

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