Posts Tagged ‘geek’

Guérin’s Dissections: ‘Nouvelle Lune’ by Pain Perdu

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Pain Perdu showed up out of nowhere last year on Chiptunes = WIN Volume 5, surprising everyone with their expert knowledge of LSDJ and their capability to pull amazing, seemingly impossible sounds out of a single Gameboy. Comprised of two Frenchmen—Maxime Roulleaux and ChipWIN’s own Paul Aupetitgendre—this duo lives in Paris and is pushing the French chipscene forward, giving it a fresh face. They have been instrumental in the recent spat of updates that LSDJ has undergone, helping to shape the instrument they’re taking the time to dissect and master. In their debut EP, ‘Nouvelle Lune’, released on Cheapbeats, Pain Perdu demonstrates just what they’re capable of. After a month off, I’m excited to get back to showing you all the best that chiptune has to offer.

~̷̗́̆͐ͅ|̵̩͔̪̠͆̎̎͆͐͝o̵̙͉̜͗͌͐͂|̶̢̡͕̈́̅~̴̭̥͔́͋͆͑̅|̷̨̘͉͚̝͋̏̀͗̎͜Ó̴̧̙̰̞͋͊̀͝|̸̠̜̲́͑͑͒~̸͍͖̘̮̥͑͋̋̅|̸̮̖́̈́̃̚͝o̶̦̝̗̭͜͝|̶̗̦͙̼̔̏̀̒͘͠~̵̮̂̀̍͆̀|̵̣̈́̊́Ȯ̸̯̘̠̝̈́͝|̷̗̎̅͐̄͌͝~̸̝̻͙͆̑͆̇͘̚|̸̻̮̣͙̞̄ö̶̦̭̝̳̰́̀ͅ|̶̢͇͍̭̋̅ͅ~̷͕̳̅͌̈́͒|̶̰͚̞͉̎̊͠ͅƠ̵̱̭̝͚͆̽͐̃̚|̶̢̨̧̮̖̉̋~̶̢̢̤̀̓̉̀͠ͅ|̴͚̯̓̽ͅọ̴̺̟͍̪̖͒̑͂̓|̶̜̞̦͗̈̎̉̐~̷̨͂͒̍̅̔̀|̸̟͚̫̙̰̗̆̎̈́O̵̧̘̫̎̀͐͌ͅ|̸̤͍̣̤̍ͅ~̸̣̽|̸̤̬̱͓͔̈́̓̈́ȫ̴̹̦̒|̵͔̼̀̄̂͋̉̈́~̶͔̥̌̐͛͐͆͠|̶̲͉̈́̂̑͝Ŏ̸̭̣̾͠|̵͙̪̃~̵̱̤̬̤͇̖̅|̷̝͑̀̐͌̿̓ō̵̦̱͎̹̈́̔̓̇͠|̸̡̬̅͛̈͠~̴͔̪̙̉ͅͅ|̶̨̰͎̝̂͒̄̈́̚ͅŎ̵̧̞̖̬͚̳̈́̐̐̅̌|̸͉̈́~̸̧̼͕̙̅|̸͕́̄̈́͑͋̐ơ̶̢͔̙̎͊͂͠|̵͚̠̮̤͖̭̃̓̉̂͝~̶̗̯̜̰̻͈̅̽̅͂͂|̶̛̘̬͓̈́͂Ö̵͇́|̷̬͎͚̳̪̯͋~̶͚͙̅͆̈́̔͠|̷͕̺̔̈́̈́ǫ̵̮̤̬͖̫̾͊́|̴͈͔̿͆~̷̺̟̜̅͊̈́|̵̯̟́Ǒ̶̖̗̺̍|̸̺̬̰̅ͅ~̴̳̌́̿̎|̶̘͔̟̼̏̅͛̄̂͜ǫ̶̤͆͜͝͝|̶̖͕̔̉̎͆~̶̖͆̓̇͝|̶̛̞̟̆̅̇̑̔Ȏ̸͓͔̯̭̝͌̿̏̚ͅ|̴͍̇̕~̴̳̯͝|̸̨̭͈̾̈́̏̆̿̏ͅȏ̵͚̩͆̏͌͊̈|̴̛̫̝̙̹͎͂̕͝~̶̪̈́͋̾͠

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Progression: Music Theory 106 – Secondary Dominants, Modulation, and Temporary Tonicization

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Hey dudes and dudettes,

Tuberz here with my sixth article in the realm of music theory, and the underpinnings of musical witchcraft (knowing lots of cool chords and stuff). Last month we covered the idea of chord substitution from the natural chords found in our modes in an attempt to jazz up our chord progressions to provide a more lush harmonic landscape. By this point my articles may be very hard to follow if you don’t have prior theory knowledge, so it is my strong recommendation for you to you go back and read my previous articles. This article is going to cover the use of secondary dominants in an attempt to solidify chord structures, modulate to other keys and harmonic areas, and temporarily set our tonic to a different chord.

Let’s jam.

Surely you must be running out of images of notation by now. It’s definitely a bit of a niche.

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Chip Bit Sid Takes On: CDIY

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Originally I had a different idea for this weeks’ article, however after a discussion about how I created the CD for the latest chiptune compilation, I decided I thought I’d write about my own method. When I created the last compilation for Superbyte all those years ago, other than the artwork, I had no idea about the logistics required. It’s because of this, it set me back £40 ($52.81) for 100 inkjet CDs with cardboard sleeves. This time around for the Square Sounds compilation I had more knowledge in the area and in doing so I managed to create 25 b&w thermal heated CDs with a pearlescent cover and plastic case for just £20.

Shortly after seeing how successful this was, it made me realise that independent artists could easily produce their own merch on the cheap; it just requires time & the knowledge.

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The Unicorn Princess Royally Reviews ‘Reminisce’ by WMD

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Happy October, folks. I hope you are all well.

Every month that I write these blog entries, I can’t believe how quickly the year flies by. Up in New York City, we’re partly settled into fall; the leaves are barely starting to change colors, and the weather can’t seem to make up its mind. I’ve always regarded autumn to be a time of renewal, and the soundtracks I listen to during this time of the year tend to remain the most nostalgic to me throughout the year.  That being said, we have been blessed with a new WMD album, entitled ‘Reminisce’ and I do believe this one will stay with me in future seasons, taking me right back to the memories of this October.

 

‘Reminisce’ album cover, by WMD

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Progression: Music Theory 105 – Modes, Modality, and Chord Substitutions

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Hey dudes and dudettes,

Tuberz here with my fifth (can you believe it’s already been that long?) installment in my series of articles centered around the understanding and application of music theory. Last month we covered chord voicings and counterpoint in an attempt to make our progressions sound smoother. As I stated last time, this stuff is starting to get pretty bonkers difficult if you don’t have prior theory knowledge, so I strongly recommend you go back and read my previous articles. This article is going to cover the use of the seven traditional modes in a harmonic context, along with the idea of modal mixture and chord substitutions which will help you add some spice to your chord progressions.

Let’s jam.

ah yes spicy music i love me some coriander on my music

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