Posts Tagged ‘geeky’

Guérin’s Dissections: ‘Nouvelle Lune’ by Pain Perdu

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Pain Perdu showed up out of nowhere last year on Chiptunes = WIN Volume 5, surprising everyone with their expert knowledge of LSDJ and their capability to pull amazing, seemingly impossible sounds out of a single Gameboy. Comprised of two Frenchmen—Maxime Roulleaux and ChipWIN’s own Paul Aupetitgendre—this duo lives in Paris and is pushing the French chipscene forward, giving it a fresh face. They have been instrumental in the recent spat of updates that LSDJ has undergone, helping to shape the instrument they’re taking the time to dissect and master. In their debut EP, ‘Nouvelle Lune’, released on Cheapbeats, Pain Perdu demonstrates just what they’re capable of. After a month off, I’m excited to get back to showing you all the best that chiptune has to offer.

~̷̗́̆͐ͅ|̵̩͔̪̠͆̎̎͆͐͝o̵̙͉̜͗͌͐͂|̶̢̡͕̈́̅~̴̭̥͔́͋͆͑̅|̷̨̘͉͚̝͋̏̀͗̎͜Ó̴̧̙̰̞͋͊̀͝|̸̠̜̲́͑͑͒~̸͍͖̘̮̥͑͋̋̅|̸̮̖́̈́̃̚͝o̶̦̝̗̭͜͝|̶̗̦͙̼̔̏̀̒͘͠~̵̮̂̀̍͆̀|̵̣̈́̊́Ȯ̸̯̘̠̝̈́͝|̷̗̎̅͐̄͌͝~̸̝̻͙͆̑͆̇͘̚|̸̻̮̣͙̞̄ö̶̦̭̝̳̰́̀ͅ|̶̢͇͍̭̋̅ͅ~̷͕̳̅͌̈́͒|̶̰͚̞͉̎̊͠ͅƠ̵̱̭̝͚͆̽͐̃̚|̶̢̨̧̮̖̉̋~̶̢̢̤̀̓̉̀͠ͅ|̴͚̯̓̽ͅọ̴̺̟͍̪̖͒̑͂̓|̶̜̞̦͗̈̎̉̐~̷̨͂͒̍̅̔̀|̸̟͚̫̙̰̗̆̎̈́O̵̧̘̫̎̀͐͌ͅ|̸̤͍̣̤̍ͅ~̸̣̽|̸̤̬̱͓͔̈́̓̈́ȫ̴̹̦̒|̵͔̼̀̄̂͋̉̈́~̶͔̥̌̐͛͐͆͠|̶̲͉̈́̂̑͝Ŏ̸̭̣̾͠|̵͙̪̃~̵̱̤̬̤͇̖̅|̷̝͑̀̐͌̿̓ō̵̦̱͎̹̈́̔̓̇͠|̸̡̬̅͛̈͠~̴͔̪̙̉ͅͅ|̶̨̰͎̝̂͒̄̈́̚ͅŎ̵̧̞̖̬͚̳̈́̐̐̅̌|̸͉̈́~̸̧̼͕̙̅|̸͕́̄̈́͑͋̐ơ̶̢͔̙̎͊͂͠|̵͚̠̮̤͖̭̃̓̉̂͝~̶̗̯̜̰̻͈̅̽̅͂͂|̶̛̘̬͓̈́͂Ö̵͇́|̷̬͎͚̳̪̯͋~̶͚͙̅͆̈́̔͠|̷͕̺̔̈́̈́ǫ̵̮̤̬͖̫̾͊́|̴͈͔̿͆~̷̺̟̜̅͊̈́|̵̯̟́Ǒ̶̖̗̺̍|̸̺̬̰̅ͅ~̴̳̌́̿̎|̶̘͔̟̼̏̅͛̄̂͜ǫ̶̤͆͜͝͝|̶̖͕̔̉̎͆~̶̖͆̓̇͝|̶̛̞̟̆̅̇̑̔Ȏ̸͓͔̯̭̝͌̿̏̚ͅ|̴͍̇̕~̴̳̯͝|̸̨̭͈̾̈́̏̆̿̏ͅȏ̵͚̩͆̏͌͊̈|̴̛̫̝̙̹͎͂̕͝~̶̪̈́͋̾͠

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Progression: Music Theory 106 – Secondary Dominants, Modulation, and Temporary Tonicization

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Hey dudes and dudettes,

Tuberz here with my sixth article in the realm of music theory, and the underpinnings of musical witchcraft (knowing lots of cool chords and stuff). Last month we covered the idea of chord substitution from the natural chords found in our modes in an attempt to jazz up our chord progressions to provide a more lush harmonic landscape. By this point my articles may be very hard to follow if you don’t have prior theory knowledge, so it is my strong recommendation for you to you go back and read my previous articles. This article is going to cover the use of secondary dominants in an attempt to solidify chord structures, modulate to other keys and harmonic areas, and temporarily set our tonic to a different chord.

Let’s jam.

Surely you must be running out of images of notation by now. It’s definitely a bit of a niche.

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Progression: Music Theory 105 – Modes, Modality, and Chord Substitutions

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Hey dudes and dudettes,

Tuberz here with my fifth (can you believe it’s already been that long?) installment in my series of articles centered around the understanding and application of music theory. Last month we covered chord voicings and counterpoint in an attempt to make our progressions sound smoother. As I stated last time, this stuff is starting to get pretty bonkers difficult if you don’t have prior theory knowledge, so I strongly recommend you go back and read my previous articles. This article is going to cover the use of the seven traditional modes in a harmonic context, along with the idea of modal mixture and chord substitutions which will help you add some spice to your chord progressions.

Let’s jam.

ah yes spicy music i love me some coriander on my music

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Chip Mom’s Kitchen #40: Oreo Mini Cheesecakes

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Every once in a while the infernal notification machine that is Facebook throws something worth while at me gives me an idea that temporarily justifies its continued ruinous existence.

What’s this? A delectable delite that I wanted to remember from forever ago? Thanks, Zucc, you actually did something right for a change! Time to make some…

Oreo Mini Cheesecakes!

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