Posts Tagged ‘harmony’

Progression: Music Theory 108 – Extended Harmonic Devices, Pivoting, and Planing

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Hey dudes and dudettes,

Tuberz here with both the first post of the year 2018 for the Chipwin Blog (!!!) and my eighth article in the realm of music theory. Christmas was great. New Years was dope. I ate far too much food and to even that out, I need to let a little bit of air out of my fat head. Last month we covered the idea of Time Signatures and debunking the myth surrounding its difficulty by breaking it down into twos and threes. As I’ve been covering music theory for eight months now, if you have difficulty at any point, don’t dismay! Just backtrack through my previous articles to help get your head around the theory concepts I’ll be discussing. This month I’m covering additional harmonic devices that you can use, including the idea of pivoting to other key areas, and the idea of diatonic and chromatic planing.

Let’s jam.

not that kind of planing… but perhaps this kind is more exciting

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Progression: Music Theory 106 – Secondary Dominants, Modulation, and Temporary Tonicization

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Hey dudes and dudettes,

Tuberz here with my sixth article in the realm of music theory, and the underpinnings of musical witchcraft (knowing lots of cool chords and stuff). Last month we covered the idea of chord substitution from the natural chords found in our modes in an attempt to jazz up our chord progressions to provide a more lush harmonic landscape. By this point my articles may be very hard to follow if you don’t have prior theory knowledge, so it is my strong recommendation for you to you go back and read my previous articles. This article is going to cover the use of secondary dominants in an attempt to solidify chord structures, modulate to other keys and harmonic areas, and temporarily set our tonic to a different chord.

Let’s jam.

Surely you must be running out of images of notation by now. It’s definitely a bit of a niche.

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Progression: Music Theory 105 – Modes, Modality, and Chord Substitutions

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Hey dudes and dudettes,

Tuberz here with my fifth (can you believe it’s already been that long?) installment in my series of articles centered around the understanding and application of music theory. Last month we covered chord voicings and counterpoint in an attempt to make our progressions sound smoother. As I stated last time, this stuff is starting to get pretty bonkers difficult if you don’t have prior theory knowledge, so I strongly recommend you go back and read my previous articles. This article is going to cover the use of the seven traditional modes in a harmonic context, along with the idea of modal mixture and chord substitutions which will help you add some spice to your chord progressions.

Let’s jam.

ah yes spicy music i love me some coriander on my music

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Progression: Music Theory 104 – Voicings, Voice Leading, and Counterpoint

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Hey dudes and dudettes,

Tuberz here with another installment in the series of articles centered around the understanding and application of music theory. I took last month off to look over the brand new Fearofdark album (and *SPOILERS* it’s a banger */SPOILERS*) but it’s given me a fair amount of time to get together an idea of what I’m going to cover today. Last article I covered extended chords like sevenths and the multiple ways you can build these chords using intervals and simple counting schemes. It is highly recommended that you read through my previous articles before venturing into this one, as it’s gonna get heckers (Adjective: frantic af). This article is going to be all about taking our chords that we’ve set and making them flow smoothly, or not depending on circumstance, as well as notes in our melody and counter-melody flowing smoothly.

Let’s jam.

Ah yes. More of that prehistoric paper for me to write my hexadecimal microsoft excel tunes on

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Glenntai Got… ‘Bare Knuckle, a Streets of Rage Megamix’ by Auxcide

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For those of you from the west coast of the US and those of you familiar with the Philadelphia chiptune scene and/or MAGFest, the name Auxcide is likely a very familiar to you. Armed with several Gameboy Advance SPs, synthesizers and drum machines, his unique blend of electronic music genres within the media of chipmusic have struck deep emotions as much as it has made people dance. During this summer of excellent releases coming from talented composers, Cheapbeats has given us a treat by releasing Bare Knuckle: a 15-minute live-recorded medley full of music from the Streets of Rage/Bare Knuckle/ベア・ナックル series. Yuzo Koshiro has been known for his bouncy, syncopated dance rhythms that combined elements from house, jazz, hip-hop and a variety of EDM genres.  Continue after the jump for some good jams.

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