After a long hiatus I’m back with ChipWIN writing about some chiptune music, and what better way than beginning with the fantastic album, ‘Illegal Street Racing’ by MisfitChris? This was initially released towards the end of January as solely a digital album. However, it wasn’t until June 24th, when ‘Data Airlines’ produced the cassette release of ‘Illegal Street Racing’, did it come under my radar.
Ozymandias by ‘Starving GOGO’ (and distributed by Cheapbeats) has been under the radar for a while, being released back in October 2018. However, it is definitely one that people should pick up and get into. Last year I had the absolute privilege of meeting ‘Starving GOGO’ and having him play at Chip Bit Day 2018. Needless to say Starving GOGO’s entire set blew everyone away with his blend of chiptune, electrocore, and attention to detail in LSDJ. As well as playing live, GOGO also faced off against ‘Tekmann’ in a ‘ChipBattle’, playing some fantastic quick tunes that are actually featured on this album.
After a month off to focus on other matters, it feels good to be back reviewing music at ChipWIN. ‘Lost’ by Shortee was an album that slipped under my radar last year, but as soon as I started listening to it, ‘Guten Morgen’ immediately became one of my top 10 tracks of 2018. That said, the album has plenty more songs worth delving into, so I wanted to do a showcase on The ChipWIN Blog and dive into Shortee’s debut album.
It’s last review of the year for me and I thought I’d continue the trend by reviewing absolutely no chiptune. Last year was no contest for me and I reviewed one of my favourite ‘Futurefunk’ albums of the year, ‘Watashi No Yume Diary’ by ‘Bigwave Mikazuki’. It was a wonderful release that I continue to listen to this day. This year however has been harder to choose. Originally I was going to review ‘Moe Moe’ by ‘Moeshop’, an awesome release with a variety of singers. Featuring a worldwide collection of artists from Manchester’s own ‘MYLK’ to Kyoto’s ‘Toriena’, ‘Moe Moe’ was full to brim with character.
However, as the year started to draw to a close, I came across another album; ‘Static Electricity’ by ‘Utsuro Spark’ (released by New Japanese Net Label, ‘Local Visions’). Whilst ‘Moe Moe’ was bubbly and colourful, ‘Static Electricity’ managed to instantly hook me, both through its mystical music and passionate vocals. Ultimately it was the heart of ‘Static Electricity’ that won me over, even when I compared both albums vigorously against one another.
It’s my final article of 2017, so I thought I’d write something special that has been a highlight of the year for me. First of all, this reviewis not associated with chiptune, but it’s probably my favourite album of 2017, mainly down to how it made an impact on me during the year. Released jointly by the artist and ‘neon city records‘, ‘わたしのYUME DIARY’ by ‘カヅキBIGWAVE’ is primarily a Future Funk album, and isn’t something I generally listen to. When I first came across the genre, I didn’t really take to it; mainly down to the constant slow downs & over saturation of funky samples. However, that didn’t stop ‘わたしのYUME DIARY’ fromgoing against those cliches that reside in Future Funk, and instead relies upon making great, catchy melodies that stick in your head for most of 2017.
Hello beautiful people and thank you for reading The ChipWIN Blog! Today let’s steer clear from technobabble, we’re here to burst Techno Bubbles together with the Marvellous Mizkai! Hailing from her northern homeland in Wales, Mizkai has been sort of a missing link between Japan and the Isles for a few years now, channelling Japanese and Internet hardcore-sugar-pop culture into her stage alter-ego, and distilling it into the strongest, sweetest cuppa teas ever brewed on this side of the globe.
Even though Mizkai has been around in the scene for quite some time already, dishing out some truly tasty jams on her SoundCloud, she never was much of a fan of “big” or “official” releases, nor did she seem to need it to ascertain her musical and visual identity as an artist. ‘Kiss/Corrupt/Kill’ is an updated, enhanced and somewhat more mature version of her EP ‘Nintendork’, previously published on Bandcamp and sadly, no longer available.
But long before these releases already, Mizkai had been a driving force in the UK Chiptune scene, and where she shone the brightest was live. Quite literally so, might I add. Having had the pleasure of sharing a stage with her and witnessing her awe-inspiring, relentless performance, I was very excited when I heard about this EP. As you know, good jams go well with toast, so I had to be the one to review it. Here’s a selection of my personal favourite tracks.