Posts Tagged ‘jazz’

Aydan Appreciates: ‘Klingsardry’ by Kplecraft

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Long ago, deep in the archives of the 8bp community, there was an experimental, Japanese chiptune duo by the name of Kplecraft. Utilizing a wide variety of percussive instruments and a saxophone to name just a few, Kplecraft’s sound is complex in theoretical scope and instrumental diversity. After an eight-year hiatus, they’ve released a new album titled ‘Klingsardry’. Having been released through the Cheapbeats label and recommended to me by Brandon himself – not to mention, its teaser being a fully animated video set to a portion of each track – it’s safe to say that this album was destined to blow my mind.

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Glenntai Got: ‘Selfie USA’ by RobKTA

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Many people have different inspirations and perspectives on chipmusic, and the emergence of chip elements in modern production was an inevitable expectation in its rise of popularity. We’ve seen and heard many acts expand and continue making music both in and out of the chip community, and today we’re coming across what I’ve always felt was a gem humbly hanging out. Enter RobKTA with ‘Selfie USA’; released with Hyperwave Records. This album is an album that brings you through a wild laser montage as if you’re walking on and around Dotonbori bridge. If you’re not familiar with RobKTA’s delightfully funky aesthetic, get ready for the middle of your week to get that much livelier.

Cover art by Shirobon
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Glenntai Got: ‘MIN – Vignettes of Self Loathing’ by ZBW

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A lot of chip music is very direct with its presentation and direction of how to enjoy it. It also happens to play safe within the boundaries brought to us by keys and scales. Because of this, many people don’t exactly know what to expect when they hear the term “avant-garde”. ZBW’s latest, ‘MIN. – Vignettes on Self Loathing’, would be a good starting point if you search for something avant-garde within chiptune. If you want an adventure of someone else’s emotions, follow me after the jump. Or don’t. We all go to the same place.


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Glenntai Got: ‘Battle Jazz Classics II’ by don’tblinkoryou’lldie

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What can you say about don’tblinkoryou’lldie (fka DBOYD) that hasn’t already been echoed by the community? Highly skilled with sound design and composition, don’tblinkoryou’lldie is a high-energy experience that puts your body and listening skills to work simultaneously with some of the most lush, fleshed-out detail I’ve heard from a Game Boy. If this is your first introduction to don’tblinkoryou’lldie, buckle up and get ready to never blink again in your life.

Art by Kino Johl @moeggoi 
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THE CLOVER AWARDS: 2018

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The new year is in full swing – MAGFest has come and gone, Chipwrecked is preparing for another great lineup, and we’ve already got a few fun 2019 chiptune releases! But such an active community also makes for a lot you may have missed, and I’d like to give the last year a final sendoff before moving onto this one. I’m proud of the work I did in 2018, but there was a lot I didn’t get to talk about as well. This scene is bursting with music to enjoy and appreciate, so while I can only cover a small portion of it, I’d like to try and spotlight some tunes that deserve the attention.

Naturally, I will be doing this in the silliest way possible.

(Collage by Hoodie)
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Glenntai Got: ‘Magenta’ by Seajeff

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There comes a time in everyone’s adventure in music where one asks, “Is there such thing as ‘too much of a good thing’?” It’s easy to summarize your viewpoint on life in this question. This question, however, gets immediately muddled by the existence of Magenta by Seajeff (fka C-Jeff); founder of the gateway to a ton of excellent progressive jams known as Ubiktune. There’s literally so much content and so much quality that the answer is either “no, there’s no such thing as ‘too much of a good thing,’” or I’m now a self-declared hedonistic opportunist. Maybe the answer’s both at this point, but let’s save that quandary for another time. This album is a badass journey through time and demands a listen, and after the jump I’ll give some examples (and a music video) for you to understand why.

Album art by Taylor Crisdale (alt. cover by Diana Jakobsson).

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