The last month has been pretty insane for me. I just moved from Boston to the glorious concrete jungle of NYC for work, and part of my plan is to be closer to the scene here, and other great music scenes I love. New York City is a breeding ground for inspiration if you look in the right places. There’s always something to do, someone playing a gig, someplace hidden that’s DIY filled with passion projects. There are young people and people who’ve become worldly throughout the decades, taking what they know and using it to hopefully inspire others. This brings me to this month’s article: I wanted to cast some light onto some of the people in these converted warehouses and buildings to showcase the positive difference they’re making with art, visuals, music, sound, and booking.
Last month, I had a really cool opportunity to play at a Kick.Snare event, held in Bushwick. The event is hosted and run by Kris Keyser (also known as ‘Onism’) and Christophe Richard (also known as ‘Note!’). I’ve also had the opportunity to attend my first PULSEWAVE show, which was the second time I was at Babycastles. This article is about the last month and the kind people I’ve come across at a few NYC events.
I’m back again for the second time this month, though this time, I’m here to talk about the last ever regularly held I/O. Held unexpectedly in the back of a busy bar in Bushwick full of the everyday mid-twenty Brooklyn inhabitant, nobody would suspect a chiptune show to roar from the back room of Pine Rock Box Shop. Reminded of a NYC version of Diagon Alley, I watched the room fill at 8:45PM, and I had the opportunity to meet so many kind people I only know from collecting records or from chatting online. Working together to create a creative and interactive environment for those around them, people danced, looked onto the artists’ setups, and most of all, stood as a collective with a strong love towards a vast genre, as the last monthly I/O came to an end.
Jessen Jurado, the show’s director, brought back original veterans of the first ever I/O to close out the last monthly one, hinting that, maybe, an I/O festival may be in the future. Starting with an excellent set of artists owning the open mic (Delphiki on Gameboy and drum pad in a skillfull and on point performance, Iron Curtain with two tracks on Gameboy [one being a birthday tribute to Radlib], Hedonism Bit showcasing Renoise chops, Flow Mein returning yet again to showcase Gameboy knowledge, Hunterquinn expertly running LSDJ, and Card Party amping up the audience even more with more intricate Gameboy beats). Goferboy, Kris Keyser, and Radlib all gave standing ovation performances (I mean, how could the crowd sit when we couldn’t all help but dance?), while diy_destruction and NO CARRIER provided excellent and interactive visuals. Better yet, this I/O landed on Radlib’s birthday, and seeing friends and fellow performers hop on stage and carry him around mid performance is solid proof that while we all want to create and have fun, it’s better to do so when you’re around the people who matter most.
So, without further ado, let’s hear more about the visualists and headliners of Friday’s event.
On the night of the 22nd, a bunch of East Coast dwellers got together to perform at The Middle East Upstairs in Cambridge, MA. They got together to give the people what they needed for their Saturday night,: and that, my friends, was a night of over the top lo-fi goodness. From the openers to our magical headlinah, the stage was graced by:
Myself, Sam Mulligan, Br1ght Pr1mate, Kris Keyser, and Radlib! Hell. Yes. This article covers the show, what these guys are doing, and how they’re making it happen.
Happy almost MAGFest everyone! In order to get you prepped for the impending wall of chipmusic waiting for you in Maryland in but a few scant days, and as I am the longstanding president of the Paul Weinstein Fan Club/Bowling League (current membership: myself), it is my duty to report to you that there was a new Chipocrite release last month, and if you haven’t listened to it yet you done goofed. The good news is, we can fix that right now! Grab your fancy headphones, go to the comfiest place in your house/apartment/other domicile, and prepare to rock out to ‘Wordplay.’
Ahoy there, ChipWINners! Welcome back to the blog! Now as I’m sure many of you are aware, we’ve recently outdone ourselves again with the release of our second epic annual compilation! Having enjoyed continued success with it, we danced, drank Cherry Wheat and made merry with all of our friends!
Then, as with all great celebrations in life, we woke up the next morning in a state of panic as we realized our terrible predicament: we had 99 problems, and all of them were songs! (Well, 95 to be exact…but I wanted a Jay-Z joke.) Needing to do something with at least some of this residual music (which was mostly pretty damn good), we here at ChipWIN made a deal with the devil and agreed to allow our Editor-in-Chief to create a joint release with us to handle some select tunes from the surplus. In turn, the mighty Kilpatrick, in all his Satanic might, used his silver tongue (by which I mean he spoke plain English with an English accent) to bend the rules (which, technically, did not exist for side-releases!) to allow two additional songs of his choosing that weren’t part of the bundle to be included with album. We acquiesced, and soon thereafter, Devil Kilpatrick, along with his cohort Alex Kelly (who’s a pretty swell guy, actually) turned out what would be Chiptunes = WIN first joint release with another netlabel: PXL-WIN!
Now I know what you’re thinking: should I listen to this… bedeviled album? Is it worth risking my soul to listen to an… abomination these English demons have wrought upon chiptune?
The answer, quite simply, is yes. But don’t fear, for I, Kuma, the bear in a black man’s body, will lead the way through the 17 layers of WIN and prove to you this is a journey worth taking.
Track #1: Deeksha by AlexOgre
First up to the plate is Alex Ogre, a young man from Russia who busts out some incredible stuff on LSDJ. Taking full advantage of the program’s capabilities, Alex has become one of several artists whose work has progressed to the point that it has become exemplarychiptune, and that isn’t a bad thing at all.
A nice, steady bass line, strong use of snappy snares and arps, and a simple, dream like melody all combine to make a song that kicks off PXL-WIN in strong, confident fashion. Put bluntly, this song is a dancer’s dream. Its the kind of song that, when the chiptune community goes out to a venue like 8static, I/O chipmusic or Pulsewave, we expect to hear, and that’s exactly what Alex Ogre wants. He wants to keep you on your feet, and quite frankly, if you don’t want to get up while he’s playing this track, well keep listening to this album, because clearly you’re dead inside and you need chiptune to work its magic on you!
Track #2: C-Side (Tetanus In My Connector Pins) by AutoReMi-PK
Speaking of derpy chiptuners and dickbutts, this second track is one I’m especially fond of as it’s by my friend AutoReMi-PK. You might know Remy from his blog posts here on ChipWIN, or for his level headed attitude in the ChipWIN group, or, most likely, his derpy antics with Ryn and Hoodie in my interview with them about BRKFest! Regardless of where you know him from, or if you didn’t know him at all, one thing that you do know now thanks to PXL-WIN is that he’s also an adept chipmusician!
Specializing in Famitracker composition, Remy takes heavy influence from numerous genres, companies and franchises (most notably Megaman, Super Smash Bros, Kirby, and anything Motoi Sakuraba has touched), which he then uses to craft tunes that run the gamut to fun and quick to lengthy and full of emotion. With its broad pulsewaves, militaristic snares and arpeggios that compliment the melody perfectly, Remy’s “C-Side (Tetanus In My Connector Pins)” is a fine example of the perfectionist lurking inside this affable young man.
Confession time: I’m a sucker for fighting games. The button mashing action, visceral visuals and especially the adrenaline pumping music just make me excited in ways I can’t describe but can be seen at MAGFest for yourself. So when I first heard irq7’s “Twisted”, I couldn’t help but smile the biggest, shit eating grin the world has ever seen! From the moment the perfectly timed build up leading to the sinister words “I try to scream…GO!” drops into the hook, irq7 drags you into the ring and doesn’t let go until he’s knocked you out.
I’m especially fond of this song as it represents a nice compliment to cheapshot’s “Jambo“, a song I’m fond of as it, too, is evocative of a fighting game theme. But while “Jambo” is reminiscent of music heard in Tekken Tag Tournament, “Twisted” takes a more Street Fighter styled approach, reveling in its use of aggressive kickers, heavy, pulse pounding bass and rhythm, and a melody that begs to have a Chun-li style “Yatta!” thrown in over it for good measure!
Very few artists in the scene live up to their name, as most seem to be puns or names of things from yesteryear, and others are just Solarbear. Some, however, let you know from the get go what they’re all about, and no one does that quite as well as AciDnB. Having been inspired after seeing a bevy of Korg synths at an expo in 2010, AciDnB took his love of those sweet, artificial sounds and turned it into a serious passion. The result is music that combines the decadent sounds of KorgDS10 and the finishing touches of FLStudio to create lush tracks such as the song you’re listening to now.
Replete with perfectly timed snares, a fuzzy ass bass line, and some of the coolest and most refreshing non-wub drops I’ve heard in quite a while, “Alien Friendship” invokes stark imagery of flying saucers as disco lights at the most happening party in the galaxy! In a scene that is heavy with dance monsters, AciDnB takes his music a step further by embracing that he is part of a community that loves to boogie on down and runs with it, solidifying himself among artists such as LukHash and Whitely as one of the best beat makers to grace lofi music in the past five years.
As we say goodbye to the stylish and funky “Alien Friendship”, we shift our attention to a song that, admittedly, I wasn’t sure I liked at first. Most of the songs on this album stick out right away and you can tell you’re gonna just be into them the moment they open up. However, when it came to Gab Pearson’s “alcaline pizza”, I wasn’t so sure what to make of it.
It certainly wasn’t a bad song by any means, I just didn’t have any compelling inclination towards it. Over time, however, I found that the song’s strength came from its ability grow on you. Further more, I found that Gab Pearson’s execution in crafting such a song is one of the most deliberate decisions I’ve encountered recently in music, as he’s a musician who switches up his style as often as he eats poutine. Considering that he’s 1) Canadian and 2) he has a song named after the stuff, that means he changes it up a lot.
Making music that ranges from hip hop to chillout to the kind of funky, lofi new jack swing you’d hear in the genesis Sonic games, Gab may be one of the most versatile and understated artists I’ve ever encountered.
Track #6: The Mysterious Shapeshifting Dog by Jay Tholen
What’s this? A slowed down tempo? A dream like rhythm? All accompanied by a masterfully composed lead that could easily be replaced in a live performance by a trumpet or saxophone? Oh yeah, we’re definitely back in Jay Tholen territory. One of a handful of artists to return to ChipWIN on this joint compilation, I don’t think much needs to be said about Mr. Tholen that I haven’t already covered previously in my interview with him. A talented and prolific renaissance man who excels at both visual and musical art, Jay seems to have done everything from dream like music videos to crafting his own video game.
This time around, Mr. Tholen seems to have channeled his love of the Mother series once again to make “The Mysterious Shapeshifting Dog”: a track that sounds like what would have happened to Boney had he eaten the hallucination mushrooms along with Lucas and the rest of the crew in Mother 3. The distorted synth noise, steady, droning snare hits and a rhythm that create an atmosphere that simultaneously mimics a bad trip and an endless walk through a desert, Jay Tholen succeeds once again in leading his audience through another bizarre adventure.
Often times, when art is created, its intended message gets lost, changed, or misconstrued because while its creator may have had one intended message, the observer perceives something very different altogether.
This isn’t possible with monotron’s “Far From Home”. From the moment the pulsewave builds up like a foreign sunrise on a strange horizon, this song makes it very clear that you’re not where you belong. More importantly, it reminds you to make haste finding your way back to familiar ground. In short, “Far From Home” invokes a feeling of fear.
Sure, its got a phat beat and bass line you can boogie too, but if you really listen to your song, it’s very clear monotron is making a statement: that the light of day can only bring comfort for so long, but as soon as the sun sets, a universal fear fills us all. That fear is the fear of the unknown, and of the dark things in our hearts that we subconsciously fill the void with.
Maybe I’m wrong, though. Maybe I’ve mistaken monotron’s message and am just talking out my ass. Why don’t you take a listen and decide for yourself?
Following up monotron in masterful form is a chiptune artist from France named DJ-PIE. A musician who describes himself on his Soundcloud as a “MASTER PEANUS ZDEDEDEDE” (a reference to a ridiculous song he named P E N I S, as well as its various remixes), DJ-PIE busts out with some of the sickest synth play I’ve heard in quite a while!
Having crafted what I deem to be the greatest holiday song ever made for something that isn’t Christmas (even if it wasn’t his direct intent), “K1NG 0V TEH #D4RK” is the perfect Halloween anthem for the chiptune lover in you! Combining almost warlike drum rolls with yowling square waves and a lead that invokes images of a pixelated interpretation of “This is Halloween” from The Nightmare Before Christmas, the song instills a playful sense of devilishness in anyone who happens to be caught in its spell.
Much like when I first started listening to Gab Pearson’s “alcaline pizza” I wasn’t sure what to make of Orbital Strike’s “The M Word” at first. However, unlike Gab Pearson’s jawn, which took a few consecutive listens for me to feel, Orbital Strike grabbed me by the collar, and reminded me just who the hell we were talking about here as soon as they dropped the bass. I was sold.
A song with a dizzying, almost alien, sounding lead, drum complimenting noise effects, and a club worthy bass line, “The M Word” is a seizure inducing dance hit that’s sure to energize and remind everyone listening that Nate and Nick are the frenetic, dubstepping George and Jonathan of the Seattle chiptune scene! The wubs are something I have to compliment, in particular, because while wubs are certainly plentiful in chiptune, I don’t think I’ve heard anyone outside of Auxcide, DireHit, and Ultrasyd drop them with this much skill.
Following up on the awesomeness that was Orbital Strike is a young man who’s taken the west coast by storm. Having found a strong niche for himself in Seattle and Portland is Graz: a versatile EDM artist who may have put forth one of the coolest fakebit songs I’ve heard since I last saw Misfit Chris live over a year ago!
An artist I first encountered after winning a copy of RAVECORE MASTERS Vol 1 from Initial P of Diskowarp, Graz takes a little bit of everything, from chiptune to gabber, to bonk to electro, and crafts music that is, quite frankly, a raver’s wetdream, and Thunderlizard is definitely proof of his skill!
A song that — very similarly to irq7’s “Twisted” — works equally well on the dance floor as it does in a fighting game, Graz has made a track that continues his proud tradition of making pure party music. From remixes of Crazytown’s “Butterfly” to bass heavy eurobeat, Graz has joined the ranks of heavy hitting DJs in the Northwest such as Initial P/Kid Whatever, Jimni Cricket, and J-Mi & Midi-Dto keep the raver scene alive and well, constantly infusing it with anything from chipstep to happy hardcore.
Track #11: We Screw Up At The End by Mr Wimmer & Solarbear
Sometimes, when you least expect, life throws you a curveball. While that odd pitch is normally perceived as a bad thing, this time around it’s absolutely wonderful. You see, we all know Solarbear sucks. That phrase is as axiomatic on this planet as gravity. Or at least, that’s what I thought until I heard this song. I’d like to think it was Mr Wimmer, with his deep, mournful, distorted crooning, skillful guitar strumming, and beautiful face, is the only person that made this song as wonderful as it is. In all honesty, though, and I can’t believe I’m going to say this: I think Solarbear actually has talent.
I know, it’s a difficult pill to swallow, but listen to this track! Listen to it’s sinister noise, sad lead, and pulsing rhythm that seemingly rains down misery on these two poor saps! It’s almost as if Solarbear is acutely aware of how to craft atmosphere in a piece of music that sounds like someone’s spiral down the drain towards personal oblivion! These two bastards actually managed to not only enhance each other, but they managed to make a song that’s the embodiment of a strung out heroin junkie coming down from his fourth fix on a hot summer day in what used to be The Prodigy’s apartment complex in their video for “Breathe”! It’s…It’s…oh wow, they really did screw up at the end.
In the time I’ve been in this scene, I’ve heard chiptune be many things. I’ve heard it be dance music, I’ve heard it be rock; I’ve heard it take the form of folk and I’ve heard it take the form of haunting industrial. Indeed, I’ve heard chiptune used in many a genre and have heard it described it in many ways, but never before have I described chiptune with the adjective I’m about to use right now.
Sexy. KOOL SKULL’s “Lickwid Lazer” is sexy.
Not only is it the first song I’ve ever heard in chiptune that I can straight up consider sexy, but it’s one of the most lustful songs I’ve ever heard, period. Get past the noise, the snares, the static that fills background with dissonant chaos. Listen to that bass line and kicker. Listen to what KOOL SKULL did. Do you hear that? The man made a thrash song over a reggaeton beat, then sang a carnal, domineering lead over it a la Trent Reznor or Ogre of Skinny Puppy! You can just as easily mosh to this song as you can grind up against someone or tie them up to the bedposts and — *cough* I’m sorry I… I got carried away there.
The point I’m trying to make, though, is that surprises such as this are what make me fall in love with chiptune over and over again! Musicians like KOOL SKULL are the guys that make the work we do here at ChipWIN exciting! Between his visceral illustrations and guttural, raw music, KOOL SKULL is a talent that continually pleases and surprises.
Continuing the visceral noise trend that Kool Skull set is unini with his song “shortcut”. A track that lives up to its name, as it’s only rivaled in brevity by AutoRemi’s “C-Side”, “shortcut” may be short, but it certainly isn’t sweet. Striking hard and fast with a violent assault on the senses that deftly combines noise, off pitch pulsewaves, and frantic drum and bass, this song is an excellent example of unini’s style.
Interestingly enough, however, despite the fact that unini crafts music that’s a slam dancers dream, the man himself is incredibly quiet and elusive! In fact, unini is so mysterious that outside of this contribution to ChipWIN, he can only be found on Bandcamp and noisechannel, where he’s only posted on the forums twice!
If this enigmatic newcomer’s style is up your alley, I definitely suggest checking out his debut album on Bandcamp, and, if you’d like to learn more about him, I’d recommend trying to hit him up noisechannel. Just don’t expect him to say anything back. Bandcamp | noisechan
Track #14: That’s Fer Sure! by + Let’s Disinfect! +
My mp3 player has a tendency of putting tracks in alphabetical order as opposed to track listed order, so while the album actually starts off with the aforementioned “Deeksha”, my Sansa clipzip decided that + Let’s Disinfect’s! + “That’s Fer Sure!” was the first track on PXL-WIN, and as far as I’m concerned it made an excellent choice!
I say this because while a large part of what ended up becoming ChipWIN Vol 2 had to do with flow from one song to another, PXL-WIN seems to have done the opposite and gone back to ChipWIN’s roots by putting out a release that’s much more dynamic. That’s not to say PXL-WIN doesn’t have synergy, but when it comes to energy you don’t get much more dynamic than this!
Deftly combining his punk sensibilities and skills as a singer and multi instrumentalist, the prolific talent that is Sean Monistat (who has contributed to ChipWIN as + Let’s Disinfect! +, Sean Monistat, as well as with his bandmates in Thorazine Unicorn!) proves he is a force to be reckoned with in a song that’s not only full of life but catchy as hell! Between his clever use of the pulsewave being used as a rhythm guitar, his frenetic guitar solo, and mosh pit inducing lyrics, I dare you not to sing the lyrics along with him whenever you hear this jawn!
Honest. Derpy. An astute awareness of being both. These are things I appreciate in a person. Fortunately, Sam Mulligan is all these things and more, as he’s not only a talented musician and a vibrant DJ, but he’s charismatic enough to tell his seemingly never ending stories of failure as well!
Seriously, how can you not love a man who openly admits how damn stupid he can be! “I’m An Idiot!” is another in a long line of songs that is just quintessentially Mulligan. Fun, energetic, quick, and laughter inducing, this particular song earns extra points with me for sounding like “punk” groups I used to listen to in the 90s, like early Green Day a la Dookie and Insomniac, Blink182, and Sum41.
Chiptune gets accused of being a cheap trick that cashes in on nostalgia, and because there are people and companies that do take advantage of this I think there’s a sort of uneasiness about nostalgia being used as an adjective in the scene. While that’s an unfortunate truth we have to live with, nostalgia isn’t something to be ashamed of. In fact, if done properly, thoughts and experiences that invoke memories of yesteryear can be reveled in, and this does so in hilarious fashion. Breaking the mold that chiptune only conjures recollection of the late 80s and early 90s era of gaming, Sam’s tale of whimsical dumb fuckery and unfortunate events causes me to recall my asinine teenage years when I used to rip my favorite cds onto mini discs and get into arguments with friends about how they were the future of music.
As a writer and music reviewer, I strive to put out quality material for you guys to read, because even if not a lot of you read it, for those that do, you know that I put a lot of effort of into what I’ve produced and that means a lot to both of us in the long run. But sometimes, there’s not much to say about a song, and such is the case is shakaboyd’s “Morning Breeze”.
Now why is that, you may ask? Well, sometimes a song isn’t a deep metaphor for darkness in the hearts of man or a moan of carnal pleasure among basement party moshpit. Sometimes a song is just good and fun because its, well, good and fun. Filled with a playful melody, cheerful rhythm, wave hits that sound like a steel drum and a beat you can dance or work out to, shakaboyd has made a song that falls into that simply delightful category, along with song’s like chipzel’s “Can’t Stop Us“, Snesei’s “Button Mash” or Brick Breaker’s “Dusk Runner“.
In the end, for all the fancy adjectives I could try to use to describe this song, no amount of words can compare to the fact that, quite simply, it makes me smile.
I remember the first time I saw Corset Lore. She got up on stage to perform a song she was working on during an I/O open mic session and I was thoroughly impressed by what I heard and saw. I walked up to her and asked her if she’d be interested in submitting to ChipWIN. Little did I know, being very new to chiptune at the time, just how long she had been rocking the scene. I would later find out to great surprise and moderate hilarity that not only had she been kicking ass in the community for years, but that she’s one of the great vets of the East Coast chip scene!
Having performed at venues along side other heavy hitters such as minusbaby, Bitshifter, Kris Keyser, Bubblyfish and Glomag, I’m sure you can imagine my embarrassment at this situation! I like to think childlike enthusiasm must have worked (although I know it was really the work of Devil Kilpatrick) because she submitted the incredible track you’re listening to now!
Wrapping up PXL-WIN with elegance and style, “The Cloma” is a continuation of Tamara Yadao’s proud tradition of crafting music that’s both intricately melodic and easily enjoyable in way that’s accessible to the masses. With its fun beat, energetic lead and sweeping rhythm that combine in a way that make you want to listen to this song all day, Corset Lore manages to make a song that feels comfortable in any setting, regardless of tastes.
That’s a feat that’s certainly rare in a scene many already consider too obscure to be mainstream. I just hope that if I ever get to hear her play this live, that she plays a guitar over this incredibly lofi melody, because it’s just begging for some sweet riffs to be layered in with it a la Square Therapy’s “Miracle Max & The Cliffs Of Insanity“! If Ms Yadao’s music is your cup of tea (and I don’t see why it wouldn’t be) I recommend checking out her home page so you can keep up with and learn about not only what she does as Corset Lore, but the various other audio/visual projects she’s invovled with, including foci + loci, frogwell and tu.
That wraps up this album review. I hope you enjoyed taking this journey with me through PXL-WIN and that you’ll continue to stick with both Chiptunes = WIN and PXL-BOT. PXL-WIN is the 6th album we here at ChipWIN have helped release since 2012, and while we’ve certainly gained quite a bit of momentum over the past year, we don’t expect to stop doing what we do, and neither should you! So stick around and don’t forget to keep up with us and and all your favorite artists on Facebook, Twitter or Tumblr. I promise you, you guys ain’t seen nothing yet.
So it’s been well over a week since 8Static’s 4th birthday bash, and the relaunch of this blog has been stalled a bit by equal parts Philly Flu, busy life business and, of course, procrastination. Sorry, everyone!
It’s honestly a colossal task, trying to recap an event of this magnitude. I mean, really! What can be said about this show that hasn’t been summarized one thousand times better already? Was this 8static legendary? Absolutely. Mind-blowing? Most definitely. Just about THIRTY performers shared that stage on a night that no one in attendance will soon, if EVER, forget. From the open mic to the alumni showcase, and the scheduled performers that followed, everyone gave 110% throughout. Everyone in attendance charged PhilaMOCA with a pure spiritual energy that affirmed and re-affirmed everything that makes this scene, the musicians, visualists, organizers and fans truly the best in the world.
For a few incredible hours, we were all home.
With absolutely zero regret, I roped a good buddy of mine into taking an impromptu roadtrip to show him what live chiptune is all about. That’s my excuse, anyway, and I’m sticking to it. The first 8static I’d been fortunate enough to attend was back in April, during a fairly restless time where I’d been traveling about as much as my wallet would permit. And ever since that first taste of Philadelphia’s incredibly talented and welcoming chiptune community, I had been absolutely dying to return. With 8static’s 4th anniversary coming up, and a slew of incredible acts scheduled to perform, I knew in my heart there was no better time.
But that’s enough expository rambling. You all came here for the music, and I would be honored to serve up my favorite bits.
Starting, of course, with the open mic. By chance and fortune, I actually had the great pleasure of kicking the show off! But more about that later.
There were so many performers that night, so I’ll offer my sincere apologies in advance for skimming over quite a few. Chip Music Chronicle has the entire show documented, as always, and I can’t urge you strongly enough to check the entire 8static 2E playlist. The recordings are very much essential in understanding just how stellar this show truly was.
The first of my highlights for the open mic would include Pixel8ter‘s fantastic Beastie Boy’s cover of “I Don’t Know”. Check out those shades! This track is also featured on the 8-bit Beastie compilation, which I would definitely recommend checking out.
Shyabeetus was a new face for me, and he did not disappoint. Busting out a killer Castlevania medley that was both entertaining and aptly-suited to the atmosphere and approaching Halloween season, he earned himself a new fan that night. I’m very eager to hear more.
And how about Storm Blooper? Definitely in strong form at this event, he delivered a blood-pumping dance-inducing performance that continued to raise the bar for the night ahead. I don’t think anyone was expecting the open mic session to be THIS strong! This kind of material portends a bright future for chipmusic.
The Alumni showcase soon followed, featuring a variety of veteran 8static performers doing exactly as expected: dazzling the crowd with a slew of memorable performances. Personally, I found Joey Mariano‘s speech and performance to be a poignant reminder of the multitude of ways in which a creative and willing mind can approach the chiptune aesthetic and use it to express their own creative spirit.
Bright Primate‘s performance was quite unique this night, but that may owe a lot to me expecting material from their most recent album. Instead we were treated to a new track that brought rays of sunshine and thoughts of summer days to my mind. I should shut up, but seriously, they completely switched everything up in the most welcome way. Very impressive.
Chipocrite had plenty of surprises in store himself, starting with a track I cannot begin to classify. Awe was induced! But seriously, his performance was fun, mesmerizing, and hell if I can find the words for what more! Dude’s one of a kind and it was perfect having him back in Philly for this one monumental evening. So glad he could make it.
I’d just be foolish not to mention the legendary Alex Mauer, who captivated the entire audience with a mastery of composition and execution that is largely without rival. I don’t know what wavelength he operates on, what space he’s occupying, but he continues to blow minds and open ears.
And I’ll close this portion out with Decktonic‘s “chill” performance! Not simply because he was great out there, but because he was equipped with the single best zinger of the night.
The scary thing? All of this: barely scratches the surface!! But it’s all I have the time to write about this go-round, so be sure to check out Emily Feder’s Chip Music Chronicle Youtube channel for footage of everyone else from the show (& SEVERAL other shows).