Happy November, folks! For this month’s interview, I talked to a multi-instrument & multi-alias chipmusican & event curator friend of mine. This cat’s done quite a bit over the last handful of years (even more than I realized!), and shows no signs of stopping any time soon!
Welcome Lars Shurilla aka The Laohu/Immortan of SLC Chip!
Lars Shurilla aka The Laohu; photo by Neil Jarvie.
The MAGFest: Game Over series is a more intermittent offshoot of the greater MAGFest umbrella of events that fills some of the gaps between larger and more prominent episodes. Game Over: Richmond took place at Fallout in — well, Richmond — on Saturday, October 6th from 7pm to… Whenever it was we funneled out of there. I don’t remember. It was very late.
I’m in Hampton for work at the moment, so I figured I’d drop by and check it out. I wasn’t expecting much going in, but it was a total blast and I was inspired to share my experience when I saw that The ChipWIN Blog team was looking for new hands. Before we even got in the building, I noticed several #chipmoms there supporting their adult children, which was very sweet but also somewhat alarming, given the aura of the venue.
The event catered mostly to the local nerdcore scene, featuring popular “brand-name” regional acts and aspiring local artists in a (Bethesda) Fallout-themed barcade that moonlights as an exclusive BDSM club! CLEARLY the venue had a lot of different stuff going on, and it was extremely refreshing to see members of so many different subculture groups coming together to jam out to some retro tunes. If nothing else, it was (what I’d imagine is) a relatively unique opportunity to see a model cosplaying Bowsette rave-hopping her heart out to Castlevania remixes. So, I can cross that off my list of things that I didn’t know I needed to see.
Hey y’all! =) For this month’s interview, I’m reprising a 2014 blog chat that I had with a very talented Norwegian friend of mine whose music you’re very likely familiar with. Unsurprisingly, the man has accomplished more than enough in the four years since then to warrant yet another sit down with me here on the blog.
Everyone welcome back to the blog, Vegard Kummen aka Kubbi!
Not entirely sure what’s going on here, but it sure makes for a pretty sweet picture.
Crunk Witch, an eclectic and eccentric geeky duo from Maine, is known for their heavy bass, explosive vocals, phenomenal production, and chipmusic-influenced style. They’re also known for touring extensively throughout the United States. Several times a year they come through the college town that I call home, Ithaca, tojam out at one of our favorite local pizza joints, The Nines. This is justa pit stop on their journey to rock the nation, and it’s always a treat to experience the sheer energy that flows through the packed bar during their shows. At these live events, they’ve teased some new material from their latest self-titled album, released a little more than four years after their most recent album, ‘Heartbeats in Hyperspace’. ‘Crunk Witch’ is packed with what long-time fans know and love the duo for, and is sure to open new fans’ eyes to their sheer talent. So come on, everybody; there’s a place we gotta go!
A lot of the chipscene is based in eitherthe Americas, Europe, or Asia. So many talented artists come from these four continents that we often forget about good ol’ Australia. With the recent influx of interest in Square Sounds Melbourne 2018, and a steady flow of music coming from Australian chipmusicians over the last few years, now seems like the perfect time to review one of the most recent works to come out of the region. Calavera is known for his down-tempo bass-filled bangers of tracks, and his most recent work, ‘Kintsugi’, certainly delivers them. We’ll be looking at three tracks from this album in-depth, so buckle up for one hell of a ride.
At the time of the release of ‘Decline’, it had been over 7 years since CCDM’s previous full-length , ‘7″ of Doom’. The scene is ripe for some hard, dark Amiga breakcore, and CCDM aims to deliver in his latest release. Filled with glitchy drum breaks and grungy, low-bitrate samples, ‘Decline’ will melt your brain while you thrash to its beats.