Hey y’all! =) For this month’s interview, I’m reprising a 2014 blog chat that I had with a very talented Norwegian friend of mine whose music you’re very likely familiar with. Unsurprisingly, the man has accomplished more than enough in the four years since then to warrant yet another sit down with me here on the blog.
Everyone welcome back to the blog, Vegard Kummen aka Kubbi!
Not entirely sure what’s going on here, but it sure makes for a pretty sweet picture.
Crunk Witch, an eclectic and eccentric geeky duo from Maine, is known for their heavy bass, explosive vocals, phenomenal production, and chipmusic-influenced style. They’re also known for touring extensively throughout the United States. Several times a year they come through the college town that I call home, Ithaca, tojam out at one of our favorite local pizza joints, The Nines. This is justa pit stop on their journey to rock the nation, and it’s always a treat to experience the sheer energy that flows through the packed bar during their shows. At these live events, they’ve teased some new material from their latest self-titled album, released a little more than four years after their most recent album, ‘Heartbeats in Hyperspace’. ‘Crunk Witch’ is packed with what long-time fans know and love the duo for, and is sure to open new fans’ eyes to their sheer talent. So come on, everybody; there’s a place we gotta go!
A lot of the chipscene is based in eitherthe Americas, Europe, or Asia. So many talented artists come from these four continents that we often forget about good ol’ Australia. With the recent influx of interest in Square Sounds Melbourne 2018, and a steady flow of music coming from Australian chipmusicians over the last few years, now seems like the perfect time to review one of the most recent works to come out of the region. Calavera is known for his down-tempo bass-filled bangers of tracks, and his most recent work, ‘Kintsugi’, certainly delivers them. We’ll be looking at three tracks from this album in-depth, so buckle up for one hell of a ride.
At the time of the release of ‘Decline’, it had been over 7 years since CCDM’s previous full-length , ‘7″ of Doom’. The scene is ripe for some hard, dark Amiga breakcore, and CCDM aims to deliver in his latest release. Filled with glitchy drum breaks and grungy, low-bitrate samples, ‘Decline’ will melt your brain while you thrash to its beats.
This All Hallow’s Eve Eve, let me spin you a tale – a tale of how some skeletons armed with synthesizers and their friends stormed the goth club in Richmond, Virginia and made us lose our minds. Are you ready for… a GosT story?!
May 6th saw the return of Chip Bit Day; a celebration of Chiptune organised by Richard Lewis who you might know as blogger ‘Chip! Bit! Sid!‘ or by his musical pseudonym ‘Jellyatrix.’ Primarily funded by fans using sites like Indiegogo, Chip Bit Day’s second year was just as popular as the debut! With a lineup including festival favourites such as HarleyLikesMusic, and plenty of free goodies from Game Boy cartridge stickers of the performing artists to delicious cake, crowdfunders definitely got plenty for their money. I arrived good and early on the Saturday afternoon, ready for the hard slog of an 8-hour Chiptune marathon to find a few others eager for the show to start.