Posts Tagged ‘lo-fi’

Clover Chain Reacts to: Knasibas – ‘CRY’

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Knasibas has been my friend for awhile now, and I’ve been a fan of his music for even longer. In case you haven’t heard of him, he’s a chiptune/bitpop genius who has been featured on Tracked and Chiptunes = WIN compilations, along with releasing music independently since 2015. Inspired by the sugar rush of jpop, the writing in heavier rock/metal, the appeal of videogame music, and EDM sensibilities, Knasibas has a unique overall sound with distinct and memorable melodies.

So now that you know what to expect, I’m really excited to talk about his latest album ‘CRY’. This release has a lot of depth to it, but the great sense of style speaks for itself. It’s inviting, open and up-front, and I find that… comforting. So rather than try to talk about everything and how it works, I’ll be honing in on that sense of comfort, and figuring out why it stuck with me. Hope you like it!


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Hoodie Highlights… Kubbi in 2018!

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Hey y’all! =) For this month’s interview, I’m reprising a 2014 blog chat that I had with a very talented Norwegian friend of mine whose music you’re very likely familiar with. Unsurprisingly, the man has accomplished more than enough in the four years since then to warrant yet another sit down with me here on the blog.

Everyone welcome back to the blog, Vegard Kummen aka Kubbi!

Not entirely sure what’s going on here, but it sure makes for a pretty sweet picture.

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Glenntai Got: ‘Continue?’ by Blue Navi

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Many of you may not be too familiar with Blue Navi. That might also change when you discover that they previously went under the moniker Ayoshutduff, who has been a seasoned veteran of many Chiptunes = WIN releases. With this EP, titled ‘Continue?’, we have a three-track collection of music finished since his previous, hefty album late last October. Like many artists expanding their level of versatility, Blue Navi decided to experiment with styles out of their comfort zone, and in this case we’ve been given some synthwave that carries a serious mood about it. If you’re looking for some solid music that isenjoyable both as active listening as much as background music, come see what this EP has to offer. (more…)

The Unicorn Princess Royally Reviews ‘The Mountain Is Hollow’ and Interviews little-scale

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Happy April, everyone!

This month on the Blog, I wanted to review a beautiful album written by Australia-based artist and technologist, little-scale. Created by using modular synthesizers, this album works with a niche form of sound design well known to those into various forms of synthesis. I had the opportunity to talk to little-scale this month and it was my mission to get their take on why moving from Gameboys to modular is so appealing, while sharing the specific modules used during the performance of this album.

The world of modular is super in depth, hectic, and beautifully chaotic. Pictured here is a Buchla 200e I grew to get to know and love a few years ago.

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Glenntai Got Em Português by The J. Arthur Keenes Band

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Samba is a music genre that isn’t often heard in the realm of chipmusic. From chords with some complexity to rhythmic layers, I can understand this isn’t the easiest thing to tackle with very limited hardware. While still possible to really capture the spirit of the genre, it needs a wider range of sounds than ones typically provided in either hardware or software. Therefore, of all the artists out there, it makes perfect sense that The J. Arthur Keenes band would come along and provide us with a cover album of their favorite samba songs that’s warm and full of the same quality we’ve all known to expect and love. If you don’t know why that was an exciting statement, it’s time for you to click read more.

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Aydan Appreciates: ‘Snö’ by Ujico*/Snail’s House

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We all love our chipmusic here on the blog. Many of us are familiar with the various kinds of hardware, software, and their unique sounds, be they the NES, the Genesis, the Game Boy, or some other kind of emulator with the express purpose of creating the tones we all know and love. But did you know that the future bass subgenre of electronic dance music is actually in a similar vein to chipmusic by extension? Future bass music is often loosely tied to VGM and chipmusic, and is defined predominantly by its use of synthesizers that are commonplace in all three of these scenes. Today, we’ll be looking at the latest Snail’s House release, ‘Snö’; something that’s particularly notable about this release is the difference in tone between this EP and the majority of Snail’s House’s previous works. Most of this artist’s pieces are high-energy, utilizing a multitude of voices and aggressive percussion to create wild, jazzy tunes, ‘Snö’, on the other hand, is more subdued and calm in nature, sounding something like a soundtrack from a futuristic RPG, but with emotional overtones. Without further ado, let’s see what ‘Snö’ has in store for us.

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